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Eaton, A. W., , . Robust Immoralism
2012, Journal of Aesthetics and Art Criticism 70 (3):281-292.
Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir

Introduction: Several years after the end of the HBO series The Sopranos , I still miss the characters. In particu lar, I miss the protagonist, Tony, who feels like an old friend. This affection of mine for the fictional mob boss gives me pause. After all, Tony Soprano is a murderer, a liar, a thief, an extortionist, and a womanizer; he is pathologically callous, selfish, bigoted, racist, homophobic, and self-centered. So why do I sympathize with him? Why do I admire him? What makes me like him so much?

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