Robinson, Jenefer. The expression and arousal of emotion in music
1994, Journal of Aesthetics and Art Criticism 52 (1):13-22.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: This essay is about the relation between the expression and the arousal of emotion by music. I am assuming that music frequently expresses emotional qualities and qualities of human personality such as sadness, nobility, aggressiveness, tenderness, and serenity. I am also assuming that music frequently affects us emotionally: it evokes or arouses emotions in us. My question is whether there is any connection between these two facts, whether, in particular, music ever expresses emotion by virtue of arousing emotion. Of course, what it means to say that music expresses emotion is a contentious issue and I shall not be directly addressing it here, although what I say will have implications for any theory of musical expression. Nor will I be examining all the possible contexts in which music can be said to arouse emotion. My focus in this essay will be narrower. The question I shall try to answer is this: Are the grounds on which we attribute the expression of emotion to music ever to be identified with the arousal of that same emotion in listeners?Comment:Robinson, Jenefer. Deeper Than Reason: Emotion and its Role in Literature, Music, and Art2005, Clarendon Press.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirPublisher's Note: Jenefer Robinson takes the insights of modern scientific research on the emotions and uses them to illuminate questions about our emotional involvement with the arts. Laying out a theory of emotion supported by the best evidence from current empirical work, she examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone interested in the emotions and how they work, as well as anyone engaged with the arts and aesthetics.Comment:Robinson, Jenefer, Ross, Stephanie. Women, Morality, and Fiction1990, Hypatia 5 (2):76-90.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: We apply Carol Gilligan's distinction between a "male" mode of moral reasoning, focussed on justice, and a "female" mode, focussed on caring, to the reading of literature. Martha Nussbaum suggests that certain novels are works of moral philosophy. We argue that what Nussbaum sees as the special ethical contribution of such novels is in fact training in the stereotypically female mode of moral concern. We show this kind of training is appropriate to all readers of these novels, not just to women. Finally, we explore what else is involved in distinctively feminist readings of traditional novelsComment:Robson, Ellie. Mary Midgley2020, In: The Philosopher Queens: The Lives and Legacies of Philosophy's Unsung Women. Rebecca Buxton and Lisa Whiting (eds.). Unbound.
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Added by: Rebecca BuxtonAbstract:Comment (from this Blueprint): Robson offers an overview of the true breadth and holistic nature of Midgley's work, beyond the widely known aspects of her work such as her thoughts on animal ethics. As such it can serve as a great introduction to any of her works, from her ethics to her metaphilosophy.Rochberg, Francesca. Before Nature: Cuneiform Knowledge and the History of Science2016, Chicago University Press
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, Contributed by: Quentin PharrPublisher’s Note: In the modern West, we take for granted that what we call the “natural world” confronts us all and always has—but Before Nature explores that almost unimaginable time when there was no such conception of “nature”—no word, reference, or sense for it. Before the concept of nature formed over the long history of European philosophy and science, our ancestors in ancient Assyria and Babylonia developed an inquiry into the world in a way that is kindred to our modern science. With Before Nature, Francesca Rochberg explores that Assyro-Babylonian knowledge tradition and shows how it relates to the entire history of science. From a modern, Western perspective, a world not conceived somehow within the framework of physical nature is difficult—if not impossible—to imagine. Yet, as Rochberg lays out, ancient investigations of regularity and irregularity, norms and anomalies clearly established an axis of knowledge between the knower and an intelligible, ordered world. Rochberg is the first scholar to make a case for how exactly we can understand cuneiform knowledge, observation, prediction, and explanation in relation to science—without recourse to later ideas of nature. Systematically examining the whole of Mesopotamian science with a distinctive historical and methodological approach, Before Nature will open up surprising new pathways for studying the history of science.Comment: For students wondering whether or not "philosophy" was done before Socrates and the Pre-Socratics, this text is a fairly comprehensive overview of how ancient Assyro-Babylonians conceived of "nature," their place within it, studied it, and recorded their findings about it. But, more than anything else, this text also shows that ancient Near Eastern cuneiform texts are not to be ignored by budding scholars of ancient philosophy or historians and philosophers of the sciences and their methodologies. Some prior engagement with ancient Greek philosophy, as well as the history and philosophy of science, will help to understand this text.Rogers, Dorothy. America’s First Women Philosophers2005, Bloomsbury.
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Added by: Alison StonePublisher's Note: The American idealist movement started in St. Louis, Missouri in 1858, becoming more influential as women joined and influenced its development. Susan Elizabeth Blow was well known as an educator and pedagogical theorist who founded the first public kindergarten program in America (1873-1884). Anna C. Brackett was a feminist and pedagogical theorist and the first female principal of a secondary school (St. Louis Normal School, 1863-72). Grace C. Bibb was a feminist literary critic and the first female dean at the University of Missouri, Columbia (1878-84). American idealism took on a new form in the 1880s with the founding of the Concord School of Philosophy in Massachusetts. Ellen M. Mitchell participated in the movement in both St. Louis and Concord. She was one of the first women to teach philosophy at a co-educational college (University of Denver, 1890-92). Lucia Ames Mead, Marietta Kies, and Eliza Sunderland joined the movement in Concord. Lucia Ames Mead became a chief pacifist theorist in the early twentieth century. Kies and Sunderland were among the first women to earn the Ph.D. in philosophy (University of Michigan, 1891, 1892). Kies wrote on political altruism and shared with Mitchell the distinction of teaching at a coeducational institution (Butler College, 1896-99). These were the first American women as a group to plunge into philosophy proper, bridging those years between the amateur, paraprofessional and professional academic philosopher. Dorothy Rogers's new book at last gives them the attention they deserve.Comment: A book covering many US 19th-century women philosophers, mostly influenced by Hegel to some extent. Could be used as supplementary reading on a history of philosophy course if it covers the nineteenth century, so that students are aware there were women active in philosophy then.Rogers, Dorothy. The Other Philosophy Club: America’s First Academic Women Philosophers2009, Hypatia 24(2): 164-185.
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Added by: Alison StoneAbstract: Recent research on women philosophers has led to more discussion of the merits of many previously forgotten women in the past several years. Yet due to the fact that a thinker’s significance and influence are historical phenomena, women remain relatively absent in 'mainstream' discussions of philosophy. This paper focuses on several successful academic women in American philosophy and takes notice of how they succeeded in their own era. Special attention is given to three important academic women philosophers: Mary Whiton Calkins, Ellen Bliss Talbot, and Marietta Kies.Comment: Focusing on three nineteenth-century women philosophers, Mary Whiton Calkins, Ellen Bliss Talbot, and Marietta Kies. Could be used as supplementary reading on a history of philosophy course if it covers the nineteenth century.Root, Deborah. Fat-Eaters and Aesthetes: The Politics of Display1996, in Cannibal Culture: Art, Appropriation, and the Commodification of Difference. USA: Westview Press.
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Added by: Erich Hatala MatthesSummary: Root employs Méxica mythology as a lens for revealing the consumptive, and even cannibalistic, character of power. In particular, she points to the way colonial power sets up Westerners as "experts" and arbiters of art and culture, presenting appreciation of culture as a pretext for violence and control.Comment: This chapter serves as an introduction to Root's booklength study of these themes, so the presentation only gestures at these relationships and provides a brief selection of examples that illustrate them. However, if can be useful for raising initial questions about the relationships among power, art, and culture. It provides a counterpoint to a more sanguine perspective on cross-cultural appreciation expressed by Thomas Heyd in "Rock Art Aesthetics and Cultural Appropriation."Rose, Mike. Blue Collar Brilliance: Questioning Assumptions About Intelligence, Work, and Social Class2009, The American Scholar. 78 (3): 43-49
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Added by: Deryn Mair ThomasAbstract: Intelligence is closely associated with formal education - the type of schooling a person has, how much and how long - and most people seem to move comfortably from that notion to a belief that work requiring less schooling requires less intelligence. These assumptions run through our cultural history, from the post-Revolutionary War period, when mechanics were characterized by political rivals as illiterate and therefore incapable of participating in government, until today. More than once I've heard a manager label his workers as "a bunch of dummies." Generalizations about intelligence, work, and social class deeply affect our assumptions about ourselves and each other, guiding the ways we use our minds to learn, build knowledge, solve problems, and make our way through the world.Comment (from this Blueprint): This text is included because while written in a lay style and directed at non-academic readers, it still presents a philosophically interesting argument which challenges the normative assumptions that are often held about 'blue collar' work and professions. The text is therefore useful to raise questions about normative attitudes towards work ethic and work competance, especially as it falls along socio-economic class lines, and their implications for social justice.Rošker, Jana S.. Classical Chinese Logic2015, Philosophy Compass, 10(5): 301-309.
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Added by: Chris Blake-TurnerAbstract: The present article provides an introduction to classical Chinese logic, a term which refers to ancient discourses that were developed before the arrival of significant external influences and which flourished in China until the first unification of China, during the Qin Dynasty. Taking as its premise that logic implies both universal and culturally conditioned elements, the author describes the historical background of Chinese logic, the main schools of Chinese logical thought, the current state of research in this area and the crucial concepts and methods applied in classical Chinese logic. The close link between Chinese logic and the Chinese language is also stressedComment: Presupposes some familiarity with Aristotelian and Fregean logic, as well as ideas in analytic philosophy of language (e.g., theories of reference). This would be a good piece for countering the prejudice that nothing worthy of being called logic was done in the classical Chinese tradition. It is also a good piece for expanding students' imaginative horizons and showing them how their ideas of what logic is have been culturally shaped.Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
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