Comment: This text serves as an excellent introduction and comprehensive overview of contemporary philosophical critiques of work, as one of the central texts in the literature on anti-capitalist and post-capitalist critiques of work. Although a sociologist by profession, many of the author's questions and arguments are, at their core, philosophical. Therefore, she serves as a good starting point for any broad examination of existing systems and structures of work, and for encouraging creative discussion about alternate visions.

Comment: This text, an introduction to a longer work on organisational ethics, proposes and discusses novel arguments about the nature of organisations, and organisational spaces, as moral entities. By challenging long held common sense assumptions that corporate organisations are 'amoral' or outside the scope of human morality, Herzog offers an alternate view. It is therefore useful as a way to examine and discuss alternate visions of organisational structure and the role that human beings play as moral agents within those structures.

Comment: Veltman's text can be used first, to introduce students to the concept of meaningful work and philosophical analysis of its core characteristics; and second, to facilitate discussion on the importance of meaningful work in society, such as discussion about what types of activities counts as meaningful work, whether all people should have access to it, or what role the state plays in providing it, etc.

Comment: Terkel's interviews are useful for a few reasons. They offer a firsthand account of how individuals relate to their particular types of work, and of the sorts of features that people tend to value in their work. Since many of these features align with Veltman's features of meaningfulness, i.e. mastery, a sense of purpose, socialisation, etc., the interviews serve as complementary material. They can help offer examples or cases to supplement discussion about Veltman's analysis.

Comment: The podcast provides more anecdotal material through interviews, but from a more present-day context than Terkel's interviews, and therefore also serve a similar, supplemental role.

Comment: This article offers an interesting and accessible argument for a novel conception of remuneration. In doing so, Penner challenges one of the most foundational premises of a modern system of work - the idea that work and employment are synonymous - in a unique and original way. Therefore, this article can be used to prompt students to think about alternate models of remuneration, and to consider whether those models might offer a more humane system of paid work.

Comment: Greene's perspective, although not the same as Penner's, does share some important features, and as a result, she presents an argument for a right to livelihood which can help push students into another set of questions related to this weeks topic. These ask whether having agency over one's material resources and the manner of their acquisition is so important as to be essential, and consequently, whether that can be considered a right. One could also use this text to challenge the dominant rights narrative - perhaps a having a livelihood is essential, but not the sort of good that can be protected by rights. In that case, one could use the text to explore what other ways this important human capability might be protected, and by whom.

Comment: This text presents several interesting arguments regarding the right to work of persons with disabilities and its relationship with a universal right to work. It can be used, first, to engage students with literature at the intersection of critical disability theory and philosophy of work; and second, to further discuss philosophical questions concerning who should have access to good work and why.

Comment: This text presents several interesting feminist arguments in favour of basic income, while offering some novel criticisms about the way 'work' is typically conceptualised in traditional UBI debates. In particular, McKay points out that most UBI discussion disregards unpaid work, which has a variety of impliciations for gendered labour and class division. Therefore, it can be used, first, to engage students with literature at the intersection of feminist philosophy, philosophy of gender, and philosophy of work; and second, to further discuss philosophical questions concerning how we conceptualise work and what happens when certain forms of work are prioritsed over others.

Comment: This text is useful for several reasons. First, it introduces an argument examining a civic obligation to work; second, it discusses that obligation in relation to structural injustices regarding socio-economic and racial inequality. It can be used to discuss the intersection of these topics more generally, or to further discuss philosophical questions concerning who should have access to good work and why.

Comment: This text is included because while written in a lay style and directed at non-academic readers, it still presents a philosophically interesting argument which challenges the normative assumptions that are often held about 'blue collar' work and professions. The text is therefore useful to raise questions about normative attitudes towards work ethic and work competance, especially as it falls along socio-economic class lines, and their implications for social justice.

Comment: This text raises interesting questions about the relationship between diverse workplaces and democratic practices, and in particular, makes an interesting argument about the implications for racial integration. It can therefore be used to prompt students to think generally about democratic political structures, citizenship, and equality, while also encouraging discussion in particular about the role that work plays in promoting good civic practices.

Comment: The authors argue that consent is an attitude, rather than an act of communication. They give two examples to support this view where the communication of consent doesn’t occur or goes wrong somehow, but nonetheless (they claim) it is intuitively a consensual interaction.

Comment: Here Ichikawa argues that the language of "consent" to sex presupposes that there is a 'requester' who asks for sex and a 'consenter' who then replies yes or no. Ichikawa argues that this reinforces sexist norms of how sex works.

Comment: Good introduction to the topic of consent as it makes clear both how strange it is as a power and how pervasive it is in our moral practices. Goes on to provide an interesting argument for consent as a subjective mental state and offers an account of what that might be. Could support a lecture or seminar on consent, or would make good further reading if the topic is only touched on briefly.

Comment: Dougherty argues that if something is a ‘deal-breaker’ for someone’s sexual consent - for example, they will only have sex if their partner is not a soldier - and their partner lies about it, then the sex they have is seriously wrong, because it is non-consensual. The argument goes like this: 1. It is seriously wrong to have non-consensual sex with someone because of their right to bodily autonomy - they should be able to decide when they want to have sex for any reason they choose. 2. When someone is deceived about one of their deal-breakers, they would not have consented to having sex if they had known the truth, so they haven’t really been able to make the decision for themselves about the sex they would actually be having. Therefore, sex when someone is deceived about a deal-breaker is seriously wrong. Dougherty spends the most time arguing for 2 - that deceit about deal-breakers renders sex non-consensual.

Comment: This reading documents a troubling implication of certain views about consent and deceit so is useful for a real-life application of the debate.

Comment: Tilton and Ichikawa attempt to work out what goes wrong in certain deception cases but not in others. This is useful as a reply to Dougherty's argument that sex from deception is always morally serious and it engages with the issues Fischel raises around gender deception.

Comment: Chapter 4 is about what a feminist should do when they have a sexual desire which is in tension with their feminist beliefs in a way that makes them feel ashamed. There are two natural choices: to give up the shame and continue to have the desire, or to give up the desire. Bartky examines both of these choices and finds us in a tricky situation: it is sometimes apt and understandable to feel shame about a sexual desire (when it really is in tension with your principles), but she is sceptical about the view that we can change our desires at will or with therapy.

Comment: Zheng argues that some sexual desires are morally problematic - namely, racial fetishes. Some people defend racial fetishes by claiming they are mere aesthetic preferences, lacking racist content or origins. Zheng responds that they are objectionable regardless because of their role in the sexual objectification of certain racial groups. This is useful as a case study of a "bad" desire: is it really bad? What is bad about it? Can someone change it?

Comment: Willis describes the double binds women are in: between being too good – boring, frigid, a sexual failure, a cold bitch – and being bad – easy, insatiable, demanding. Willis argues that the only way to solve this is to end the association between sex and badness. This presents an answer to Bartky's dilemma: we should choose to eradicate sexual shame, rather than our desires.

Comment: In the excerpt, the narrator talks about his feelings for Albertine. Sentiments such as sexual desire, love, jealousy, and obsession intertwine, forming a vivid image of a possessive and miserable lover. One highlight of this part is him looking at Albertine sleeping. (See the interpretation of choreographer Roland Petit with the same excerpt/chapter ‘Look at her sleeping’.) To a large extent, this excerpt is also representative of the same mentality expressed throughout the entire book. NOTE: As the book has multiple editions, it is impossible to indicate the page range. The range listed above refers to the linked free e-book copy. The e-book itself doesn't have page numbers, but it can be converted to a PDF online and then it will.

Comment: By showing body movements of love and sexual desire, this clip would provide an representation of the embodied dimension of Proust’s emotional and sexual rumination. We can learn from it that it will be partial understanding if we only describe, analyse and debate sex topics in a dryly manner within academia.

Comment: What is the difference between friendship and passionate love? By analysing history of European literature, Luhmann proposes a history of evolving emotional, intimate and conversational systems. This adds to the main reading in discussing nuances between relationships.

Comment: Kukla uses this paper to describe a view of consent which is relational. This means that rather than asking questions about what each person individually consented to or not, the question is how the people having sex communicated. If they communicate sufficiently well then the sex is consensual, and if they do not it is not. We can use this to challenge a view of consent which has been implicit in most of the readings so far. This paper is used to discuss blameworthiness and responsibility for wrongful sex, and to ask questions about what the real world obligations of agents are, given their lack of complete information

Comment: This paper provides an alternative answer to how to determine individual responsibility to Kukla, Quill R. (2018) 'A Nonideal Theory of Sexual Consent'.

Comment: Chapter 3 is about the perceptions of sex as transactional in the Caribbean and how the definition of "prostitution" has shifted over time. It details how sex work is organised, both in brothels and in other establishments, such as hotels, nightclubs, etc. It explores the experiences and feelings of women who have experiences of various kinds of transactional sex. This chapter can be used as a case study which allows the reader to explore sex work through a variety of lenses: its interaction with broader social issues like racism and poverty; the place of transactions and intimacy in sex and sex work; sexual norms and the social meanings of sexual relationships; and freedom and choice when engaging in sex and sex work.

Comment: Liberto argues that promises to have sex, and promises not to have sex, are a special type of promise that it is morally wrong to make. She does this by first arguing why promises to have sex are “overextensive”. This means that sexual promises promise something too important: sex. After she concludes that promises to have sex are overextensive she spends the second half of the paper arguing why promises not to have sex (i.e. monogmany promises) are not disanalogous to promises to have sex, and thus are also overextensive.

Comment: This text is very useful in showing the often problematic contingencies behind the establishment of the modern art practice and, consequently, attempts to define art. Looking at how the historical development of the concept traced power relations within and between societies, should help us to become more sensitive to those relations and their influence on art theory, and notice the assumptions behind the modern classificatory attempts. This should inspire a discussion on the aims of the project of art classification at large.

Comment: Social theorizing is at the heart of any discussion of class and status. Accordingly, it will help to have a basic understanding of how sociologists have tended to think about social stratification, be it along social class, gender, race, or social status. Both historical and conceptual, this selection provides such a basic understanding for the readings to come.

Comment: A short and illuminating blog post on the distinction between low art/high art, as well as lowbrow/highbrow, which could serve as a helpful introduction or background to the general debate, but also as background on the mechanics of appropriation, as King shows that this distinction doesn't merely rests on a historical or social categorization of objects, but also on our own modes of appreciation: one object could be considered lowbrow by an audience, yet be appreciated (or appropriated) by another audience as highbrow (and vice versa).

Comment: Eaton argues that what really matters in the distinction between pornography and erotic art, has little to do with artistic or aesthetic features, value, or function. Instead, the distinction follows social power structures along the class line: the priviledged reserve art status (and positive value) to works available only in an exclusive ‘private iconic circuit’ but are otherwise no different from those available in the ‘public iconic circuit’ and labelled pornography (and evaluated negatively). Eaton likens the distinction to that between two kinds of prostitute: a ‘courtesan’ and a ‘whore’, suggesting that in both cases the distinctions originate in class divisions and serve to reinforce them. Eaton’s text can serve as a great case study in the debate surrounding the distinction between low and high art, as well as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge?

Comment: Bourdieu's discussion of taste and its relation to different social strata - especially, class - is one of the most prominent in all of sociology. Grounded in a sociological survey from France in the 1960's, readers will find that those surveyed and with the same social status and class seemed to align in terms of their aesthetic preferences - that is, they appeared to have the same tastes. It will be interesting for readers to see some of these findings, but it will also be important for them to consider these findings within their own social contexts. Another important contribution from this selection is in what sense culture can act as a form of capital within different social and class strata, and how different tastes can come to be seen as dominant over others, based on their corresponding status and class affiliations.

Comment: How we "consume" and why we "consume" certain aesthetic objects, as well as value them, is under critical scrutiny in this selection from hooks. She is particularly worried about conceptions and the consumption of what is beautiful when both are heavily influenced by negative social environments, such as pre-established standards based on classist, sexist, or racist power structures. She is also concerned with pointing out that, when we abide by certain power structures in what we consider beautiful objects and worthy of consumption, we often miss out on a great deal of beautiful things which are right before our eyes in everyday circumstances. In light of her discussion, we would do well to think about what might be influencing our conceptions of what is beautiful and how and why we consume beauty as we do.

Comment: Social circumstances often change how we interact with or consume different aesthetic objects. In this selection, hooks worries about types of consumption which are emotionally superficial and Eurocentric. Thinking of Basquiat in particular and black artists in general, she roots her aesthetic appreciation of them - her consumption, so to speak - in her emotional interaction with them through their artistic expressions. But, equally, she also roots it in an understanding of the social circumstances surrounding the production of their art - class, race, gender, etc. So, she is not only advocating and displaying a particular conception of aesthetic value, but also trying to show how her more expansive conception of such value ultimately allows for a greater appreciation of the works of Basquiat and other black artists who have had to traverse Eurocentric and white artworlds and who have tried to challenge such artworlds by making their own works unavailable for such consumption. Both her conceptions of aesthetic value and of worthwhile consumption are important for understanding how some forms of consumption are in competition with each other and why some of them are better and worse, depending on the artist and their social circumstances.

Comment: Veblen's discussion of conspicuous consumption put this concept on the sociological map. Whether it is ostentatious charity, luxury spending, or what have you for the sake of enhancing one's social prestige or highlighting one's position in society, Veblen's conception will likely apply. And, nowhere is this more true than in luxury spending on aesthetic objects and the dominance that wealthy consumers still hold within aesthetic domains, both in terms of production and consumption. As such, this reading and the conception of such consumption that it offers will be essential for understanding various behaviors - for example, how consumers stratify and distinguish themselves and others - as well as why this form of consumption is pernicious in reinforcing status prejudices and inequalities asssociated with class, race, gender, sexuality, and so on.

Comment: This news item discusses the controversy surrounding a 2021 advert for the high-end jewelry brand Tiffany, featuring Beyoncé and Jay-Z, and, in the background, a rarely seen painting by Basquiat owned by Tiffany. This controversy serves to illustrate both the disappointment that hooks and others feel in how Basquiat's work has been consumed in a emotionally superficial and Eurocentric manner, as well as how his work has come to be a luxury object to be conspicuously consumed primarily by the elite and used for the sake of propagating such consumption of other luxury items to the elite (in this particular instance, a 128.54-carat yellow diamond previously worn by Audrey Hepburn and Lady Gaga). The aesthetic appreciation of the painting, when used as a prop for elite interests, is under scrutiny - and, equally, whether Basquiat's intentions and what he is trying to express through his work are respected in such use and whether should be. Moreover, many of Basquiat's works are privately owned and are not displayed to the public, only to elites. So, using this ad as a case study, we should note that aspects of specific class and status affiliations and interests can affect how appropriately or inappropriately an aesthetic object is consumed, if at all.

Comment: Starr highlights in this selection that art and the entirety of humanity go hand-in-hand. Firstly, she notes that art (at least, the best art) has always been, in great part, an expression of humanity's "common life" and not just an expression of its elite's interests. But, secondly and more importantly, she also argues that humans, regardless of their social status or class, cannot live without beauty in their lives. Striving for art has always been essential to joy in humanity's productive capacities, and those products have always been essential to the retention of humanity's hope in itself through our consumption of it. This selection, in conjunction with Du Bois's, makes salient that, although things are often produced by many of us without art in mind and art is often consumed by relatively few of us, such a state of affairs is ultimately not amenable to producing good societies and happy peoples. Art, as she claims, can and must be by all for all, regardless of social status or class.

Comment: In this selection, Du Bois discusses the nature of aesthetic value, how black artists have been historically excluded from creating it for false and racist reasons, and what role black artists actually have to play in creating beauty. Firstly, he establishes an expansive conception of aesthetic value. Secondly, he sets out various examples of how black artists have been historically excluded from producing art in general and art which portrays "blackness" more specifically. And lastly, he sets out a vision for the arts which not only includes black artists, but also recognizes the aesthetic and political value of their work for creating fair and equal societies where beauty is ever present and sought. It will help readers to understand the costs and wrongs that come with exclusionary practices in the production of aesthetic objects.

Comment: When thinking about how class and status influences our aesthetic practices and preferences, it is also important to consider how they also influence the way we display our aesthetic products and culture, and the way we offer access to such displays. David Fleming is one of the foremost UK advocates for accessible museums and he firmly believes that museums can and should be powerful agents of social change. In this particular chapter he clearly introduces what he believes to be the four main reasons why museums in the UK have been socially exclusive, especially regarding class: 1) who runs museums, 2) what they contain, 3) how they have been run, and 4) for whom they have been run. As Fleming shows, privileged classes have been favoured across all these aspects, at the detriment of all others. He refers to this phenomenon as the Great Museum Conspiracy. But Fleming is optimistic and offers practical solutions for bulding a socially inclusive museum based on his own experience at the Tyne and Wear Museums. As such, this chapter can be used both as theoretical background and a case study to consider the social conditions that contribute to the social exclusion of certain classes from their own culture, as well as the economic and material conditions that serve this inequality - an inequality both in terms of access to and representation in aesthetic practices, but also an inequality in terms of the value conferred upon the culture and artefacts of the working classes.

Comment: This link will take you to a free virtual exhibition offered by the People's History Museum in Manchester, which features ten of the most significant pieces in their collection. Together they illustrate what it is to collect, preserve, contextualise, and display the cultural artefacts of the working classes in the UK, all in a accessible and inclusive manner. It also illustrates particularly well how class issues intersect with LGBTQ+, gender, and race issues, precisely because this intersectionality can be materially experienced in these objects.

Comment: Fashion has always been a subject of great interest for sociologists, but only recently for philosophers. In this selection, Crane offers an overview of how fashions/styles/trends have traditionally been thought to spread among and affect the relations between different social groups, but also notes several shortcomings of the existing models. Overall, she ends up concluding that fashion has a number of sources and diffuses in various ways. But, for our purposes, what is particularly important about this selection is in how she casts fashion's diffusion as guided by differential perceptions of class and status and who wants to consume what sorts of fashion, based on those perceptions. Existing models, despite their shortcomings, present a helpful way of understanding various phenomena, including: appropriation, targeted advertizing, class and status signalling, and so on.

Comment: This news item is an interview with Joe Corré, son of British fashion designer Vivienne Westwood and Malcolm McLaren, former manager of the Sex Pistols. In response to the 2016 events celebrating '40 years of Punk' in London, Corré announced he would burn his collection of punk artefacts, estimated to be worth £5 million (he did end up burning it on a barge on the Thames). In this interview, Corré discusses how the punk aesthetic has been appropriated by the very people and institutions that the punk movement was against - the establishment. For Corré, his collection is only worth £5 million because of the mainstream appropriation that punk has undergone - for him these items are worthless, they barely even have sentimental value. But equally, Corré, a very wealthy man himself (he co-founded the lingerie brand Agent Provocateur and sold it to private equity for £60 million), has come under fire for his decision to burn the items rather than give them to charity. As such, this piece is an interesting case study that illustrates the mechanics of class appropriation of fashion as discussed by Crane. But it can also be discussed in reference to the People's History Museum virtual exhibition from week 6, as perhaps Corré's judgement that these items are not worthy of preservation and display is itself clouded by class privilege.

Comment: This article presents a thorough discussion of the competing interests surrounding cultural appropriation and one promising explanation of why it amounts to a harm or wrong based on the notion of intimacy - in particular, breaches of group intimacy. Although this explanation is just one of many that might be given, the hope is that readers will find tools for thinking about the previous items from this week's selections and for developing their own views on cultural appropriation.

Comment: In her 2007 paper, Haslanger sets out the situation of women in philosophy with a particular focus on instutional academic settings. This paper discusses how women are excluded from philosophy (both contemporary and historical) as well as thinking about disciplnary boundaries: why is it that feminist philosophy is not often thought of as 'real' philosophy?

Comment: In this scathing chapter, Waithe argues that people who have left women out of the history of philosophy are either inempt of bigoted. Rather than being an accidental fact of women's general exclusion, she argues that women philosophers have been ignored intentionally.

Comment: Tracy Llanera discusses her personal experience as a non-white woman in philosophy. There is much to learn from this piece, most importantly the need for an intersectional approach. Focusing on the personal experience of women (as we also see in other pieces) is necessary to understand the whole picture of contemporary exclusion.

Comment: In this paper, Hutchings and Owens put forward a new research agenda for women's international thought. This can help us to think though how new canon's might be created or transformed. The paper therefore begins to project of bringing women back into intellectual history.

Comment: In her book, Tyson discusses why it is valuable recognise the contributions of women philosophers, arguing that their lost contributions have the potential to transform the current field. This opens up interesting questions about the value of representation and how we ought to approach campaigning for the inclusion of women.

Comment: A very clear and short introduction to Hypatia, her background, her mathematical works and her philosophical teachings. Whiting also offers a useful overview of the often misleading historiography on Hypatia as well as of 20th century feminist appeals to her character.

Comment: This books offers an deeper overview of Hypatia's life and work. In particular, it notes her political involvement and influences that she had on the city.

Comment: Webb offers a clear summary of Astell's life and work, particularly her campaning on women's education. This can serve as an excellent introduction to Astell's famous text, A Serious Proposal to the Ladies, as Webb offers some elements of context to understand what led Astell to write this text, as well as the paradoxical aspects of Astell's feminism.

Comment: This new edition by Patricia Springborg of Mary Astell's A Serious Proposal to the Ladies: Parts I and II includes helpful introductory material and explanatory annotations to Astell's text. Springborg's introduction places Astell's work in the context of the woman question and the debate over empirical rationalism in the eighteenth-century. Astell defends women-only education, arguing against the dangers of women failing to think for themselves. This text is good to use in an early modern course. It could also be considered in a course on feminist philosophy as an example of early feminist thought (predating Mary Wollstonecraft).

Comment: Robson offers an overview of the true breadth and holistic nature of Midgley's work, beyond the widely known aspects of her work such as her thoughts on animal ethics. As such it can serve as a great introduction to any of her works, from her ethics to her metaphilosophy.

Comment: This text discusses the lives and work of four women philosophers in mid-20th century England: Mary Midgley, Phillipa Foot, Elizabeth Anscombe, and Iris Murdoch. As such it is relevant to discussions of the challenges that women face in academic settings, but it can also serve as historical background on contemporary ethics, as these four philosophers developped ideas that revolutionised the field.

Comment: In this chapter, Salami offers some very useful historical background on Nigeria's pre-colonial past and Yoruba thought. This helps us understand Oluwole's situation as an African philosopher born in colonial Nigeria and influenced by Western philosophy, as well as a staunch defender of Yoruba oral genres and African philosophy as a whole. Salami also notes that Oluwole is one of the rare philosophers to have been influential and admired within and without the academy.

Comment: This book compares Socrates to Ọ̀rúnmìlà, an 'Orisha' or an important sprit in Yoruba. Both Socrates and Orunmila undertook their philosophy orally and passed their teachings and thinking onto students. Oluwole therefore challenges the western assumption that African philosophy does not have a long-standing on deep tradition.

Comment: This text discusses Black women's struggle against oppression and subjugation in America, focusing on white women's role in slavery. hooks argues that this history of slavery is directly linked to Black women's contemporary marginalization.

Comment: In this chapter, Lim recounts Young's childhood and educational background as a way to inform our understanding of her philosophical and political practice. In this sense, this text should deeply enhance students' comprehension of Young's feminist political thought and would serve as uselful introduction to some of her writings on structural injustices and minority rights.

Comment: This is an important work of feminist political philosophy. It would be useful to teach in a course on feminist philosophy, or as part of a course or unit on theories of justice, as it engages with many of the seminal thinkers in this area, such as Locke, Rousseau, and Rawls.

Comment: Nivedita Menon is an influential feminist academic, who briefly taught in Lady Shri Ram College, University of Delhi, and is currently a professor of political science in Jawaharlal Nehru University, New Delhi. What probably heightens her ability to see through the flawless nude makeup of our patriarchal culture is the fact that she was brought up in the Nair community of Kerala which, until her grandmother’s generation, was matrilineal. Seeing Like A Feminist is about both the challenges faced by feminism in India as well as global and intersectional movements of feminism. It covers a wide range of issues like the Hindu Code Bills, the Pink Chaddi campaign that was heavily criticized by the media, ‘gender verification’ tests for the Olympic Games, Section 377 of the Indian Penal Code, gender performativity, the Women’s Reservation Bill (Sharma, 2016). In this chapter, Menon critically examines the concept of ‘nature’ how it functions to corset our perception and actions, and in turn, constrain woBTQ+ emancipation.

Comment: Val Plumwood (11 August 1939 – 29 February 2008) was an Australian philosopher and ecofeminist known for her work on anthropocentrism. From the 1970s she played a central role in the development of radical ecosophy. Working mostly as an independent scholar, she held positions at the University of Tasmania, North Carolina State University, the University of Montana, and the University of Sydney. Feminism and the Mastery of Nature draws on the feminist critique of reason to argue that the master form of rationality of western culture has been systematically unable to acknowledge dependency on nature, the sphere of those it has defined as ‘inferior’ others. Plumwood illuminates the relationship between women and nature, and between ecological feminism and other feminist theories. This chapter on Feminism and Ecofeminism is situated here in the list because it furthers the critical evaluation of nature which Menon draws by turning the discussion on it’s head. Whilst Menon illustrates the ways in which the of nature is utilised as a means of distorting ‘moral’ and political action, Plumwood illustrates the ways in which the concept of nature itself has been distorted and corrupted by colonial and patriarchal realities.

Comment: Angela Davis is an American political activist, philosopher, academic and author. She is a professor at the University of California and a longtime member of the Communist Party USA. She is also a founding member of the Committees of Correspondence for Democracy and Socialism (CCDS) and the author of over ten books on class, feminism, race, and the US prison system. Women, Race and Class is a Marxist feminist analysis of gender, race and class. The third book written by Davis, it covers U.S. history from the slave trade and abolitionism movements to the women's liberation movements which began in the 1960s. In this chapter, Davis examines and describes the unwritten history of black women slaves and their legacies.

Comment: Shilpa Phadke is a researcher, writer, and pedagogue. She is a Professor at the Tata Institute for Social Sciences and chairperson for the Centre for the Study of Contemporary Culture, School of Media and Cultural Studies. Her research interests include: gender and the politics of space, the middle classes, sexuality and the body, feminist politics among young women, reproductive subjectivities, feminist parenting, and pedagogic practices. Why Loiter presents an original take on women’s safety in the cities of twenty-first century India, it maps the exclusions and negotiations that women from different classes and communities encounter in the nation’s urban public spaces. Basing this book on more than three years of research in Mumbai, Shilpa Phadke, Sameera Khan and Shilpa Ranade argue that though women’s access to urban public space has increased, they still do not have an equal claim to public space in the city. And they raise the question: can women’s access to public space be viewed in isolation t of other marginal groups? In this chapter, Phadke explores the myth of the ‘good woman’ and how gendered virtues such as chastity and ‘respect’ function ultimately to inhibit women’s safety on urba

Comment: bell hooks, is an American author, professor, feminist, and social activist. The name "bell hooks" is borrowed from her maternal great-grandmother, Bell Blair Hooks. The focus of her writing is the intersectionality of race, capitalism, and gender, and what she describes as their ability to produce and perpetuate systems of oppression and class domination. All About Love offers radical new ways to think about love by showing its interconnectedness in our private and public lives. In this book, hooks explains how our everyday notions of that it means to give and receive love often fail us, and how these ideals are established in early childhood. In this chapter on Justice, hooks confronts the injustice of childhood by critically examining the lack of autonomy and respect often endured by children. She gracefully articulates the manner in which this injustice lays the groundwork for further distortions and injustices in the world.

Comment: Patricia Hill Collins is an American academic specializing in race, class, and gender. She is a Distinguished University Professor of Sociology Emerita at the University of Maryland. She was the 100th president of the ASA and the first African-American woman to hold this position. Collins's work primarily concerns issues involving race, gender, and social inequality within the African-American community. In Black Feminist Thought, Collins sets out to explore the words and ideas of Black feminist intellectuals and writers, both within the academy and without. Here Collins provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. In this chapter, Collins outlines and illuminates the framework for a black feminist epistemology by juxtaposing it against Western epistemologies that have dominated and hindered thought. In doing so, Collins also underlines the necessity of alternative epistemologies to render the lives of black women intelligible.

Comment: Judith Pamela Butler is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminist, queer, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. In Gender Trouble Butler argues that gender is a kind of improvised performance. The work is influential in feminism, women's studies, and lesbian and gay studies, and has also enjoyed widespread popularity outside of traditional academic circles. Butler's ideas about gender came to be seen as foundational to queer theory and the advancing of dissident sexual practices during the 1990s. In this chapter, Butler critically assesses central literatures that have sought to define and illuminate gender and sexuality; in doing so, they lay the groundwork for their subsequent critique of hegemonic depictions of gender binaries.

Comment: Here we return to Feminism and the Mastery of Nature by Plumwood, but this time to the second chapter which discusses Dualism. This chapter is situated here in the list to provoke discussion of the gender binary and the extent to which critical analysis of dualism can be utilised to dismantle dominant depictions of sex and gender. In this chapter, Plumwood argues that the dualisms like man/woman, black/white, and good/bad all posses the same logical form and they are what underlie the logic of colonisation, domination and patriarchy. In making this argument, Plumwood gives us reason to be sceptical of other philosophical dualisms like subject/object, reason/emotion.

Comment: In this short, seminal piece, Keisha Ray argues that bioethics needs to address issues of health and well-being of Black individuals. She applies Beauchamp and Childress’s famous four principles of bioethics to a particular issue: the disproportionate maternal mortality rate of Black women in the United States. Ray argues bioethics must incorporate the lens of Black bioethics, if the discipline is to remain relevant.

Comment: Wilson et al. argue that intersectionality is an important concept in clinical practice. They clarify the concept and distinguish their call for intersectionality from nearby claims. For instance, they argue that intersectionality goes beyond mere cultural competence that healthcare providers are already trained in, at least to some degree. Their paper is anchored around two fictionalized case studies, which they use to make vivid and explain their central claims. They end by responding to objections, including the very idea of intersectionality itself.

Comment: Yearby argues that appeals to racial categories—social, but especially biological—in medicine harm people from all races, including those from dominant racial groups, like Whites. Yearby first gives evidence for the claim that there is no biological reality to race. She then argues that the continued use of racial categorization in medicine—for instance, as a basis for different standards of care—leads to worse outcomes for all. For example, because Whites are often the de facto standard group in healthcare, their worse health outcomes are sometimes overlooked. Yearby ends by making suggestions for improving the categorization of people in healthcare.

Comment: In this excerpt from her book, Beasts of Burden, Taylor resists the way that animals and intellectual disabled people are often framed in terms of one another. She argues that this does a disservice to both groups. Animals are not voiceless, as they are often constructed. And their comparison to disabled people in the (in)famous argument from marginal cases should not be accepted. Perhaps most importantly, the argument opens for discussion the worth of disabled people’s lives. But this is not something that should be open for discussion, especially given the marginalization of disabled people.

Comment: Wieseler draws on resources developed by feminists and disability theorists to critique the practice of philosophical bioethics (bioethics done by philosophers). In particular, she argues that philosophical bioethics involves and perpetuates ableism. Among its many problems, this ableism is epistemically fraught. It interferes with disabled people’s ability to participate in various kinds of knowledge production. Wieseler uses a lot of technical terms—like epistemic exploitation, epistemic imperialism, and willful hermeneutical ignorance—but she explains everything clearly and the payoff is worthwhile. Wieseler uses these concepts to develop a powerful and thought-provoking critique of bioethical practice with respect to disability. The concepts are also useful in broader contexts, as we’ll see in section 3.

Comment: Stramondo critiques triage protocols that were put into place, or at least proposed, during the COVID-19 pandemic. Stramondo argues that protocols that prioritize quality of life involve ableist commitments. While chance-of-survival protocols might do better here, he argues that they are also vulnerable to creeping ableism. Stramondo’s paper is valuable not only for its perspective on triage protocols, but also for highlighting some crucial theoretical contributions by philosophers of disability and by bioethicists. Stramondo also argues not to cede too much ground to fatalism in thinking about triage protocols; bioethicists should also, and perhaps primarily, resist the framing of triage as inevitable, rather than a product of various privileged interests.

Comment: Moral distress is, roughly, when a healthcare worker is institutionally constrained to act against their best moral judgement. A typical example is a nurse being prevented from giving care they deem morally required because they are hierarchically constrained by the orders of a physician. Moral distress has been much discussed in nursing ethics, but is almost entirely absent from broader bioethics syllabi and conversations. This paper examines moral distress through a lens of feminist care ethics. In doing so, it draws lessons that apply very broadly throughout professional ethics.

Comment: Ashley draws on their own experiences as a trans person, as well as that of the trans community more broadly, to argue against assessment and referral requirements for hormone-replacement therapy (HRT). Ashley argues instead for an informed consent model, on which providers of HRT are not gatekeepers of transness, but facilitators of thoughtful decision-making.

Comment: Priest argues that the state should provide puberty-blocking treatment (PBT) for trans youth, even if their parents are not supportive. Priest’s argument is important partly because it avoids the issue of whether adolescents and children can give properly informed consent. This is a point that some of Priest’s critics seem to have missed (see, for example, Laidlaw et al. 2019. “The Right to Best Care for Children Does Not Include the Right to Medical Transition”, and Harris et al. 2019. “Decision Making and the Long-Term Impact of Puberty Blockade in Transgender Children”). Priest’s conclusion is founded instead on a principle of harm avoidance.

Comment: In this chapter, Maffie compares the general framework of Western philosophy and that of Mexica or Aztec philosophy. The latter offers a genuine alternative to the former, for Mexica’s philosophy, in general, is “path-seeking” rather than “truth-seeking”. This means that the main purpose of philosophy consists in following and expanding a particular way of life. T