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Added by: Meilin ChinnSummary: The earliest extant Chinese treatise on music. The Yue Ji presents largely Confucian ideas on the connections between music, self-cultivation, proper governance, and the realization of natural patterns. Human character is described as a musical progression with ties to the transformation of sound into a kind of music that is distinguished by its relationship to virtue. The exact identity of the author(s) is debated, and it is believed to have been compiled from various sources no later than the middle of the Western Han dynasty (206BCE-24CE).Comment: This text is appropriate for an aesthetics (especially philosophy of music) and/or Chinese philosophy course. It is best accessed by a reader with a basic understanding of early Chinese philosophy (especially Confucianism).Chen, Xunwu. Mind and space: a Confucian perspective2017, Asian Philosophy 27 (1):1-15
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Added by: Xintong WeiAbstract: This essay explores the Confucian concept of the space of the mind and the Confucian view on cultivation of the space of mind. It then argues that the distinction between the mind as a mental substance and the body as a material substance is that the mind can be infinitely extended while the body can only extended to a certain limit.Comment: available in this BlueprintChen, Xunwu. The problem of mind in Confucianism2016, Asian Philosophy 26 (2):166-181
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Added by: Xintong WeiAbstract: This essay explores the Confucian theory of mind. Doing so, it first examines the early Confucian concept of the human mind as a substance that has both moral and cognitive functions and a universal nature. It then explores the neo-Confucian concept of the human mind, the original mind, and the relationships between the human mind and human nature, as well as between the human mind and the human body. Finally, it explores the Confucian concept of cultivation of the mind.Comment (from this Blueprint): During the Warring States period, the rulers of several powerful states began declaring themselves kings, a title traditionally reserved for the Zhou dynasty's ruler. The period culminated in 221 B.C.E. when the king of Qin unified China and declared himself the first emperor of the Qin Dynasty. This era was marked by constant conflict, with the general populace frequently facing threats of death and starvation. In their struggle for survival, state rulers sought out talented individuals and innovative solutions to address these problems. As a result, ancient Chinese philosophy emerged with a strong focus on solving social and political issues, leading to a flourishing of ideas and thoughts. One significant development during this time was the establishment of the Confucian School by Confucius, further advanced by thinkers like Mengzi (Mencius) and Xunzi. Confucianism, which emphasises pedagogy and includes several classical texts central to its study, became the dominant ideology during the Han dynasty (206 B.C.E.-220 C.E.). Confucians were concerned with restoring political order and achieving moral transformation in society through self-cultivation and the preservation of family relations. They advocated for top-down social reform, believing that the ruler should serve as a moral exemplar for the people. Socially and politically conservative, Confucians idealised the sage kings of antiquity and viewed history not as a progression but as a decline into degeneration and corruption. They believed the masses could be transformed through rites (codes of propriety that shape external behaviour) and music (which affects internal emotions and feelings). The ultimate goal was to cultivate the virtue of 'Ren' (humanity). The Confucian approach to the philosophy of mind must therefore be situated within this context of their broader concerns in cultivating moral virtues and transforming society. For Confucians, the human mind is primarily characterised not by cognitive or affective functions, but by aspects of the ‘original mind’ that are essential for making correct moral responses.Huang, Pei-hua. Moral Enhancement, Self-Governance, and Resistance2018, The Journal of Medicine and Philosophy: A Forum for Bioethics and Philosophy of Medicine, 43(5):547-567
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Added by: Sara Peppe, Contributed by: Pei-hua HuangAbstract: John Harris recently argued that the moral bioenhancement proposed by Persson and Savulescu can damage moral agency by depriving recipients of their freedom to fall (freedom to make wrongful choices) and therefore should not be pursued. The link Harris makes between moral agency and the freedom to fall, however, implies that all forms of moral enhancement that aim to make the enhancement recipients less likely to “fall,” including moral education, are detrimental to moral agency. In this article, I present a new moral agency–based critique against the moral bioenhancement program envisaged by Persson and Savulescu. I argue that the irresistible influences exerted by the bioenhancement program harm our capabilities for conducting accurate self-reflection and forming decisions that truly express our will, subsequently undermining our moral agency.Comment: This paper can be assigned as a further reading when teaching the moral enhancement debate. It provides students with a less explored perspective on moral agency in the debate (i.e. the feminist approach to autonomy and Confucianism). Students might find the discussion on the Confucian conception of moral saints in this paper especially interesting when contrasting the conception to the more western ones.Kwang-Myung Kim. Korean Aesthetic Consciousness and the Problem of Aesthetic Rationality1998, Canadian Aesthetics Journal, 2
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Added by: Meilin ChinnAbstract: Aesthetic emotions are reputed to be irrational, but, aesthetic emotions as mental phenomena bear complex relations to rationality. Emotions give us knowledge about the world. The aesthetic consciousness of Korean is the internal roots of the Korean's mentality. The aesthetic consciousness and the mentality are inseparably related to each other. The aesthetic consciousness as the analogy of reason, in the context of A.G. Baumgarten plays a role to extend the logical world. Aesthetic rationality is the common sense or the communicative rationality of it. For the argument of universality we discuss the problem of aesthetic rationality. Since the modern aesthetics, the problem of aesthetic rationality came on the stage of aesthetics. Shamanism as the deep-rooted element of Korean mentality is the most authentic cultural legacy of Koreans. Buddhism, Confucianism, Taoism, and other religious elements influence the unique nature of the Korean character together with shamanism. They play a decisive role in determining the Korean mentality or consciousness. For Koreans, nature is a mirror of the self and a world of meditation which gives life, restoring all things to their proper state. As a peculiar color consciousness, Korean monochrome is characterized by vitality, spontaneity and unconcern for technical perfection. Korean art also tends to be devoid of an artificial movement and this reflects dislike of disturbance, deformation and convention. If we are to consider Korean contemporary art from an international perspective, we must define what it means to be Korean, i.e. our cultural habits and artistic elements hidden in the artist's unconsciousness. In this age of multiculturalism, the new interpretation on tradition makes it possible to merge the Korean art with the world stage. The extension of aesthetic emotion through experimentation shows us the change of aesthetic consciousness as a new possibility of interpretation.Comment: Kim argues for aesthetic rationality, as a kind of aesthetic consciousness, at the heart of Korean identity. He traces its unique cultural legacy in Korean shamanism, Buddhism, Confucianism, and Daoism in order to account for the characteristic vitality and spontaneity in Korean art. This text is appropriate for an aesthetics course. It does not require a background in Korean philosophy, but at least an introductory knowledge of aesthetics would be beneficial.Li Zehou. The Chinese Aesthetic Tradition2009, Honolulu: University of Hawai'i Press
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Added by: Meilin ChinnPublisher's Note: The Chinese Aesthetic Tradition touches on all areas of artistic activity, including poetry, painting, calligraphy, architecture, and the "art of living." Right government, the ideal human being, and the path to spiritual transcendence all come under the provenance of aesthetic thought. According to Li this was the case from early Confucian explanations of poetry as that which gives expression to intent, through Zhuangzi’s artistic depictions of the ideal personality who discerns the natural way of things and lives according to it, to Chan Buddhist-inspired notions that nature and words can come together to yield insight and enlightenment. In this enduring and stimulating work, Li demonstrates conclusively the fundamental role of aesthetics in the development of the cultural and psychological structures in Chinese culture that define "humanity."Comment: Li’s synthesis of Chinese aesthetic thought from ancient to early modern times. Li incorporates pre-Confucian, Confucian, Daoist, and Chan Buddhist ideas to discuss art and the central role of aesthetics in Chinese culture and philosophy. Government, self-cultivation and realization, and ethics are all approached here as aesthetic activities. This text is well-suited to an aesthetics or Chinese philosophy course in which there is some introduction to key philosophical concepts from Chinese philosophy. It provides excellent material for cross-cultural aesthetics.Man, Eva Kit Wah. Female bodily aesthetics, politics, and feminine ideals of beauty in China2000, In Beauty Matters, Peg Zeglin Brand (ed.), Indiana University Press, p169-196.
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Added by: Clotilde Torregrossa, Contributed by: Christy Mag UidhirAbstract: A long and scholarly piece by Eva Kitt Wah Man covers the history of Chinese conventions governing female 'beauty' from Confucius through Maoism to the present day. Classical manuals provide highly specific requirements forc ourtesans and concubines. The shrunken, pulpy appendages produced by foot-binding practiceswere regarded as the most sexually stimulating features of the female body. In 1949, following the inauguration of the Communist regime, women were expected to shun ornament and make-up, to have short hair, wear party uniforms, and to look as much like men as possible. The ideal for the contemporary Chinese woman is quite a lot like the ideal for the courtesan of tradition, but the de-tails are drawn from western fashion magazines. Wah believes that such liberation, although it has its advantages, is mainly nominal and fosters confusion. She writes: 'Although Chinese women today are developing new self-confidence, they do not seem to be aware of the fact that one can be-come a slave of the fashion industry, which merely repeats the bodily constraints of past times in a new form' (p. 194). [review by Mary Mothersill, 2001 - Journal of Aesthetics and Art Criticism 59 (2):211-214.] Feminist Review volume 75, pages145-147, 2003)Comment:Mengzi. Chapter Four: Mengzi (Mencius)2023, In Ivanhoe, Philip and Van Norden, Bryan (eds.), Readings in Classical Chinese Philosophy, 3rd edition. Indianapolis, IN: Hackett Publishing Company
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Added by: Xintong WeiAbstract: The third edition of Ivanhoe and Van Norden's acclaimed anthology builds on the strengths of previous editions with the addition of new selections for each chapter; selections from Shen Dao; a new translation of the writings of Han Feizi; selections from two texts, highly influential in later Chinese philosophy, the Great Learning and Mean ; and a complete translation of the recently discovered text Nature Comes from the Mandate . Each section of this volume begins with a brief Introduction and concludes with a lightly annotated Selective Bibliography. Also included are four appendices: Important Figures, Important Periods, Important Texts, and Important Terms.Comment: available in this BlueprintOlberding, Amy. A Sensible Confucian Perspective on Abortion2015, Dao: A Journal of Comparative Philosophy 14 (2):235-253.
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Added by: Chris Blake-TurnerAbstract: Confucian resources for moral discourse and public policy concerning abortion have potential to broaden the prevailing forms of debate in Western societies. However, what form a Confucian contribution might take is itself debatable. This essay provides a critique of Philip J. Ivanhoe's recent proposal for a Confucian account of abortion. I contend that Ivanhoe's approach is neither particularly Confucian, nor viable as effective and humane public policy. Affirmatively, I argue that a Confucian approach to abortion will assiduously root moral consideration and public policy in evidence-based strategies that recognize the complexity of the phenomena of unplanned pregnancy and abortion. What most distinguishes a Confucian approach, I argue, is a refusal to treat abortion as a moral dilemma that stands free of the myriad social conditions and societal inequities in which empirical evidence shows it situates.Comment: This paper could be usefully coupled with the Ivanhoe paper it criticizes, but it does a good job of summarizing that view and so can also stand on its own. It's an especially useful example of how to apply Confucian principles to a vexed contemporary moral issue. It also provides a good model of a Confucian-inspired philosopher criticizing another on grounds internal to that tradition, which can be used to dispel the thought that Confucian particularism leads to an "anything goes" approach to moral problems.Olberding, Amy. It’s not Them, it’s You: A Case Study in the Exclusion of Non-Western Philosophy2015, Comparative Philosophy 6(2): 14-34.
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Added by: Nick NovelliAbstract: My purpose in this essay is to suggest, via case study, that if Anglo-American philosophy is to become more inclusive of non-western traditions, the discipline requires far greater efforts at self-scrutiny. I begin with the premise that Confucian ethical treatments of manners afford unique and distinctive arguments from which moral philosophy might profit, then seek to show why receptivity to these arguments will be low. I examine how ordinary good manners have largely fallen out of philosophical moral discourse in the west, looking specifically at three areas: conditions in the 18th and 19th centuries that depressed philosophical attention to manners; discourse conventions in contemporary philosophy that privilege modes of analysis not well fitted to close scrutiny of manners; and a philosophical culture that implicitly encourages indifference or even antipathy toward polite conduct. I argue that these three areas function in effect to render contemporary discourse inhospitable to greater inclusivity where Confucianism is concerned and thus, more broadly, that greater self-scrutiny regarding unexamined, parochial western commitments and practices is necessary for genuine inclusivityComment: This article provides an excellent look at the reasons for the exclusion of Confucian philosophy from the Western tradition. It would be useful as a set-up in a course or part of a course on Asian or Confucian philosophy, or in the context of metaphilosophy or a discussion about race and culture in philosophy.Olberding, Amy, Philip J. Ivanhoe (eds.). Mortality in Traditional Chinese Thought2011, SUNY Press.
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Added by: Nick NovelliPublisher's note: Mortality in Traditional Chinese Thought is the definitive exploration of a complex and fascinating but little-understood subject. Arguably, death as a concept has not been nearly as central a preoccupation in Chinese culture as it has been in the West. However, even in a society that seems to understand death as a part of life, responses to mortality are revealing and indicate much about what is valued and what is feared. This edited volume fills the lacuna on this subject, presenting an array of philosophical, artistic, historical, and religious perspectives on death during a variety of historical periods. Contributors look at material culture, including findings now available from the Mawangdui tomb excavations; consider death in Confucian, Daoist, and Buddhist traditions; and discuss death and the history and philosophy of war.Comment: This volume contains a number of excellent essays on mortality as it appears in Chinese philosophy. It would be useful in a history of Chinese philosophy course, or to provide an additional perspective in a course on philosophy of death, immortality and the afterlife. Of particular value for this purpose is Tao Jiang's chapter comparing Linji Yixuan's views on immortality to those of William James, discussing the degree to which remembrance counts as immortality.Olberding, Amy (ed.). Dao Companion to the Analects2014, Springer.
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Added by: Nick NovelliPublisher's note: This volume surveys the major philosophical concepts, arguments, and commitments of the Confucian classic, the Analects. In thematically organized chapters, leading scholars provide a detailed, scholarly introduction to the text and the signal ideas ascribed to its protagonist, Confucius. The volume opens with chapters that reflect the latest scholarship on the disputed origins of the text and an overview of the broad commentarial tradition it generated. These are followed by chapters that individually explore key areas of the text’s philosophical landscape, articulating both the sense of concepts such as ren, li, and xiao as well as their place in the wider space of the text. A final section addresses prominent interpretive challenges and scholarly disputes in reading the Analects, evaluating, for example, the alignment between the Analects and contemporary moral theory and the contested nature of its religious sensibility. Dao Companion to the Analects offers a comprehensive and complete survey of the text's philosophical idiom and themes, as well as its history and some of the liveliest current debates surrounding it. This book is an ideal resource for both researchers and advanced students interested in gaining greater insight into one of the earliest and most influential Confucian classics.Comment: This volume provides an excellent overview of Confucius' Analects, with a number of excellent essays by both Chinese and Western philosophers. It would be a good textbook to use for a course that is an introduction to Asian/Confucian philosophy, or individual chapters could be used to provide an additional perspective in more general courses on certain topics:
- Hui Chieh Loy's chapter on language and ethics would be useful in moral theory courses that focus on virtue ethics or the relation between epistemology and morality,
- Bai Tongdong's chapter could be taught in the context of comparative political theory (particularly potential justifications for authoritarianism),
- and Li-Hsiang Lisa Rosenlee's chapter would be very valuable as part of an examination of care ethics and feminist philosophy.
- Hui Chieh Loy's chapter on language and ethics would be useful in moral theory courses that focus on virtue ethics or the relation between epistemology and morality,
- Bai Tongdong's chapter could be taught in the context of comparative political theory (particularly potential justifications for authoritarianism),
- and Li-Hsiang Lisa Rosenlee's chapter would be very valuable as part of an examination of care ethics and feminist philosophy.
Peng Feng. Li Yu’s Theory of Drama: A Moderate Moralism2016, Philosophy East and West 66(1): 73-91.-
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Added by: Meilin ChinnAbstract: This essay presents an interpretation of Li Yu’s theory of drama that takes it to be a moderate moralism that is different from Confucian radical moralism, Daoist radical autonomism, and the moderate autonomism of fiction. In addition to practical considerations, Li Yu’s moderate moralism of drama is based on his awareness of the ontological difference between drama and music, poetry, and fiction. Drama was seen by Li Yu as a synthetic art that includes music, poetry, and fiction. If radical autonomism is appropriate for the evaluation of music, radical moralism for poetry and prose, and moderate autonomism for fiction, then moderate moralism would be most appropriate in the evaluation of drama.Comment: Peng gives an account of the development of Chinese drama according to a contrast between Confucian moralism, in which morality controls aesthetics, and Daoist autonomism, in which aesthetics are autonomous from morality. He argues for an understanding of Li Yu’s theory of drama as a moderate moralism that evaluates drama according to a possible, yet contingent and unnecessary relation between moral and aesthetic virtue. This text is appropriate for a course on aesthetics and/or Chinese philosophy. It is particularly useful in discussions of the relationship between ethics and aesthetics.Raphals, Lisa Ann. A tripartite self: mind, body, and spirit in early China2023, New York: Oxford University Press
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Added by: Xintong WeiAbstract: Chinese philosophy has long recognized the importance of the body and emotions in extensive and diverse self-cultivation traditions. Philosophical debates about the relationship between mind and body are often described in terms of mind-body dualism and its opposite, monism or some kind of "holism." Monist or holist views agree on the unity of mind and body, but with much debate about what kind, whereas mind-body dualists take body and mind to be metaphysically distinct entities. The question is important for several reasons. Several humanistic and scientific disciplines recognize embodiment as an important dimension of the human condition. One version, the problem of mind-body dualism, is central to the history of both philosophy and religion. Some account of relations between body and mind, spirit or soul is also central to any understanding of the self. Recent work in cognitive and neuroscience underscores the importance of our somatic experience for how we think and feel.Comment: available in this BlueprintShun, Kwong-Loi. Methodological Reflections on the Study of Chinese Thought2009, in Tan, S-h. (ed.) The Bloomsbury Research Handbook of Chinese Philosophy Methodologies. London: Bloomsbury, pp. 57–74.
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Added by: Lea CantorAbstract:
Methodology has to do with systematic reflections on the methods adopted in a certain kind of activity, including that of intellectual inquiry. But we cannot talk intelligibly about the method of a certain kind of activity without knowing more about the nature of the activity as well as the goals and interests behind it. For example, we cannot talk intelligibly about the method of writing without knowing what it is that we write and for what purpose and audience, nor about the method of building a house without knowing what kind of house and for what purpose. This is no less true of intellectual inquiry, and in our case, the study of Chinese thought. We cannot talk intelligibly about the method of studying Chinese thought without knowing more about the goals and interests behind such study.
Comment: This chapter offers useful insights into the methodology involved in engaging constructively with the history of philosophy, focusing on the specific challenges that arise in the study of Chinese texts. What is involved in textual analysis and philosophical exegesis? How do concerns about present-day relevance guide philosophical analysis and construction? How far is close reading of texts a precondition for productive engagement with Chinese philosophy? What are the specific challenges that arise in comparative studies involving Chinese texts and thinkers? Shun explores these questions in a nuanced and accessible way. No prior knowledge of Chinese philosophy is required to engage with the paper's main points.- 1
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Author(s) Unknown. Yue Ji 樂記—Record of Music: Introduction, Translation, Notes, and Commentary
1995, Asian Music 26(2): 1-96.