Full text See used
Chung-Yuan Chang. Immeasurable potentialities of creativity
2011, In Chung-Yuan Chang (ed.). Creativity and Taoism: A Study of Chinese Philosophy, Art, and Poetry. London & Philadelphia: Singing Dragon.
Categories: Aesthetic Imagination, Aesthetics, Asian Philosophy, Chinese Aesthetics, Classical Daoism, Creativity, Metaphysics & Epistemology , Philosophical Traditions, Philosophy of Mind, Philosophy of Religion, Value Theory 
Keywords: China, Chinese aesthetics, Daoism, art, creativity

Expand entry
Added by: Meilin Chinn
Summary: A study of the Taoist (Daoist) concept of creativity as a non-instrumental process in which all things create themselves. Chang argues for the foundational place of this understanding of self-emergent creativity in the aesthetics of Chinese art.

Comment: Can be used as both an introduction to Daoism and to Chinese aesthetics.

Related reading:

  • Laozi, Tao Te Ching. D. C. Lau, trans. New York: Addison Wesley, 2000.
Difficulty: Intermediate
Recommended use: Specialised reading
Comments (0): read and add advice on using this text
Export citation in BibTeX format
Export text citation
View this text on PhilPapers
Export citation in Reference Manager format
Export citation in EndNote format
Export citation in Zotero format
Share on Facebook Share on LinkedIn Share by Email
Can’t find it?
Contribute the texts you think should be here and we’ll add them soon!