Figures from Eastern Philosophy in general and Nāgārjuna in particular are often labeled as engaging in mysticism. In this lecture, Matilal argues that if we want to use this label, we must at least admit that this mysticism is illuminated by rigorous logical argument.
Black Sun: Depression and Melancholia
Kristeva (b. 1941) is known for mixing psychoanalysis, literary criticism and philosophy. In this essay, she explores depression, melancholy and mourning, starting from one of its most exaggerated manifestation. Seeing pain as “the hidden side of [her] philosophy“, she investigates it through language and aesthetics. In doing so, Kristeva uncover its meaning by relying heavily on the symbolic dimensions, demonstrating how depression destabilizes language itself. With a particular focus on the feminine experience of sadness, she discusses romantic relationships and maternity, using Freud, Klein and Lacan alongside empirical observations from her psychoanalytic practice. The main thesis locates the origin of true depression in the separation from the mother, where she finds the “lost Thing” which causes melancholy without a precise loss, leading to a ruin of identity itself through an impossible mourning. Engaging with Holbein, Nerval, Dostoevsky and Duras, a large part of Kristeva’s book is dedicated to a quest for the sublimation of such emotions into works of art. Deliberately fragmented and linked with poststructuralism, Black Sun is a a personal account of how subjective emotions are tied with signs and the possibility of meaning. Part of a psychoanalytic, feminist reading of feminism, Kristeva has been accused of essentialism.
The Second Sex
Published in French in 1949, it is usually considered the foundational book of second wave feminism, characterized by a shift from the conquering of political rights of first wave feminism (franchise, basic emancipation) to a concern for general equality, at home, in the workplace, etc. Beauvoir’s (1908–1986) first question is the very definition of a woman, and her core ideas draw from phenomenology. She elaborates an existential account of being a woman: womanhood does not consist of fixed characteristics, but is a project carried out by a free agent in a material, collective situation, creating meaning through action in a given context. Understanding the category of woman as a collective construction and the result of a series of actions and representations allows for the re-actualization of the Marxist notion of alienation, where women are stranger to themselves, operating on values imposed by men rather than found in a lived practice. In two volumes, Beauvoir seeks to highlight both the cultural, historical and economical background of genders (“Facts and Myths”) and the “Lived Experience” resulting from it. Through a reading of Hegel, she rethinks gender categories as a dynamic and unequal process, and from there traces the possibility of a liberation from the perceived secondary character of women. Groundbreaking in feminist and continental philosophy, placed on the catholic Index of forbidden books, it remains a revolutionary work until today.
Poetics of Relation
Published in French in 1990, this book is among the later conceptualizations of postcolonial and racial relations. Glissant (1928–2011) is a novelist, and his attention to politics operates through an interest in linguistics: studying creole languages, he exposes how colonized people transformed the tool of the master, leading to the creation of a new, creolized culture and expression. He reads the long-term effects of the slave trade, where people were forcibly taken from their cultural and linguistic milieu an put in another one, characterized by an extremely violent relation of subjection. In this context, he elaborates the notion of antillanité, as a French West Indies description of the unpredictable linking and blending of cultures and languages, extending and specifying the idea of négritude found in Césaire and Senghor in the 1930s. This complex analysis leads to two seemingly contradictory concepts: first, his idea of opacity argues in favor of untranslatability and of irreducible yet non-hierarchical differences. Second, his poetics of relation leads to an understanding of identity as an extension of the connection to the other. From there, he sketches a new definition of culture, taking into account power dynamics, which is also a departure from the idea of authenticity or autochtony. Against a binary reading of colonialist relations of power, Glissant explores the formation of identities through the process of creolization, where a new language is invented as a mean of resistance, thus undermining any possibility for a pure, uniform identity.
The Location of Culture
This work analyzes the contemporary conditions of culture and criticizes common definitions of identity. Bhabha (b. 1949) makes use of continental philosophy, social sciences and literature (crediting Morrison, Salman Rushdie, and even Anish Kapoor), draws on Said and Spivak, and reads Fanon extensively—blending anti-colonial critique with post-structuralism. His main object is the long-term effects of colonialism on social identities and culture, even after the departure of the colonizers or the abolition of slavery. From an inquiry concerning the effects of the awareness of social positions and the political usages of identity, he finds that culture is characterized by hybridation and going beyond established limits. Against the idea that cultures are fixed traditions belonging to identified communities, Bhabha tries to explain how social meanings are an on-going, dynamic and relational process, underlining contradictions, ambivalence, and two of the main concepts of this book: hybridity (the mixed nature of culture) and mimicry (the adoption of ideas and values from other cultures). In his view, “[d]ifferences in culture and power are constituted through the social conditions of enunciation” (p. 242), meaning that culture needs to be seen as fragmented, unstable and sometimes antagonistic. Bhabha elaborates a definition of the boundary not as a limit, but as the site for theoretical production and artistic creation, exemplified by the proliferation of “post” in contemporary theory (poststructuralism, postmodernism, etc), which he understands as a movement of going beyond, pointing towards a constant invention of oneself.
Elite Capture
Identity politics is everywhere, polarising discourse from the campaign trail to the classroom and amplifying antagonisms in the media. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponised as a means of closing ranks around ever-narrower conceptions of group interests.
But the trouble, Olúfẹ́mi O. Táíwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, Táíwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture -deployed by political, social and economic elites in the service of their own interests.
Táíwò’s crucial intervention both elucidates this complex process and helps us move beyond the binary of ‘class’ vs. ‘race’. By rejecting elitist identity politics in favour of a constructive politics of radical solidarity, he advances the possibility of organising across our differences in the urgent struggle for a better world.
Black Skin, White Masks
Fanon (1925-1961) was born in the French West Indies and studied in France before moving to Algeria to join the independence struggle. In this text, originally published in French in 1952, he addresses the Black man’s condition, and more particularly his subjectivity and experience in the colonial context of the French West Indies and of France in general, also drawing parallel with North Africa and Indochina. Black Skin, White Masks is both a minute and complex description of the violence of colonization and a sketch of a liberation from its effects. A psychiatrist by training, Fanon investigates the psychological impact of both racism and colonization, with a strong focus on inter-subjective relations, including the intersection of race and gender relations. He uses a large variety of resources: philosophy (a critical reading of Sartre, an elaboration of Hegel’s slave-master dialectic, Leiris, Marcel, and contemporary linguistics) ; Marxism (materialism and alienation); psychiatry and psychoanalysis; the literary Négritude movement (Black Francophones writers who, starting in the 1930s, wrote about lived experience of blackness, displacement and colonialism). Its reception, though belated, has nevertheless made it one of the seminal works of postcolonial theory.
African Women, Illogicality and Epistemic Tyranny
The book argues that women’s perspectives and gender issues must be mainstreamed across African philosophy in order for the discipline to truly represent the thoughts of Africans across the continent.
African philosophy as an academic discipline emerged as a direct challenge to Western and Eurocentric hegemonies. It sought to actualize the project of decolonization and to contribute African perspectives to global discourses. There has, however, been a dominance of male perspectives in this field of human knowledge. This book argues that African philosophy cannot claim to have liberated people of African descent from marginalization until the androcentric nature of African philosophy is addressed. Key concepts such as Ujamaa, Negritude, Ubuntu, Consciencism, and African Socialism are explored as they relate to African women’s lives or as models of inclusion or exclusion from politics. In addition to offering a feminist critique of African philosophy, the book also discusses topics that have been consistently overlooked in African philosophy. These topics include sex, sexuality, rape, motherhood, prostitution, and the low participation of women in politics.
By highlighting the work of women feminist scholars such as Oyeronke Oyewumi, Nkiru Nzegwu, Ifi Amadiume, Amina Mama, and Bibi Bakare-Yusuf, the book engages with African philosophy from an African feminist viewpoint. This book will be an essential resource for students and researchers of African philosophy and gender studies.
African Philosophy and the Shackles of Androcentrism
The book argues that women’s perspectives and gender issues must be mainstreamed across African philosophy in order for the discipline to truly represent the thoughts of Africans across the continent.
African philosophy as an academic discipline emerged as a direct challenge to Western and Eurocentric hegemonies. It sought to actualize the project of decolonization and to contribute African perspectives to global discourses. There has, however, been a dominance of male perspectives in this field of human knowledge. This book argues that African philosophy cannot claim to have liberated people of African descent from marginalization until the androcentric nature of African philosophy is addressed. Key concepts such as Ujamaa, Negritude, Ubuntu, Consciencism, and African Socialism are explored as they relate to African women’s lives or as models of inclusion or exclusion from politics. In addition to offering a feminist critique of African philosophy, the book also discusses topics that have been consistently overlooked in African philosophy. These topics include sex, sexuality, rape, motherhood, prostitution, and the low participation of women in politics.
By highlighting the work of women feminist scholars such as Oyeronke Oyewumi, Nkiru Nzegwu, Ifi Amadiume, Amina Mama, and Bibi Bakare-Yusuf, the book engages with African philosophy from an African feminist viewpoint. This book will be an essential resource for students and researchers of African philosophy and gender studies.
Philosophy and Oral Tradition
From: Sophie Oluwole: Celebrating the Radical Spirit of African Philosophy, By Tunji Olaopa
In Philosophy and Oral Tradition (1997), Sophie Oluwole urges us to return to Africa’s oral tradition as the source of excavating an authentic foundation of Africa’s intellectual culture which the West has tried so hard to undermine and destroy. One argument that underlies the relevance of Africa’s oral tradition is that the traditional and cultural practices of the past must have been guided by some form of logic and rational principles which not only predate the Western scientific canon, but which cannot also be subsumed totally under it.