A Jew born in Tunisia, Memmi (1920–2020) rose to fame with The Colonizer and The Colonized, prefaced by Sartre. Educated in Tunisia, Algeria and France, he settled in Paris, where he wrote novels and essays alike. His main topics include colonialism, the Jewish condition and Tunisia.
An early theorist of decolonization, he used a sociological approach, getting to psycho-sociologist, working through portraits—the orignal title of the book is Portrait of the Colonized, Preceded by Portrait of the Colonizer—trying to describe “rendings of the spirit” as “introjections of social conflicts“, according to Sartre in his preface.
Published in 1957, this work aims to shows the interweaving of the colonizer’s and the colonized’s mind, clearly sketched out by the binary structure of the essay.
Memmi starts with the economical aspect of colonization, describing how the fundamental inequality of colonization gives the colonizer a much more favorable material situation. One of his key thesis is the interdependence of the colonizer and of the colonized, trying to go beyond Marxism and psychoanalysis. He characterizes the consciousness of the colonizer through three discoveries: “profit, privilege, and usurpation“. To this duality, he adds several third parties: nationals of other countries, assimilated minorities, Jews, colonized participating in the colonial administration, etc, giving a vivid account of the entanglement between both subjectivity and objective structures, and colonizer and colonized.
Responsibility for Justice
When the noted political philosopher Iris Marion Young died in 2006, her death was mourned as the passing of “one of the most important political philosophers of the past quarter-century” (Cass Sunstein) and as an important and innovative thinker working at the conjunction of a number of important topics: global justice; democracy and difference; continental political theory; ethics and international affairs; and gender, race and public policy. This book discusses our responsibilities to address “structural” injustices in which we among many are implicated (but for which we are not to blame), often by virtue of participating in a market, such as buying goods produced in sweatshops, or participating in booming housing markets that leave many homeless. The book argues that addressing these structural injustices requires a new model of responsibility, which it calls the “social connection” model. The book develops this idea by clarifying the nature of structural injustice; developing the notion of political responsibility for injustice and how it differs from older ideas of blame and guilt; and finally how we can then use this model to describe our responsibilities to others no matter who we are and where we live.
Non-Ideal Foundations of Language
This book argues that the major traditions in the philosophy of language have mistakenly focused on highly idealized linguistic contexts. Instead, it presents a non-ideal foundational theory of language that contends that the essential function of language is to direct attention for the purpose of achieving diverse social and political goals.
Philosophers of language have focused primarily on highly idealized linguistic contexts in which cooperative agents are working toward the shared goal of gaining information about the world. This approach abstracts away from important issues like power, ideology, social position, and diversity of goals which are crucial to explaining linguistic phenomena both at the semantic and pragmatic levels. This book begins by examining the work of some of the pioneers of this tradition—primarily David Lewis, Paul Grice, and Robert Stalnaker. The author shows that various problems have their source in idealizations made at the foundational level of linguistic theory and proposes to rebuild from the ground-up. She presents a non-ideal foundational theory of language which retains the major insights of traditional frameworks while rejecting the social idealizations that guide them. Then, she explores the social and political applications of her account to issues such as dog whistling, propaganda, racist speech, silencing, and manipulation.
Modalities: Philosophical Essays
This book is a collection of papers by Ruth Barcan Marcus, covering much ground in the development of her thought, and spanning from 1961 to 1990. Many of the papers deal with logical, semantic, metaphysical, and epistemological issues in intensional logic, and in particular, modalities. Some important themes that run through these papers are extensionality, the necessity of identity, the directly referential conception of proper names as “tags,” essentialism, substitutional quantification, and possibilia and possible worlds. What emerges from them is a robust defense of quantified modal logic in the light of a host of objections, particularly from Quine. Modalities also includes two papers on belief, which have consequences for epistemic logic and more widely for theories of rationality; two papers on ethical issues, which have consequences for deontic logic and practical reasoning; and finally, two papers on historical figures, Spinoza and Russell, dealing with the ontological proof of God’s existence, and the nature of particularity, identity, and individuation, respectively.
Chao Lun: The Treatises of Seng-chao
The Chao Lun (ca. 400 CE) is the main philosophical work of the Chinese Buddhist monk Sēngzhào, a student of Kumārajīva who first translated major Buddhist philosophical works like those of Nāgārjuna into Chinese. Sēngzhào develops a metaphysical conception of time according to which time is not real. What instead exists are an array of entirely static worlds – “time slices” in modern parlance (Sēngzhào’s views are an early example of a “B-theory” of time). Our selves are being moved from one world to the next, creating an illusion of progression and things like causation. For Sēngzhào, enlightenment can be found by simply remaining in the present, not moving on to the next state. Sēngzhào leans both on Buddhist and on Daoist influences, but also develops an epistemologically less radical view in chapter 3 that, unlike those of Nāgārjuna and Zhuangzi, cannot be associated with skepticism.
Logical Illumination Of Indian Mysticism
Figures from Eastern Philosophy in general and Nāgārjuna in particular are often labeled as engaging in mysticism. In this lecture, Matilal argues that if we want to use this label, we must at least admit that this mysticism is illuminated by rigorous logical argument.
Black Sun: Depression and Melancholia
Kristeva (b. 1941) is known for mixing psychoanalysis, literary criticism and philosophy. In this essay, she explores depression, melancholy and mourning, starting from one of its most exaggerated manifestation. Seeing pain as “the hidden side of [her] philosophy“, she investigates it through language and aesthetics. In doing so, Kristeva uncover its meaning by relying heavily on the symbolic dimensions, demonstrating how depression destabilizes language itself. With a particular focus on the feminine experience of sadness, she discusses romantic relationships and maternity, using Freud, Klein and Lacan alongside empirical observations from her psychoanalytic practice. The main thesis locates the origin of true depression in the separation from the mother, where she finds the “lost Thing” which causes melancholy without a precise loss, leading to a ruin of identity itself through an impossible mourning. Engaging with Holbein, Nerval, Dostoevsky and Duras, a large part of Kristeva’s book is dedicated to a quest for the sublimation of such emotions into works of art. Deliberately fragmented and linked with poststructuralism, Black Sun is a a personal account of how subjective emotions are tied with signs and the possibility of meaning. Part of a psychoanalytic, feminist reading of feminism, Kristeva has been accused of essentialism.
The Second Sex
Published in French in 1949, it is usually considered the foundational book of second wave feminism, characterized by a shift from the conquering of political rights of first wave feminism (franchise, basic emancipation) to a concern for general equality, at home, in the workplace, etc. Beauvoir’s (1908–1986) first question is the very definition of a woman, and her core ideas draw from phenomenology. She elaborates an existential account of being a woman: womanhood does not consist of fixed characteristics, but is a project carried out by a free agent in a material, collective situation, creating meaning through action in a given context. Understanding the category of woman as a collective construction and the result of a series of actions and representations allows for the re-actualization of the Marxist notion of alienation, where women are stranger to themselves, operating on values imposed by men rather than found in a lived practice. In two volumes, Beauvoir seeks to highlight both the cultural, historical and economical background of genders (“Facts and Myths”) and the “Lived Experience” resulting from it. Through a reading of Hegel, she rethinks gender categories as a dynamic and unequal process, and from there traces the possibility of a liberation from the perceived secondary character of women. Groundbreaking in feminist and continental philosophy, placed on the catholic Index of forbidden books, it remains a revolutionary work until today.
Poetics of Relation
Published in French in 1990, this book is among the later conceptualizations of postcolonial and racial relations. Glissant (1928–2011) is a novelist, and his attention to politics operates through an interest in linguistics: studying creole languages, he exposes how colonized people transformed the tool of the master, leading to the creation of a new, creolized culture and expression. He reads the long-term effects of the slave trade, where people were forcibly taken from their cultural and linguistic milieu an put in another one, characterized by an extremely violent relation of subjection. In this context, he elaborates the notion of antillanité, as a French West Indies description of the unpredictable linking and blending of cultures and languages, extending and specifying the idea of négritude found in Césaire and Senghor in the 1930s. This complex analysis leads to two seemingly contradictory concepts: first, his idea of opacity argues in favor of untranslatability and of irreducible yet non-hierarchical differences. Second, his poetics of relation leads to an understanding of identity as an extension of the connection to the other. From there, he sketches a new definition of culture, taking into account power dynamics, which is also a departure from the idea of authenticity or autochtony. Against a binary reading of colonialist relations of power, Glissant explores the formation of identities through the process of creolization, where a new language is invented as a mean of resistance, thus undermining any possibility for a pure, uniform identity.
The Location of Culture
This work analyzes the contemporary conditions of culture and criticizes common definitions of identity. Bhabha (b. 1949) makes use of continental philosophy, social sciences and literature (crediting Morrison, Salman Rushdie, and even Anish Kapoor), draws on Said and Spivak, and reads Fanon extensively—blending anti-colonial critique with post-structuralism. His main object is the long-term effects of colonialism on social identities and culture, even after the departure of the colonizers or the abolition of slavery. From an inquiry concerning the effects of the awareness of social positions and the political usages of identity, he finds that culture is characterized by hybridation and going beyond established limits. Against the idea that cultures are fixed traditions belonging to identified communities, Bhabha tries to explain how social meanings are an on-going, dynamic and relational process, underlining contradictions, ambivalence, and two of the main concepts of this book: hybridity (the mixed nature of culture) and mimicry (the adoption of ideas and values from other cultures). In his view, “[d]ifferences in culture and power are constituted through the social conditions of enunciation” (p. 242), meaning that culture needs to be seen as fragmented, unstable and sometimes antagonistic. Bhabha elaborates a definition of the boundary not as a limit, but as the site for theoretical production and artistic creation, exemplified by the proliferation of “post” in contemporary theory (poststructuralism, postmodernism, etc), which he understands as a movement of going beyond, pointing towards a constant invention of oneself.