The aesthetic category of the sublime has been theorized (especially in the Kantian tradition) as integrally intertwined with the moral. Paradigmatic experiences of the sublime, such as gazing up at the starry night sky, or out at a storm-whipped sea, lead in a moral or religious direction depending on the cognitive stock brought to the experience, since they typically involve a feeling of awe and reflection on the peculiar situation of the human being in nature. The monumental is a similar aesthetic category, integrally intertwined with the political, but, by contrast, has garnered almost no attention from aestheticians. My main goal in this paper is to sketch a theory of ‘the monumental’ as an aesthetic category—one that is a species of the sublime but differs qualitatively from the natural/environmental sublime in significant ways, and thus merits a distinctive label. In doing so, I aim to shed light on the nature and power of monuments specifically, and to begin to address a lacuna in our understanding of a long-standing and culturally important form of public art.
Political Vandalism as Counter‐Speech: A Defence of Defacing and Destroying Tainted Monuments
Tainted political symbols ought to be confronted, removed, or at least recontextualized. Despite the best efforts to achieve this, however, official actions on tainted symbols often fail to take place. In such cases, I argue that political vandalism—the unauthorized defacement, destruction, or removal of political symbols—may be morally permissible or even obligatory. This is when, and insofar as, political vandalism serves as fitting counter-speech that undermines the authority of tainted symbols in ways that match their publicity, refuses to let them speak in our name, and challenges the derogatory messages expressed through a mechanism I call derogatory pedestalling: the glorification or honoring of certain individuals or ideologies that can only make sense when members of a targeted group are taken to be inferior.
Artistic (Counter) Speech
Some visual artworks constitute hate speech because they can perform oppressive illocutionary acts. This illocution-based analysis of art reveals how responsive curation and artmaking undermines and manages problematic art. Drawing on the notion of counterspeech as an alternative tool to censorship to handle art-based hate speech, this article proposes aesthetic blocking and aesthetic spotlighting. I then show that under certain conditions, this can lead to eventual metaphysical destruction of the artwork; a way to destroy harmful art without physically destroying it.
Should Slavery’s Statues be Preserved? On Transitional Justice and Contested Heritage
What should we do with statues and place-names memorializing people who committed human-rights abuses linked to slavery and postslavery racism? In this article, I draw on UN principles of transitional justice to address this question. I propose that a successful approach should meet principles of transitional justice recognized by the United Nations, including affirming rights to justice, truth, reparations, and guarantees of nonrecurrence of human rights violations. I discuss four strategies for handling contested heritage, examining strengths and weaknesses of each strategy. Examples from Bristol, England, highlight common challenges and positive lessons.
Experiential Blindness Revisited: In Defence of a Case of Embodied Cognition
The sensorimotor theory (Noë, 2004, Noë, in press) discusses a special instance of lack of perceptual experience despite no sensory impairment. The phenomenon dubbed “experiential blindness” is cited as evidence for a constitutive relation between sensorimotor skills and perceptual experience. Recently it has been objected (Adams and Aizawa, 2008, Aizawa, 2007) that the cases described by Noë as experiential blindness are cases of pure sensory deficit. This paper argues that while the objections bring out limitations of Noë’s sensorimotor theory they do not do enough to challenge a robust perception–action interdependence claim. There are genuine cases of experiential blindness and these are better explained by the hypothesis of the interdependence of perception and action rather than by a passive vision approach. The cases provide support for a strong thesis of embodied cognition where ongoing sensorimotor dynamics non-trivially constrain perceptual content.
Explaining Emotions
Sometimes our emotions change straightaway when we learn that what we believed is not true. The grieving husband recovers when he learns that, because she missed her plane, his wife did not die in the fatal plane crash. But often changes in emotions do not appropriately follow changes in belief. Their tenacity, their inertia, suggests that there is akrasia of the emotions; it reveals the complex structure of their intentionality.’
Startle
Philosophers tend to take very sophisticated and culture bound emotions as their paradigms for emotion in general. So Gilbert Ryle discusses an interest in symbolic logic; William Lyons discusses being awestruck by the beauty of a golden eagle; Patricia Greenspan talks about being warily suspicious of an insurance salesman; and Robert Gordon talks about being embar rassed about the publicity for one’s wedding.’ Psychologists, on the other hand, tend to stick to very different examples; several of them have studied the startle reaction as an example of an emo tion, a suggestion most philosophers would consider laughable. I shall argue that startle does belong on the spectrum of emotional response, and that indeed, if we abstract from the startle response, we can come up with a useful model of emotional response in general.
Playfulness, “World”-Travelling, and Loving Perception
A paper about cross-cultural and cross-racial loving that emphasizes the need to understand and affirm the plurality in and among women as central to feminist ontology and epistemology. Love is seen not as fusion and erasure of difference but as incompatible with them. Love reveals plurality. Unity -not to be confused with solidarity – is understood as conceptually tied to domination.
Escaping from the Chinese Room
John Searle, in his paper on ‘Minds, Brains, and Programs’ (1980), argues that computational theories in psychology are essentially worthless. He makes two main claims: that computational theories, being purely formal in nature, cannot possibly help us to understand mental processes; and that computer hardware-unlike neuroprotein-obviously lacks the right causal powers to generate mental processes. I shall argue that both these claims are mistaken.
Why AI is Harder Than We Think
Since its beginning in the 1950s, the field of artificial intelligence has cycled several times between periods of optimistic predictions and massive investment (“AI spring”) and periods of disappointment, loss of confidence, and reduced funding (“AI winter”). Even with today’s seemingly fast pace of AI breakthroughs, the development of long-promised technologies such as self-driving cars, housekeeping robots, and conversational companions has turned out to be much harder than many people expected. One reason for these repeating cycles is our limited understanding of the nature and complexity of intelligence itself. In this paper I describe four fallacies in common assumptions made by AI researchers, which can lead to overconfident predictions about the field. I conclude by discussing the open questions spurred by these fallacies, including the age-old challenge of imbuing machines with humanlike common sense.