Philosophical work around race in 19th and 20th century Latin America goes hand in hand with theorizing about national identity in post-independence republics. Philosophers at the time were concerned with issues faced by emerging multiracial and multicultural states (e.g., Simón Bolívar, José Martí, Leopoldo Zea), and they often regarded racial and cultural mestizaje (mixing) as an ideal that could set the grounds for post-racial (and post-racist) democracies. Aesthetics played a central role in Latin American philosophy at the time since the expressive practices that emerge as a result of mestizaje are regarded as part of the very foundation of Latin American identities. Nevertheless, although mestizaje is postulated as the basis for post-racial societies, the notion needs to be problematized since it risks remaining part of a white supremacist project when whiteness continues to be regarded as that under which contributions by other racial groups should be subsumed.
- The aim of this Blueprint is to examine issues that emerge from the notion of mestizaje in the context of aesthetic practices and debates around identity in Latin American philosophy. The readings and discussion are aimed at motivating questions such as:
- What is the role of the aesthetic in the formation of Latin American identities?
- Is taste racialized in Latin American philosophy as it is in the Western European tradition?
- Does Latin American philosophy inherit a white supremacist racial hierarchy? Does this racial hierarchy translate into an aesthetic hierarchy?
- How should cultural appropriation be understood in the context of cultural mestizaje?
- Is mestizaje problematic insofar as it risks erasing Black and Indigenous identities?
- What can these debates in Latin American philosophy contribute to contemporary discussions in aesthetics? In the blueprint, its background and rationale.