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Baker, Lynne Rudder. On a causal theory of content
1989, Philosophical Perspectives 3:165-186.
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: The project of explaining intentional phenomena in terms of nonintentional phenomena has become a central task in the philosophy of mind.' Since intentional phenomena like believing, desiring, intending have content essentially, the project is one of showing how semantic properties like content can be reconciled with nonsemantic properties like cause. As Jerry A. Fodor put it, The worry about representation is above all that the semantic (and/or the intentional) will prove permanently recalcitrant to integration in the natural order; for example that the semantic/intentional properties of things will fail to supervene upon their physical properties.

Comment: This paper provides a clear reconstruction and evaluation of Jerry Fodor's causal theory of content. It is helpful as primary and further reading in an undergraduate philosophy of mind course to discuss the problem of the naturalization of content.

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Boden, Margaret A.. Intentionality and physical systems
1970, Philosophy of Science 32 (June):200-214.
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: Intentionality is characteristic of many psychological phenomena. It is commonly held by philosophers that intentionality cannot be ascribed to purely physical systems. This view does not merely deny that psychological language can be reduced to physiological language. It also claims that the appropriateness of some psychological explanation excludes the possibility of any underlying physiological or causal account adequate to explain intentional behavior. This is a thesis which I do not accept. I shall argue that physical systems of a specific sort will show the characteristic features of intentionality. Psychological subjects are, under an alternative description, purely physical systems of a certain sort. The intentional description and the physical description are logically distinct, and are not intertranslatable. Nevertheless, the features of intentionality may be explained by a purely causal account, in the sense that they may be shown to be totally dependent upon physical processes.

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Hieronymi, Pamela. Controlling Attitudes
2006, Pacific Philosophical Quarterly, 87 (1):45-74
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Added by: Simon Fokt, Contributed by: Lizzy Ventham
Abstract: I hope to show that, although belief is subject to two quite robust forms of agency, "believing at will" is impossible; one cannot believe in the way one ordinarily acts. Further, the same is true of intention: although intention is subject to two quite robust forms of agency, the features of belief that render believing less than voluntary are present for intention, as well. It turns out, perhaps surprisingly, that you can no more intend at will than believe at will.

Comment: I find this paper to be a valuable addition to classes on implicit biases, reasons, and moral psychology. It provides a good basis for discussion on how these topics relate to free will, and what sorts of control (and responsibilities) we have over our mental lives - including our desires, our beliefs, and other thoughts.

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Millikan, Ruth Garrett. A common structure for concepts of individuals, stuffs, and real kinds: More Mama, more milk, and more mouse
1997, Behavioral and Brain Sciences 21 (1):55-65.
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Added by: Clotilde Torregrossa, Contributed by: Juan R. Loaiza
Abstract: Concepts are highly theoretical entities. One cannot study them empirically without committing oneself to substantial preliminary assumptions. Among the competing theories of concepts and categorization developed by psychologists in the last thirty years, the implicit theoretical assumption that what falls under a concept is determined by description () has never been seriously challenged. I present a nondescriptionist theory of our most basic concepts, which include (1) stuffs (gold, milk), (2) real kinds (cat, chair), and (3) individuals (Mama, Bill Clinton, the Empire State Building). On the basis of something important that all three have in common, our earliest and most basic concepts of substances are identical in structure. The membership of the category like that of is a natural unit in nature, to which the concept does something like pointing, and continues to point despite large changes in the properties the thinker represents the unit as having. For example, large changes can occur in the way a child identifies cats and the things it is willing to call without affecting the extension of its word The difficulty is to cash in the metaphor of in this context. Having substance concepts need not depend on knowing words, but language interacts with substance concepts, completely transforming the conceptual repertoire. I will discuss how public language plays a crucial role in both the acquisition of substance concepts and their completed structure

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Millikan, Ruth Garrett. Naturalizing intentionality
2000, In Bernard Elevitch (ed.), The Proceedings of the Twentieth World Congress of Philosophy. Philosopy Documentation Center. pp. 83-90.
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: Brentano was surely mistaken, however, in thinking that bearing a relation to something nonexistent marks only the mental. Given any sort of purpose, it might not get fulfilled, hence might exhibit Brentano's relation, and there are many natural purposes, such as the purpose of one's stomach to digest food or the purpose of one's protective eye blink reflex to keep out the sand, that are not mental, nor derived from anything mental. Nor are stomachs and reflexes "of" or"about" anything. A reply might be, I suppose, that natural purposes are "purposes" only in an analogical sense hence "fail to be fulfilled" only in an analogical way. They bear an analogy to things that have been intentionally designed by purposive minds, hence can fail to accomplish the purposes they analogically have. As such they also have only analogical "intentionality". Such a response begs the question, however, for it assumes that natural purposes are not purposes in the full sense exactly because they are not

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Montague, Michelle. Recent work: Recent work on intentionality
2010, Analysis 70 (4):765 - 782.
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: Much recent work on intentionality has been dedicated to exploring the complex relationship between the intentional properties and the phenomenological properties of mental states. A lot of this work has focused on perception, but with the introduction of cognitive phenomenology, conscious thought and the role cognitive-phenomenological properties may play with respect to conscious thought, are likely to receive an increasing amount of attention.

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Tollefsen, Sondra, Bacharach, Deborah. We Did It: From Mere Contributors to Coauthors
2010, Journal of Aesthetics and Art Criticism 68 (1):23-32.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: The diversity and increasing number of recent artistic collaborations raise new and substantive philosophical questions about the nature of authorship. In the past, the problems surrounding the authorship of collaboratively produced art were tackled primarily by film theorists, who defended the conservative view that films were on a par with other artworks, having a single author. Fortunately, this is starting to change. Recently, a number of theorists, including Berys Gaut, Paisley Livingston, and C. Paul Sellors, have argued, contra auteur theory, that films (and many other artworks) are the product of multiple authors.1 Livingston and Sellors draw on recent theories of collective intentionality, specifically theories of shared intention, in order to develop their theories of coauthorship. Although we agree entirely with this anti?individualistic movement, we think there are problems with the accounts of coauthorship on offer. Some of the accounts are too weak, failing to distinguish between mere contributors and genuine coauthors, while others rely on a theory of shared intention that does not adequately account for the range and complexity of artistic collaborations present in contemporary art. Fortunately, there is an alternative theory of collective intentionality that has yet to be considered as a point of departure in developing an account of coauthorship: Margaret Gilbert's plural subject theory. We argue that her theory provides for an account of coauthorship that successfully distinguishes between mere contributors and coauthors. It also makes sense of a number of actual cases of collaboratively produced art in which intuitively the group, rather than any set of individuals, is the author. In Section I, we rehearse Gaut's arguments against auteur theory and explain why Gaut's account of multiple authorship is problematically overpermissive. In Section II, we consider Livingston and Sellors's attempts to develop an account of coauthorship that relies on the theories of shared intentions by Michael Bratman and John Searle, respectively. Both accounts are ultimately problematic in different ways. In Section III, we turn to Margaret Gilbert's plural subject theory. At the heart of Gilbert's theory is the notion of a joint commitment. We develop a theory of coauthorship that appeals to the notion of a joint commitment, and then we show how it helps us to distinguish between mere contributors and genuine coauthors. We also present a number of actual cases of collaboratively produced art and show how Gilbert's plural subject theory can accommodate these cases in a way that other accounts of coauthorship cannot.

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