Ney, Alyssa. Microphysical Causation and the Case for Physicalism
2016, Analytic Philosophy 57(2): 141-164.
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Added by: Emily PaulAbstract: Physicalism is sometimes portrayed by its critics as a dogma, but there is an empirical argument for the position, one based on the accumulation of diverse microphysical causal explanations in physics, chemistry, and physiology. The canonical statement of this argument was presented in 2001 by David Papineau. The goal of this paper is to demonstrate a tension that arises between this way of understanding the empirical case for physicalism and a view that is becoming practically a received position in philosophy of physics: that microphysics does not support the existence of causal facts (and so does not support causal explanations). Indeed this is a conclusion embraced in recent work by Papineau himself. This paper examines a range of natural ways of avoiding this tension and reconciling the empirical case for physicalism with the rejection of microphysical causation.Comment: A great paper to use as a core reading in either an advanced undergraduate philosophy of mind course, or a Masters philosophy of mind course. Could teach alongside Papineau's 'The Rise of Physicalism' (2001).
Nguyen, C. Thi. Monuments as commitments: How art speaks to groups and how groups think in art
2019, Pacific Philosophical Quarterly 100(4), 971-994
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Added by: Ten-Herng LaiAbstract:
Art can be addressed, not just to individuals, but to groups. Art can even be part of how groups think to themselves – how they keep a grip on their values over time. I focus on monuments as a case study. Monuments, I claim, can function as a commitment to a group value, for the sake of long-term action guidance. Art can function here where charters and mission statements cannot, precisely because of art's powers to capture subtlety and emotion. In particular, art can serve as the vessel for group emotions, by making emotional content sufficiently public so as to be the object of a group commitment. Art enables groups to guide themselves with values too subtle to be codified.Comment (from this Blueprint): This paper highlights the role monuments can play as groups attempt to speak to itself to solidify its own commitment. As a form of art, it can publicly reinforce the commitments, especially through carrying the emotions, attitudes that cannot be easily expressed in propositions, towards certain individuals or ideals. The commitments can be something great, evil, or mediocre. Also consider the fact that art engages with our emotions rather than our rational capacity.
Nida-Rumelin, Martine. Grasping phenomenal properties
2006, In Torin Alter & Sven Walter (eds.), Phenomenal Concepts and Phenomenal Knowledge: New Essays on Consciousness and Physicalism. Oxford University Press.
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Added by: Clotilde Torregrossa, Contributed by: Nora HeinzelmannAbstract: I will present an argument for property dualism. The argument employs a distinction between having a concept of a property and grasping a property via a concept. If you grasp a property P via a concept C, then C is a concept of P. But the reverse does not hold: you may have a concept of a property without grasping that property via any concept. If you grasp a property, then your cognitive relation to that property is more intimate then if you just have some concept or other of that property. To grasp a property is to understand what having that property essentially consists in.
Nida-Rumelin, Martine. Qualia: The Knowledge Argument
2002, Stanford Encyclopedia of Philosophy.
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Added by: Clotilde Torregrossa, Contributed by: Nora HeinzelmannAbstract: The knowledge argument aims to establish that conscious experience involves non-physical properties. It rests on the idea that someone who has complete physical knowledge about another conscious being might yet lack knowledge about how it feels to have the experiences of that being. It is one of the most discussed arguments against physicalism.
Nida-Rumelin, Martine. What Mary couldn’t know: Belief about phenomenal states
1995, In Thomas Metzinger (ed.), Conscious Experience. Ferdinand Schoningh. pp. 219--41.
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Added by: Clotilde Torregrossa, Contributed by: Nora HeinzelmannIntroduction: Everyone familiar with the current mind-body debate has probably heard about Frank Jackson's neurophysiologist Mary. So I tell her story very briefly. Mary knows everything there is to know about the neurophysiological basis of human colour vision but she never saw colours herself (she always lived in a black-and-white environment). When Mary is finally released into the beauty of the coloured world, she acquires new knowledge about the world and - more specifically - about the character of the visual experiences of others. This appears clear at first sight. In the ongoing philosophical debate, however, there is no agreement about whether Mary really gains new knowledge and about whether this would, if it were so, represent a problem for physicalism. Those who defend the so-called argument from knowledge (or 'knowledge argument') think that it does.
Nussbaum, Martha. Emotions as Judgments of Value and Importance
2004, In Robert C. Solomon (ed.), Thinking About Feeling: Contemporary Philosophers on Emotions. Oxford University Press
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Added by: Andrea BlomqvistAbstract: Nussbaum argues for a cognitivist theory of emotions, whereby an emotion is similar to a judgement. An emotion has an intentional object which is being evaluated as e.g. bad for one. On her view, our emotional reactions to different situations are connected to the idea of eudaimonia, and emotions could be seen as a guide to a flourishing life. As such, Nussbaum aims to explain how certain emotions feel like they're tearing us apart (e.g. grieving a dead family member), since they are literally bad for us. She thus departs from the Jamsian tradition whereby the psychological component of an emotion is emphasised (or emotions are sometimes reduced to physiological responses), and argues instead that the physiological response is not a necessary component of an emotion.Comment: This paper offers a good introduction into the cognitivist theories of emotions and their basic claims. It would be good to pair with non-cognitivist theories such as William James's or Jesse Prinz's.
O'Brien, Lucy. The Novel as a Source for Self-Knowledge
2017, in Ema Sullivan-Bissett, Helen Bradley, and Paul Noordhof (eds.), Art and Belief, Oxford University Press.
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Added by: Andrea BlomqvistAbstract: I will argue that our capacity to directly read off truths from fiction, and the power of the novelist to testify to truths, is indeed limited. I will go on to argue that there are, however, further more indirect ways of coming to truths through fiction, but that even in those cases the author's power to manipulate should make the epistemically virtuous person proceed carefully. However, before I do that I want to raise three obvious kinds of response to our puzzle. These responses take issue with the claims by which the problem is set up, and I want to look at them briefly, really only to set them aside. My interest is primarily a resolution that hangs on to all three claims.Comment: This would be a good further reading for students who are interested in how we can learn from fiction, especially if they wish to write a coursework essay on the topic.
Oh, Sangmu. Two Levels of Emotion and Well-Being in the Zhuangzi
2021, Dao: A Journal of Comparative Philosophy 20 (4):589-611
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Added by: Xintong WeiAbstract:
Emotion is an essential component of human nature, and therefore it is necessary to explore the issue of a desirable emotional state if we want to properly discuss human well-being. This article examines the issue by advocating a new understanding of the Zhuangzi’s 莊子 ideas on emotion. In terms of the Zhuangzi’s ideas on the desirable emotional state, scholars have presented various interpretations to date, even arguing that the ideas themselves are mutually contradictory or inconsistent. This article shows that the Zhuangzi’s ideas about emotions are in fact consistent by dividing emotions into two types: “conventional knowledge-dependent emotions” and “true knowledge-dependent emotions.” It then examines the characteristics of a desirable emotional state and the conditions necessary to reach it and explores the implications of the Zhuangzi’s ideas for discussions on well-being in modern times.
Comment: available in this Blueprint
Orlandi, Nicoletta. Ambiguous Figures and Representationalism
2011, Phenomenology and the Cognitive Sciences, 10 (2011), 307-323
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Added by: Simon Fokt, Contributed by: Simon Prosser
Abstract: Ambiguous figures pose a problem for representationalists, particularly for representationalists who believe that the content of perceptual experience is non-conceptual (MacPherson in Nous 40(1):82–117, 2006). This is because, in viewing ambiguous figures, subjects have perceptual experiences that differ in phenomenal properties without differing in non-conceptual content. In this paper, I argue that ambiguous figures pose no problem for non-conceptual representationalists. I argue that aspect shifts do not presuppose or require the possession of sophisticated conceptual resources and that, although viewing ambiguous figures often causes a change in phenomenal properties, this change is accompanied by a change in non-conceptual content. I illustrate the case by considering specific examples.
Comment: Specialised further reading on nonconceptual content and representationalism.
Pacherie, Elisabeth. Qualia and representations
1999, In Denis Fisette (ed.), Consciousness and Intentionality: Models and Modalities of Attribution. Springer. pp. 119--144.
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Added by: Clotilde Torregrossa, Contributed by: Simon FoktAbstract: Dretske has recently offered a representational theory of perceptual experience - considered as paradigmatic of the qualitative and phenomenal aspects of our mental life. This theory belongs, as do his previous works, to a naturalistic approach to mental representation
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