Publisher’s Note: A range of themes – race and gender, sexuality, otherness, sisterhood, and agency – run throughout this collection, and the chapters constitute a collective discourse at the intersection of Black feminist thought and continental philosophy, converging on a similar set of questions and concerns. These convergences are not random or forced, but are in many ways natural and necessary: the same issues of agency, identity, alienation, and power inevitably are addressed by both camps. Never before has a group of scholars worked together to examine the resources these two traditions can offer one another. By bringing the relationship between these two critical fields of thought to the forefront, the book will encourage scholars to engage in new dialogues about how each can inform the other. If contemporary philosophy is troubled by the fact that it can be too limited, too closed, too white, too male, then this groundbreaking book confronts and challenges these problems.
Caring about characters: Three determinants of emotional engagement
Introduction: Western philosophers at least as far back as Plato and Aristotle have been interested in question concerning narrative art: what it is, why it engages us, and how engagement with it affects us. An important part of the philosophical discussion has focused on the relationship between narrative art and emotion, for many have thought the power and influence of anarrative art comes primarily form its ability to arouse strong emotions. In this paper I focus on one type of narrative art: narrative fiction film. In many ways the film viewing experience is ideal for the purpose of promoting emotional engagement. Due to the nature of narrative fiction film and the structure of the viewing experience, watching and experiencing film puts us in a unique position to become cognitively and emotionally engaged while remaining aware of the fact that the object of our engagement is fictional…
Kepler: Analogies in the search for the law of refraction
Publisher’s Note: This paper examines the methodology used by Kepler to discover a quantitative law of refraction. The aim is to argue that this methodology follows a heuristic method based on the following two Pythagorean principles: (1) sameness is made known by sameness, and (2) harmony arises from establishing a limit to what is unlimited. We will analyse some of the author’s proposed analogies to find the aforementioned law and argue that the investigation’s heuristic pursues such principles.
Appearance and Reality
Publisher’s Note: Appearance and Reality: An Introduction to the Philosophy of Physics addresses quantum mechanics and relativity and their philosophical implications, focusing on whether these theories of modern physics can help us know nature as it really is, or only as it appears to us. The author clearly explains the foundational concepts and principles of both quantum mechanics and relativity and then uses them to argue that we can know more than mere appearances, and that we can know to some extent the way things really are. He argues that modern physics gives us reason to believe that we can know some things about the objective, real world, but he also acknowledges that we cannot know everything, which results in a position he calls “realistic realism.” This book is not a survey of possible philosophical interpretations of modern physics, nor does it leap from a caricature of the physics to some wildly alarming metaphysics. Instead, it is careful with the physics and true to the evidence in arriving at its own realistic conclusions. It presents the physics without mathematics, and makes extensive use of diagrams and analogies to explain important ideas. Engaging and accessible, Appearance and Reality serves as an ideal introduction for anyone interested in the intersection of philosophy and physics, including students in philosophy of physics and philosophy of science courses.
Lying: Moral Choice in Public and Private Life
Abstract: A thoughtful addition to the growing debate over public and private morality. Looks at lying and deception in law, family, medicine, government.
Frege’s Conception of Logic
Publisher’s Note: In Frege’s Conception of Logic Patricia A. Blanchette explores the relationship between Gottlob Frege’s understanding of conceptual analysis and his understanding of logic. She argues that the fruitfulness of Frege’s conception of logic, and the illuminating differences between that conception and those more modern views that have largely supplanted it, are best understood against the backdrop of a clear account of the role of conceptual analysis in logical investigation.
The first part of the book locates the role of conceptual analysis in Frege’s logicist project. Blanchette argues that despite a number of difficulties, Frege’s use of analysis in the service of logicism is a powerful and coherent tool. As a result of coming to grips with his use of that tool, we can see that there is, despite appearances, no conflict between Frege’s intention to demonstrate the grounds of ordinary arithmetic and the fact that the numerals of his derived sentences fail to co-refer with ordinary numerals.
In the second part of the book, Blanchette explores the resulting conception of logic itself, and some of the straightforward ways in which Frege’s conception differs from its now-familiar descendants. In particular, Blanchette argues that consistency, as Frege understands it, differs significantly from the kind of consistency demonstrable via the construction of models. To appreciate this difference is to appreciate the extent to which Frege was right in his debate with Hilbert over consistency- and independence-proofs in geometry. For similar reasons, modern results such as the completeness of formal systems and the categoricity of theories do not have for Frege the same importance they are commonly taken to have by his post-Tarskian descendants. These differences, together with the coherence of Frege’s position, provide reason for caution with respect to the appeal to formal systems and their properties in the treatment of fundamental logical properties and relations.
Truth-Conditional Pragmatics
Abstract: The mainstream view in philosophy of language is that sentence meaning determines truth-conditions. A corollary is that the truth or falsity of an utterance depends only on what words mean and how the world is arranged. Although several prominent philosophers (Searle, Travis, Recanati, Moravcsik) have challenged this view, it has proven hard to dislodge. The alternative view holds that meaning underdetermines truth-conditions. What is expressed by the utterance of a sentence in a context goes beyond what is encoded in the sentence itself. Truth-conditional content depends on an indefinite number of unstated background assumptions, not all of which can be made explicit. A change in background assumptions can change truth-conditions, even bracketing disambiguation and reference assignment. That is, even after disambiguating any ambiguous words in a sentence and assigning semantic values to any indexical expressions in the sentence, truth-conditions may vary with variations in the background.
Gender and Genius: Towards a Feminist Aesthetics
Publisher’s Note: During the Middle Ages and the Renaissance, women were blamed for having too much passion, imagination and sexual appetite. By the late eighteenth century, however, these qualities had been revalued and appropriated for male artists. The virtues attributed to the Romantic”genius” made him like a woman but not a woman. He belonged to a third, supermale sex. As new and old concepts of woman and genius clashed, there evolved a rhetoric of sexual apartheid which today still affects our perceptions of cultural achievement. Genius from the time of the Greeks has been defined as male. In this study, Christine Battersby traces the history of the concept of genius from ancient Rome to the present day, showing how pagan myths linking divinity with male procreativity have survived into our own time. The author explores the dilemma faced by female creators who have resisted the idea that Art requires “feminine” qualities of mind but male sexual energies. GENDER AND GENIUS argues, against those currently seeking to establish an aesthetics of the “feminine,” that a feminist aesthetics must look to the achievements of women artists in the past as well as in the present.
Kantian Ethics Almost Without Apology
Publisher’s Note: The emphasis on duly in Kant’s ethics is widely held to constitute a defect. Marcia W. Baron develops and assesses the criticism, which she sees as comprising two objections: that duty plays too large a role, leaving no room for the supererogatory, and that Kant places too much value on acting from duty. Clearly written and cogently argued, Kantian Ethics Almost without Apology takes on the most philosophically intriguing objections to Kant’s ethics and subjects them to a rigorous yet sympathetic assessment.
Unprincipled Virtue: An Inquiry Into Moral Agency
Publisher’s Note: Nomy Arpaly rejects the model of rationality used by most ethicists and action theorists. Both observation and psychology indicate that people act rationally without deliberation, and act irrationally with deliberation. By questioning the notion that our own minds are comprehensible to us–and therefore questioning much of the current work of action theorists and ethicists–Arpaly attempts to develop a more realistic conception of moral agency.