The object of this paper is to discuss one or two points arising out of the view held by certain modern philosophers that the whole meaning of a proposition is given in a set of conditional propositions about the experiences which would verify it. Or, as C. S. Peirce said, that ” the rational meaning of every propo-
sition lies in the future.” And for these philosophers to say that the proposition is true is just to say that if I get into certain situations I do have the prescribed experiences which verify the proposition. A proposition (or arrangement of signs)t which cannot be so verified is either tautological, e.g., the “propositions” of logic and mathematics, or it is just metaphysical nonsense. Our idea of anything is our idea of its sensible effects, and if we fancy we have any other we are deceiving ourselves with empty…. Now it may be true that the scientist does tend to identify what he understands with the means of its verification, but it is also true that verification is usually employed in science and elsewhere, not to establish the meaning of propositions, but to prove them true. This, I think, is the usual meaning of the word “verification” and a confusion between these two quite different uses of the word by positivist philosophers leads to certain paradoxical results.
Necessary Propositions
I should like to make a few comments on a recent article on necessary propositions by Mr. Norman Malcolm. Not so much because of anything specifically said by Mr. Malcolm as because his article expresses a prevalent view. Mr. Malcolm rejects what may be called the ‘metaphysical’ view of these propositions, viz. that they describe a special realm of necessary facts known by a kind of interior ‘looking’ called intuition or self-evidence. But the main concern of his paper is to reject also the later positivist view that they are ‘really’ verbal…, that they are rules of grammar or commands to use words in certain ways.
‘There is no reason for the necessity of the ultimate principles of deduction.’ Margaret Macdonald on logical necessity
This paper aims at contributing to the recent enterprise of rediscovering Margaret Macdonald’s views, by focusing on her reflections on the necessity of logic, a theme that runs through many of her papers and reviews. We will see both Macdonald’s negative views about what the necessity of logic is not (Section I), and her positive view about what it is and how it supports her claim that it is in fact irrational to ask for a reason for the necessity of the ultimate principles of deduction, such as the Principle of Contradiction (Section II). To show how her view on the necessity of logic is different from others, such as David Lewis’s, we will then consider what she would reply to current rejectors of the Principle of Contradiction (Section III).
Queer feminist logic and contradictions: Or how logic and feminism can be relevant to each other
Work in the field of feminist logic is still rather scarce and the field itself remains a contested area of study, but still, it is developing. One approach concentrates on analyzing logical systems with respect to structural features that may perpetuate sexism and oppression or, on the other hand, features that may be helpful for resist-ing and opposing these social phenomena. Upon this assumption, I want to inves-tigate possible applications of queer feminist views on (philosophy of) logic with respect to a very specific group, namely contradictory logics, i.e., logical systems containing contradictions in their set of theorems. I want to show that, on the one hand, the formal set-up of contradictory logics makes them well-suited from the perspectives of feminist logic and, on the other hand, that queer feminist theories provide a relevant, and so far undeveloped, conceptual motivation for contradictory logics. Thus, bringing together contradictory logics and queer feminist theories may prove fruitful both as a ‘real-life’ motivation for these peripheral logical systems and as a formal basis for a philosophical field that is still characterized by a distrust of formalism.
Feminist Logic, Broadly Speaking
I argue that the continued focus on the possibility question – whether feminist logic can exist as a respectable practice – has several harmful consequences. First, it in-vites the association of feminist logic with substantial positions in the philosophy of logic, which unnecessarily leaves room for dismissing the field a priori. Second, it invites a systematic reading of feminist logicians as arguing in isolation from their logical practice, which can hide some genuine possibilities for the field. To avoid these issues, I propose a very broad characterization of feminist logic as a kind of practice which addresses some harmful aspect of dominant practices by focusing on their interaction with logical practices. This characterization trivializes the possibil-ity question, enforces no particular conception of logic to the exclusion of others, yet leaves room for both conservative and radical approaches.
The Logic of Kant’s Categorical “Imperative”
Introduction: In Kant’s moral philosophy, the imperative is perched precariously between two realms governed by the indicative form of speech. In the Critique of Pure Reason, it reminds us of an intelligible, rational realm beyond that governed by descriptive causal explanation. But in the Groundwork of the Metaphysics of Morals, it reminds us of the sensible pull of causality that frequently leads us to violate its intelligible principles. Correspondingly, Kant approaches the moral law from two directions in the Groundwork of the Metaphysic of Morals. When he is explaining moral motivation, he describes and refers to the moral law as an imperative, because this is the form it takes for causally enmeshed human beings. But when he is analyzing its rational formal structure and situating it within his broader analysis of reason, he formulates the moral law in the indicative mood, because this is the form it takes for perfectly rational beings. The vast majority of Kant’s actual formulations of the moral law in the Groundwork are not in the imperative. Of 47 formulations to be found in the text, only four are in the strict imperative. Of those four, only the first receives extended analysis. Of the remaining 43, 31 are expressed in the indicative mood. So two-thirds of Kant’s formulations of the moral law in the Groundwork are descriptive rather than prescriptive. These serve to buttress his repeated reminder that for agents as members of the intelligible world, the “I ought” becomes an “I will”. In the Groundwork, Kant usually addresses us as members of that world.
“That’s Above My Paygrade”: Woke Excuses for Ignorance
Standpoint theorists have long been clear that marginalization does not make better understanding a given. They have been less clear, though, that social dominance does not make ignorance a given. Indeed, many standpoint theorists have implicitly committed themselves to what I call the strong epistemic disadvantage thesis. According to this thesis, there are strong, substantive limits on what the socially dominant can know about oppression that they do not personally experience. I argue that this thesis is not just implausible but politically pernicious; it is an excuse for ignorance and silence that stifles our ability to address many injustices. Moreover, I argue that if we are to avoid lending support to the SEDT while working within a standpoint theory framework, we must hold that the socially dominant can achieve marginalized standpoints. So, we must hold that men can achieve feminist standpoints, that white women (and men) can achieve black feminist standpoints, and so on.
Explaining Religion: Notes Toward a Research Agenda
I begin by arguing that our model of religion is often based on Christianity. A Christian model of religion is going to look for gods and creeds, churches, priests, prayer, collective worship, moral codes, each of which is absent in some of
the things we might want to call religions. And it may well ignore dietary and sumptuary rules or cult for ancestors, which are important in some of them. Religion is a paradigm of what Wittgenstein taught us to call a “family-resemblance” concept: each religion, like each member of a family, is like every other, in some respect, but there are few, if any, characteristics they all share. So the first thing we need to do in trying to decide what it is we’re explaining is disaggregate the elements that come together in Christianity; if we find that they usually come together that will be one of the things that we need to explain. What then are the questions worth focusing on? I think that, from an evolutionary point of view, it will be two families of issues. First will be the social and the cognitive features of religions that make their explanation challenging. A second family of issues worth exploring, once we have identified these components, is how they fit together. Why, for example does belief in invisible beings go with rituals dealing with disaster? Why does agreement in creeds go with creating powerful social groups that last across the generations?
When one finds broad patterns across many societies there are usually two natural types of explanation that spring to mind. One is that the pattern reflects shared solutions to common problems, independently discovered: evolutionary homology, as it were. The other is diffusion from common sources: in a word, copying. I suspect that much of what is share in the organization of religions globally today is the result of diffusion. But, of course, why some patterns diffuse successfully and others don’t is itself something that needs explaining.
Bearing Witness and Creative Activism
In this article, I explore the relationship between witness-bearing arts as a form of creative activism designed to respond to social injustices. In the first section, I present some common features of bearing witness, as conceptualized within media studies and journalism. Then I explain how artworks placed in the streets can bear witness in a similar way. I argue that witness-bearing art transmits knowledge about certain unjust and harmful events, which then places a moral burden or responsibility on the viewer. To defend this view, I offer some examples of activist art that bears witness to certain events. I suggest that witness-bearing art is placed in the streets in order to make certain truths publicly available, by offering evidence of them embedded in the artwork. The final section considers why the bearing witness is especially effective for activist art. Witness-bearing art plays a crucial knowledge-transmitting function, one which enables art to engage in creative activism. I conclude by considering how witness-bearing art offers a powerful and persuasive voice for the oppressed.
Public Artifacts and the Epistemology of Collective Material Testimony
Many artifacts that are part of the public landscape—including monuments, memorials, murals, and many viewing towers, arches, gardens, public sculptures, and buildings—are designed to communicate knowledge. It is common to describe such public artifacts as speech, and also to describe them as transmitting knowledge of one sort or another. But the claim that these artifacts can be knowledge-transmitting speech is not typically developed as the complex claim in philosophy of language and social epistemology that it is. I will argue that such public artifacts can be testimony. This raises several philosophically important questions: How can public artifacts be speech, and more specifically, how can they testify? Whose testimony are they? To whom and about what are they testifying? And what is the epistemological status of this testimony—when should it be trusted? Surely if public artifacts can testify, then they can also mislead; it would be strange for them to be a form of testimony that is always trustworthy. Taking seriously their status as testimony means taking seriously as well the ways in which they can communicate false or unentitled claims. I hope that the idea that public artifacts not only communicate but testify is prima facie plausible; it certainly seems like monuments, memorials, and public artworks, for instance, tell us things, and that they can tell the truth or lie to us.