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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: Anniversaries are appropriate times for reflection. On this, the 50th anniversary of the Ameri can Society for Aesthetics, I want to explore a complicated and confusing situation currently facing Anglo-American aesthetics. Works of art were once esteemed as objects of beauty. I In the past several years, however, artists have been accused of encouraging teenage suicide, urban rage, violence against women, and poisoning American culture. Museum directors have been indicted on obscenity charges, and artists and organizations receiving federal grants have been required to sign pledges that they will not pro mote, disseminate, or produce materials that may be considered obscene. Today in America, as in other times and places, artists face de mands for their art to conform to religious and moral criteria. These demands are not new, but they challenge the view that artistic expression falls under the protection of speech guaranteed by the First Amendment.2Matsuda, Mari. Public Response to Racist Speech: Considering the Victim’s Story1993, In: Words that Wound; Critical Race Theory, Assaultive Speech, and the First Amendment, by Mari J. Matsuda, Charles R. Lawrence III, Richard Delgado, and Kimberle Williams Crenshaw, published by Westview Press-
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Added by: Simon Fokt, Contributed by: Patricia A Blanchette
Introduction: The threat of hate groups like the Ku Klux Klan and the neo-Nazi skinheads goes beyond their repeated acts of illegal violence. Their presence and the active dissemination of racist propaganda means that citizens are denied personal security and liberty as they go about their daily lives. Professor Richard Delgado recognized the harm of racist speech in his breakthrough article, Words That Wound, in which he suggested a tort remedy for injury from racist words. This Article takes inspiration from Professor Delgado's position, and makes the further suggestion that formal criminal and administrative sanction - public as opposed to private prosecution - is also an appropriate response to racist speech.
In making this suggestion, this Article moves between two stories. The first is the victim's story of the effects of racist hate messages. The second is the first amendment's story of free speech. The intent is to respect and value both stories. This bipolar discourse uses as method what many outsider intellectuals do in silence: it mediates between different ways of knowing in order to determine what is true and what is just.
Comment: Argues for legal restrictions on hate speech in the United States, in keeping with an emerging international recognition of the harms of hate speech and the rights of the victims of such speech. Useful in discussions of free speech (e.g. after reading Mill), in discussions of hate speech and minority rights, and in discussions of American and international conceptions of rights.
Langton, Rae, Jennifer Hornsby. Free Speech and Illocution1998, Legal Theory 4(1): 21-37.-
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Added by: Emily Paul
Abstract: We defend the view of some feminist writers that the notion of silencing has to be taken seriously in discussions of free speech. We assume that what ought to be meant by 'speech', in the context 'free speech', is whatever it is that a correct justification of the right to free speech justifies one in protecting. And we argue that what one ought to mean includes illocution, in the sense of J.L. Austin.Comment: Very useful for an ethics course element on free speech, or for a feminist philosophy course, or indeed a philosophy of language (trap with the latter is that essays might become too 'ethics'-y). Would definitely be suitable as a core text, with set questions focusing on different elements of the paper to draw out the key arguments. Students could be asked whether they agree with this definition of free speech, and to apply it in different contexts that have recently been in the news.
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Devereaux, Mary. Protected space: Politics, censorship, and the arts
1993, Journal of Aesthetics and Art Criticism 51 (2):207-215.
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