Girardot, Norman, Miller, James, Xiaogan, Liu (eds.). Daoism and Ecology: Ways within a Cosmic Landscape
2001, Cambridge, MA: Harvard University Center for the Study of World Religions
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Added by: Kas BernaysAbstract:
Until now, no single work has been devoted to both a scholarly understanding of the complexities of the Daoist tradition and a critical exploration of its contribution to recent environmental concerns. The authors in this volume consider the intersection of Daoism and ecology, looking at the theoretical and historical implications associated with a Daoist approach to the environment. They also analyze perspectives found in Daoist religious texts and within the larger Chinese cultural context in order to delineate key issues found in the classical texts. Through these analyses, they assess the applicability of modern-day Daoist thought and practice in China and the West, with respect to the contemporary ecological situation.Comment (from this Blueprint): An collection of essays which allows the reader to look in depth at any particular facets of Daoist ecology that might interest them.
Man, Eva Kit Wah. Female bodily aesthetics, politics, and feminine ideals of beauty in China
2000, In Beauty Matters, Peg Zeglin Brand (ed.), Indiana University Press, p169-196.
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Added by: Clotilde Torregrossa, Contributed by: Christy Mag UidhirAbstract: A long and scholarly piece by Eva Kitt Wah Man covers the history of Chinese conventions governing female 'beauty' from Confucius through Maoism to the present day. Classical manuals provide highly specific requirements forc ourtesans and concubines. The shrunken, pulpy appendages produced by foot-binding practiceswere regarded as the most sexually stimulating features of the female body. In 1949, following the inauguration of the Communist regime, women were expected to shun ornament and make-up, to have short hair, wear party uniforms, and to look as much like men as possible. The ideal for the contemporary Chinese woman is quite a lot like the ideal for the courtesan of tradition, but the de-tails are drawn from western fashion magazines. Wah believes that such liberation, although it has its advantages, is mainly nominal and fosters confusion. She writes: 'Although Chinese women today are developing new self-confidence, they do not seem to be aware of the fact that one can be-come a slave of the fashion industry, which merely repeats the bodily constraints of past times in a new form' (p. 194). [review by Mary Mothersill, 2001 - Journal of Aesthetics and Art Criticism 59 (2):211-214.] Feminist Review volume 75, pages145-147, 2003)
Zhuangzi. Autumn Floods
1968, in B. Watson (trans.), The Complete Works of Chuang Tzu. New York: Columbia University Press
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Added by: Kas BernaysAbstract:
This chapter presents a dialogue between the Lord of the Yellow River and the Ruo of the North Sea, illustrating Daoist themes of humility, relativism, and the vastness of nature. It challenges narrow perspectives and celebrates the interconnectedness of all things.Comment (from this Blueprint): A primary reading from Zhuangzi, one of the two most significant philosophers in the pre-Qin Daoist tradition. Readers are encouraged to look closely at this chapter for any ecological themes they can discern.
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