Diversity Reading List

Adapted from prologue. “Since its rediscovery in the mid-nineteenth century the codex Cantares Mexicanos has come to be recognized as the chief source of Aztec poetry and one of the monuments of American Indian literature (…) Over the years a tradition has gradually been established that views the Cantares as a poet’s miscellany, studded with lyrics composed by famous kings (…) [Bierhorst’s edition] breaks with this tradition (…) The findings [of the present study] in brief are these: The ninety-one songs in the Cantares, without exception, belong to a single genre, which flourishes during the third quarter of the sixteenth century. Netotiliztli (or dance associated with worldly entertainment) is the native name that appears to have been applied to the genre in its entirety. But for lack of certainty on this point, and for the sake of convenience, I have chosen to designate it by the term “ghost songs.” (…) the Aztec ghost song may be described as a musical performance in which warrior-singers summon the ghosts of ancestors in order to swell their ranks and overwhelm their enemies. (…) The Cantares itself (…) is limited to songs belonging to the city-state of Mexico, or to Mexico and its close ally, Azcapotzalco (…) Although it is possible that a few of the songs in the Cantares manuscripts were composed before the Conquest, by far the greater number belong to the post-Conquest period.”

Summary: The Mapa de Cuauhtinchan II is a historical-cartographical document from the early colonial period from the state of Puebla, which is likely a copy of an older document from the early post-classic period. This document was declared a historical monument on June 24th, 1963, by the Mexican National Institute of Anthropology and History. The number 2 was assigned to distinguish it from other maps [found in Cuauhtinchan]. To this day, there are four maps registered in this town that pertained to the sixteenth century. Together they constitute a set of sources intimately related in virtue of its pictographic style, as well as of its historic and cartographic content. The Mapa de Cuauhtinchan II is considered one among the historical-cartographical documents that served to state arguments and justifications in defense of political and territorial rights of the ethnic groups who authored them. Along with the oral tradition, they conform Mesoamerican historiography. The historical information they provide refers to the Chichimeca groups of people that left Chicomoztoc in the twelfth century as a response to the calling of the Tolteca-Chichimeca people to conquer the allies of the Olmeca Xicallanca people in Cholula, Puebla.

Translated from Mesoamerican Research Foundation (n.d.), Mapa de Cuauhtínchan II, available at http://mesoamerica.info/mapa-de-cuautinchan-II.

Adapted from the preface: The Popol Vuh tells the story of the emergence of light in the darkness, from primordial glimmers to brilliant dawns, and from rain¬ storms as black as night to days so clear the very ends of the earth can be seen. A revised edition of this translation of the Popol Vuh has become necessary because the world of Mayan studies is itself a constantly brightening one. Advances in the understanding of Mayan languages, literature, art, history, politics, and astronomy have required changes in the introduction, notes, commentaries, glossary, and illustrations. There are also changes in the translation itself, some of them subtle refinements and others that readers of the previous edition may find surprising. And finally, an index has been added.”

Adapted from the preface: The Popol Vuh tells the story of the emergence of light in the darkness, from primordial glimmers to brilliant dawns, and from rainstorms as black as night to days so clear the very ends of the earth can be seen. A revised edition of this translation of the Popol Vuh has become necessary because the world of Mayan studies is itself a constantly brightening one. Advances in the understanding of Mayan languages, literature, art, history, politics, and astronomy have required changes in the introduction, notes, commentaries, glossary, and illustrations. There are also changes in the translation itself, some of them subtle refinements and others that readers of the previous edition may find surprising. And finally, an index has been added.

Publisher’s note: The title of Edmonson's work refers to the Mayan custom of first predicting their history and then living it, and it may be that no other peoples have ever gone so far in this direction. The Book of Chilam Balam was a sacred text prepared by generations of Mayan priests to record the past and to predict the future. The official prophet of each twenty-year rule was the Chilam Balam, or Spokesman of the Jaguar—the Jaguar being the supreme authority charged with converting the prophet's words into fact.

This is a literal but poetic translation of one of fourteen known manuscripts in Yucatecan Maya on ritual and history. It pictures a world of all but incredible numerological order, slowly yielding to Christianity and Spanish political pressure but never surrendering. In fact, it demonstrates the surprising truth of a secret Mayan government during the Spanish rule, which continued to collect tribute in the names of the ruined Classic cities and preserved the essence of the Mayan calendar as a legacy for the tradition's modern inheritors.

The history of the Yucatecan Maya from the seventh to the nineteenth century is revealed. And this is history as the Maya saw it—of a people concerned with lords and priests, with the cosmology which justified their rule, and with the civil war which they perceived as the real dimension of the colonial period.

A work of both history and literature, the Tizimin presents a great deal of Mayan thought, some of which has been suspected but not previously documented. Edmonson's skillful reordering of the text not only makes perfect historical sense but also resolves the long-standing problem of correlating the two colonial Mayan calendars. The book includes both interpretative and literal translations, as well as the Maya parallel couplets and extensive annotations on each page. The beauty of the sacred text is illuminated by the literal translation, while both versions unveil the magnificent historical, philosophical, and social traditions of the most sophisticated native culture in the New World.

The prophetic history of the Tizimin creates a portrait of the continuity and vitality, of the ancient past and the foreordained future of the Maya.