Taylor, Elanor. Explanation and The Right to Explanation
2023, Journal of the American Philosophical Association 1:1-16
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Added by: Deryn Mair ThomasAbstract:
In response to widespread use of automated decision-making technology, some have considered a right to explanation. In this paper I draw on insights from philosophical work on explanation to present a series of challenges to this idea, showing that the normative motivations for access to such explanations ask for something difficult, if not impossible, to extract from automated systems. I consider an alternative, outcomes-focused approach to the normative evaluation of automated decision-making, and recommend it as a way to pursue the goods originally associated with explainability.
Comment : This paper offers a clear overview of the literature on the right to explanation and counters the mainstream view that, in the context of automated decision-making technology, that we hold such a right. It would therefore offer a useful introduction to ideas about explanability in relation to the ethics of AI and automated technologies, and could be used in a reading group context as well as in upper undergraduate and graduate level courses.Taylor, Paul C.. Black is Beautiful: A Philosophy of Black Aesthetics2016, Taylor, Paul C. (2015). Black is Beautiful: A Philosophy of Black Aesthetics. Wiley-Blackwell.-
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Added by: Andrea Blomqvist, Contributed by: Scott Robinson
Publishe Publisher's Note: Those who know anything about black history and culture probably know that aesthetics has long been a central concern for black thinkers and activists. The Harlem Renaissance, the Negritude movement, the Black Arts Movement, and the discipline of Black British cultural studies all attest to the intimate connection between black politics and questions of style, beauty, expression, and art. And the participants in these and other movements have made art and offered analyses that wrestle with clearly philosophical issues. In A Philosophy of Black Aesthetics, I propose to identify and explore the most significant philosophical issues that emerge from the aesthetic dimensions of black life. The book will consist of eight short chapters, each of which will discuss a complex of related themes and phenomena. Every chapter will begin with one or two illustrative real-world examples, and then use the complexities of these opening cases to introduce the relevant issues. Many people in several fields have explored various bits of the terrain that I’ll cover. But none has surveyed the entire terrain in the name of aesthetics, and none has conducted this survey from an explicitly philosophical perspective. Setting up the project in this way means that its main conclusions will come in two forms. One kind of conclusion will emerge from the way I frame the issues. The two most important points here are that the field of aesthetics ought to cover more than the study of western fine art, and that the field of black aesthetics allows and requires the sort of comprehensive and philosophical analysis that I’ll offer. Another set of conclusions will emerge from my treatment of the specific issues in each chapter. In each case the aim will be to defend, albeit briefly, some position on the major issues raised in each chapter.Comment : This text is an excellent introduction to Black American Aesthetics. Drawing on Critical Race Theory, Taylor locates the historical and philosophical background to black aesthetics in America. This text could be used as a contemporary text in a course on the tradition of aesthetics, or as an introductory text to a course on critical aesthetics. It could also be used in 'Critical Race Theory' courses for an aesthetics angle. Its chapters deal with issues of visibility, authenticity, embodiment and inter-racial exchanges.Taylor, Sunaura. Beasts of Burden: Animal and Disability Liberation2017, The New Press.-
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Added by: Chris Blake-TurnerPublisher’s Note:
How much of what we understand of ourselves as “human” depends on our physical and mental abilities—how we move (or cannot move) in and interact with the world? And how much of our definition of “human” depends on its difference from “animal”? Drawing on her own experiences as a disabled person, a disability activist, and an animal advocate, author Sunaura Taylor persuades us to think deeply, and sometimes uncomfortably, about what divides the human from the animal, the disabled from the nondisabled—and what it might mean to break down those divisions, to claim the animal and the vulnerable in ourselves, in a process she calls “cripping animal ethics.” Beasts of Burden suggests that issues of disability and animal justice—which have heretofore primarily been presented in opposition—are in fact deeply entangled. Fusing philosophy, memoir, science, and the radical truths these disciplines can bring—whether about factory farming, disability oppression, or our assumptions of human superiority over animals—Taylor draws attention to new worlds of experience and empathy that can open up important avenues of solidarity across species and ability. Beasts of Burden is a wonderfully engaging and elegantly written work, both philosophical and personal, by a brilliant new voice.Comment (from this Blueprint): In this excerpt from her book, Beasts of Burden, Taylor resists the way that animals and intellectual disabled people are often framed in terms of one another. She argues that this does a disservice to both groups. Animals are not voiceless, as they are often constructed. And their comparison to disabled people in the (in)famous argument from marginal cases should not be accepted. Perhaps most importantly, the argument opens for discussion the worth of disabled people’s lives. But this is not something that should be open for discussion, especially given the marginalization of disabled people.Telfer, Elizabeth. Food for Thought: Philosophy and Food1996, New York: Routledge.-
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Added by: Rochelle DuFord
Summary: The importance of food in our individual lives raises moral questions from the debate over eating animals to the prominence of gourmet cookery in the popular media. Through philosophy, Elizabeth Telfer discusses issues including our obligations to those who are starving; the value of the pleasure of food; food as art; our duties to animals; and the moral virtues of hospitableness and temperance. Elizabeth Telfer shows how much traditional philosophy, from Plato to John Stuart Mill, has to say to illuminate this everyday yet complex subject.Comment : This book could serve as a main text for a course on an introductory course on ethical aspects of food, eating, and food distribution. Some chapters may also be of use in other sorts of courses: there are chapters on hunger and starvation (for a course that considers poverty), food as art (for a course concerning aesthetics or taste), and food and hospitality (for a course concerning hospitality, friendship, or entertaining).Terlazzo, Rosa. Conceptualizing Adaptive Preferences Respectfully: An Indirectly Substantive Account2016, The Journal of Political Philosophy 24(2): 206-226.-
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Added by: Carl Fox
Abstract: While the concept of adaptive preferences is an important tool for criticizing injustice, it is often claimed that using the concept involves showing disrespect for persons judged to have adaptive preferences. In this paper, I propose an account of adaptive preferences that does the relevant political work while still showing persons two centrally important kinds of respect. My account is based in what I call an indirect substantive account of autonomy, which places substantive requirements on the options available to a person, rather than on the option that she ultimately prefers. This allows us to pinpoint cases in which a person's circumstances have rendered her insufficiently autonomous, without saying that any conception of the good must be non-autonomous tout court.Comment : This article would make good recommended reading for a session taking an in-depth look at adaptive preferences, or further reading if the topic was autonomy and the session broached questions about preference formation.Thomas, Angie. The Hate U Give2017, HarperCollins Publishers.-
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Added by: Andrea Blomqvist, Contributed by: Nadia Mehdi
Summary: The Hate U Give is a young adult novel by Angie Thomas. It follows events in the life of a black 16-year-old girl, Starr Carter, who is drawn to activism after she witnesses the police shooting of a childhood friend.Comment : This book could be easily paired with a number of papers in the philosophy of race and racism including Charlies Mills' 'White Ignorance', or Kristie Dotson's 'Tracking Epistemic Violence, Tracking Practices of Silencing'. Concepts that are perhaps trickier for younger philosophers to wrap their heads around are elaborated in the film and book version of this piece.Thomasson, Amie L.. Fiction and Metaphysics1998, Cambridge University Press.-
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Publisher's Note: This challenging study places fiction squarely at the centre of the discussion of metaphysics. Philosophers have traditionally treated fiction as involving a set of narrow problems in logic or the philosophy of language. By contrast Amie Thomasson argues that fiction has far-reaching implications for central problems of metaphysics. The book develops an 'artifactual' theory of fiction, whereby fictional characters are abstract artifacts as ordinary as laws or symphonies or works of literature. By understanding fictional characters we come to understand how other cultural and social objects are established on the basis of the independent physical world and the mental states of human beings.Thomasson, Amie L.. Fictional characters and literary practices2003, British Journal of Aesthetics 43 (2):138-157.-
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: I argue that the ontological status of fictional characters is determined by the beliefs and practices of those who competently deal with works of literature, and draw out three important consequences of this. First, heavily revisionary theories cannot be considered as 'discoveries' about the 'true nature' of fictional characters; any acceptable realist theory of fiction must preserve all or most of the common conception of fictional characters. Second, once we note that the existence conditions for fictional characters are extremely minimal, it makes little sense to deny the existence of fictional characters, leaving anti-realist views of fiction unmotivated. Finally, the role of ordinary beliefs and practices in determining facts about the ontology of fictional characters explains why non-revisionary theories of fiction are bound to yield no determinate or precise answer to certain questions about fictional characters, demonstrating the limits of a theory of fictionThomasson, Amie L.. Debates about the Ontology of Art: What are We Doing Here?2006, Philosophy Compass 1 (3):245-255.-
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: Philosophers have placed some or all works of art in nearly every available ontological category, with some considering them to be physical objects, others abstract structures, imaginary entities, action types or tokens, and so on. How can we decide which among these views to accept? I argue that the rules of use for sortal terms like 'painting' and 'symphony' establish what ontological sorts of thing we are referring to with those terms, so that we must use a form of conceptual analysis in adjudicating these debates. This has several interesting consequences, including that revisionary answers are suspect, that adequate answers may require broadening our systems of categories, and that certain questions about the ontology of art - including the basic question 'What is the ontological status of the work of art?'- are ill?formed and unanswerable.Thompson, Janna. Aesthetics and the Value of Nature1995, Environmental Ethics, 17 (3): 291-305.-
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Added by: Rochelle DuFord
Abstract: Like many environmental philosophers, I find the idea that the beauty of wildernesses makes them valuable in their own right and gives us a moral duty to preserve and protect them to be attractive. However, this appeal to aesthetic value encounters a number of serious problems. I argue that these problems can best be met and overcome by recognizing that the appreciation of natural environments and the appreciation of great works of arts are activities more similar than many people have supposed.Comment : This text provides a clear introduction to the question of environmental beauty and value. Thompson surveys aesthetic theories of environmental value as they provide reasons for environmental protection. She also provides a number of useful comparisons between art criticism and the appreciation of nature/the value of art and the value of nature. This text would fit well in an introductory course on art, beauty, environmental ethics, or value theory.Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
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