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Spaulding, Shannon. Imagination, Desire, and Rationality
2015, Journal of Philosophy 112 (9):457-476 (2015)
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Added by: Andrea Blomqvist
Abstract: We often have affective responses to fictional events. We feel afraid for Desdemona when Othello approaches her in a murderous rage. We feel disgust toward Iago for orchestrating this tragic event. What mental architecture could explain these affective responses? In this paper I consider the claim that the best explanation of our affective responses to fiction involves imaginative desires. Some theorists argue that accounts that do not invoke imaginative desires imply that consumers of fiction have irrational desires. I argue that there are serious worries about imaginative desires that warrant skepticism about the adequacy of the account. Moreover, it is quite difficult to articulate general principles of rationality for desires, and even according to the most plausible of these possible principles, desires about fiction are not irrational.

Comment: This would function well as a required reading in a week on why we have emotional reactions to fiction, probably in a course for senior undergraduate students. It is suitable for a philosophy of fiction module.

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Spaulding, Shannon. Simulation Theory
2016, In Amy Kind (ed.), Handbook of Imagination. Routledge Press. pp. 262-273.
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Added by: Andrea Blomqvist
Abstract: In this chapter, I discuss three aspects of the ST: the concept of simulation, high level simulation, and low level simulation. In the next section, I argue for a more precise characterization of the concept of simulation. In sections 3 and 4, I discuss high level simulation and lowI level simulations, which are quite different in some respects.

Comment: This article introduces the reader to Simulation Theory, and would be a good substitute on for any introductory text by Goldman. It would be suitable in any module on social cognition for any year.

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Stock, Kathleen. Imagining and Fiction: Some Issues
2013, Philosophy Compass 8: 887-96
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Added by: Andrea Blomqvist
Abstract: In this paper, I survey in some depth three issues arising from the connection between imagination and fiction: (i) whether fiction can be defined as such in terms of its prescribing imagining; (ii) whether imagining in response to fiction is de se, or de re, or both; (iii) the phenomenon of 'imaginative resistance' and various explanations for it.

Comment: Very introductory text which would be suitable for undergraduates in a philosophy of fiction module.

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Stock, Kathleen. Only imagine: fiction, interpretation and imagination
2017, Oxford: Oxford University Press
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Added by: Andrea Blomqvist
Abstract: In the first half of this book, I offer a theory of fictional content or, as it is sometimes known, 'fictional truth'.The theory of fictional content I argue for is 'extreme intentionalism'. The basic idea - very roughly, in ways which are made precise in the book - is that the fictional content of a particular text is equivalent to exactly what the author of the text intended the reader to imagine. The second half of the book is concerned with showing how extreme intentionalism and the lessons learnt from it can illuminate cognate questions in the philosophy of fiction and imagination. For instance, I argue, my position helps us to explain how fiction can provide us with reliable testimony; it helps explain the phenomenon of imaginative resistance; and it fits with, and so supports, a persuasive theory of the nature of fiction itself. In my final chapter, I show how attending to intentionalist practices of interpreting fictional content can illuminate the nature of propositional imagining itself.

Comment: This book would be good to read chapter by chapter in a module which focussed exclusively on it, perhaps with supplemantary readings which relate to the topic of each chapter. It would be a good for a third year module.

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Ventham, Elizabeth. Reflective Blindness, Depression and Unpleasant Experiences
, Analysis, (forthcoming)
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Added by: Simon Fokt, Contributed by: Lizzy Ventham
Abstract: This paper defends a desire-based understanding of pleasurable and unpleasant experiences. More specifically, the thesis is that what makes an experience pleasant/unpleasant is the subject having a certain kind of desire about that experience. I begin by introducing the 'Desire Account' in more detail, and then go on to explain and refute a prominent set of contemporary counter-examples, based on subjects who might have 'Reflective Blindness', looking particularly at the example of subjects with depression. I aim to make the Desire Account more persuasive, but also to clear up more widespread misunderstandings about depression in metaethics. For example, mistakes that are made by conflating two of depression's most prominent symptoms: depressed mood and anhedonia.

Comment: Argues in favour of a 'desire account' of pleasurable and unpleasant experiences. Looks in particular at cases of depression and aims to clear up wider misunderstandings about depression in metaethics.

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