Abhinavagupta. Abhinavabhāratī
2006, In M.M. Ghosh (ed.) Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation.Delhi: New Bharatiya Book Corporation.
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Added by: Meilin Chinn
Summary: Abhinavagupta’s famed commentary on Bharatamuni’s treatise on drama, the Nāṭyaśāstra, in which he details aesthetic expression and experience according to a theory of rasa, or aesthetic relish. Abhinavagupta’s theory is the most influential account of how the rasas or aesthetic emotions transcend the bounds of the spectator and artwork in a three-part process including depersonalization, universalization, and identification.Comment : This text is appropriate for an in-depth study of Indian aesthetics. It requires an at least an introductory background in Indian philosophy to be accessible.Adrian Piper. Philosophy En Route to Reality: A Bumpy Ride2019, Journal of World Philosophies 4 (2):106-118-
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Added by: Sara PeppeAbstract:
My intellectual journey in philosophy proceeded along two mountainous paths that coincided at their base, but forked less than halfway up the incline. The first is that of my philosophical development, a steep but steady and continuous ascent. It began in my family, and accelerated in high school, art school, college, and graduate school. Those foundations propelled my philosophical research into the nature of rationality and its relation to the structure of the self, a long-term project focused on the Kantian and Humean metaethical traditions in Anglo-American analytic philosophy. It would have been impossible to bring this project to completion without the anchor, compass, and conceptual mapping provided by my prior, longstanding involvement in the practice and theory of Vedic philosophy. The second path is that of my professional route through the field of academic philosophy, which branched onto a rocky detour in graduate school, followed by a short but steep ascent, followed next by a much steeper, sustained descent off that road, into the ravine, down in flames, and out of the profession. In order to reach the summit of the first path, I had to reach the nadir of the second. It was the right decision. My yoga practice cushioned my landing.
Comment : Discusses Adrian Piper's philosophy journey. To be used as a basis to understand Piper's further works on Kant and Hume's metaethical traditions.Author(s) Unknown. Yue Ji 樂記—Record of Music: Introduction, Translation, Notes, and Commentary1995, Asian Music 26(2): 1-96.-
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Added by: Meilin Chinn
Summary: The earliest extant Chinese treatise on music. The Yue Ji presents largely Confucian ideas on the connections between music, self-cultivation, proper governance, and the realization of natural patterns. Human character is described as a musical progression with ties to the transformation of sound into a kind of music that is distinguished by its relationship to virtue. The exact identity of the author(s) is debated, and it is believed to have been compiled from various sources no later than the middle of the Western Han dynasty (206BCE-24CE).Comment : This text is appropriate for an aesthetics (especially philosophy of music) and/or Chinese philosophy course. It is best accessed by a reader with a basic understanding of early Chinese philosophy (especially Confucianism).Carpenter, Amber. Illuminating Community – Animals in Classical Indian Thought2018, In Peter Adamson and G. Fay Edwards (eds) Animals: A History. Oxford University Press-
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Added by: Björn FreterAbstract:
This chapter presents a discussion of the rich tradition of reflection on animals in ancient Indian philosophy, which deals with but is not restricted to the topic of reincarnation. At the center of the piece is the continuity that Indians saw between human and nonhuman animals and the consequences of this outlook for the widespread idea of nonviolence. Consideration is also given to the philosophical interest of fables centrally featuring animals, for example the Pañcatantra. In general it is suggested that ancient Indian authors did not, unlike European counterparts, focus on the question of what makes humans unique in contrast to all other animals, but rather on the ethical and metaphysical interconnections between humans and various kinds of animals.Comment (from this Blueprint): An overview of the role of non-human animals in Indian Thought pointing out that there is not much evidence of that presumption of a fundamental difference between human and nonhuman forms of life that allows us in English to use the word “animal” simply to mean “nonhuman animal.” The concept of the animal is thus not best suited to explore the nature of the human by contrast. Instead we more often find a background presumption of a common condition: whatever lives seeks to sustain its life, wants pleasure and not pain, wants its desires and aims satisfied rather than thwarted.Carpenter, Amber. Amber Carpenter on Animals in Indian Philosophy [Podcast]2018, History of Philosophy Without Any Gaps [Blog]-
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Added by: Björn FreterAbstract:
An interview with Amber Carpenter about the status of nonhuman animals in ancient Indian philosophy and literature.Comment (from this Blueprint): An interview about the status of nonhuman animals in ancient Indian philosophy and literature; a very good complement to her paper.Chakrabarti, Arindam. Ownerless Emotions in Rasa-Aesthetics2011, In Ken-ichi Sasaki (ed.). Asian Aesthetics. National Univeristy of Singapore Press.-
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Added by: Meilin Chinn
Summary: Chakrabarti explores the possibilities of rasa theory via the question of whose emotion is experienced when an audience relishes a work of art. Chakrabarti argues for the existence of a “centerless non-singular subjectivity” according to which the special emotions savored in aesthetic experience do not have specific owners. These personless sentiments indicate an ethical relationship between aesthetic imagination and moral unselfishness.Comment : This text could serve as both an overview of rasa theory in Indian aesthetics, as a basis for comparative work in cross-cultural aesthetics, as well as comparative philosophy.Related reading:
- Abhinavabhāratī. Abhinavagupta. In Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. M.M. Ghosh (ed.). Delhi: New Bharatiya Book Corporation, 2006.
Related reading:
- Abhinavabhāratī. Abhinavagupta. In Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. M.M. Ghosh (ed.). Delhi: New Bharatiya Book Corporation, 2006.
Chari, V.K.. Validity in Interpretation: Some Indian Views1978, Journal of Aesthetics and Art Criticism 36(3): 329-340.-
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Added by: Meilin Chinn
Summary: An outline of the theory of interpretation within the language philosophies of ancient India. Chari organizes this extensive history according to topics such as verbal autonomy, intention, unity of meaning, polysemy, contextualism, and interpretation.Comment : This text is appropriate for discussions of language and meaning in aesthetics, as well as philosophy of language.Chen Guying. The Philosophy of Life: A New Reading of the Zhuangzi2016, Brill-
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, Contributed by: I Xuan ChongPublisher’s Note:
Chen Guying, one of the leading scholars on Daoism in contemporary China, provides in his book The Philosophy of Life, A New Reading of the Zhuangzi a detailed analysis and a unique interpretation of Zhuangzi’s Inner, Outer and Miscellaneous chapters. Unlike many other Chinese scholars Chen does not focus on a philological, but on a philosophical reading of the Zhuangzi highlighting the main topics of self-cultivation, aesthetics, and epistemology. Chen’s perspectives on the Zhuangzi range from the historical background of the Warring States Period to his own personal (political) experience. Since Chen is also a specialist on Nietzsche, he elaborates Zhuangzi’s philosophy of life and the idea of regulating one’s heart by drawing a parallel to Nietzsche’s perspectivism.Comment : This is an English translation of an often-cited commentary (originally written in Chinese) of the entire Zhuangzi.Chen Guying. The Annotated Critical Laozi With Contemporary Explication and Traditional Commentary2020, Brill-
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, Contributed by: I Xuan ChongPublisher’s Note:
Chen Guying’s Laozi dissects different versions of the Laozi and provides close readings of traditional and contemporary commentaries, from Han Fei, Wang Bi, and Heshang Gong through to Shi Deqing, Xu Kangsheng and Ding Yuanzhi. This book completely changed Laozi studies in China, where serious student or scholar can ignore Chen’s amazing work. It is the standard interpretation of the Laozi at nearly every Chinese university.Comment : English translation of an often-cited commentary (originally written in Chinese) of the Laozi (with ancient commentaries)Chiu, Wai Wai. Zhuangzi’s Knowing-How and Skepticism2018, Philosophy East and West 68(4), pp. 1062-1084-
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Added by: Lea CantorAbstract:
A common interpretation of the Zhuangzi holds that the text is skeptical only about propositional knowledge and not practical knowledge. It is argued here that this interpretation is problematic, for two reasons. The first is that there is no motivation for Zhuangzi to criticize propositional knowledge, given some general pre-Qin epistemological assumptions. The second is that Zhuangzi explicitly criticizes a certain kind of practical knowledge. It is then explained how Zhuangzi's skepticism can co-exist with the idea of "great knowledge."
Comment : This is a useful article for anyone interested in the question of scepticism in the Zhuangzi - a foundational text in the Daoist tradition of classical Chinese philosophy. The article is written in a way that is accessible to those with little or no background in the Zhuangzi, Daoism, or classical Chinese. However, some basic knowledge of classical Chinese philosophy as a whole is required to follow the argument of the paper. The paper offers a useful overview of a number of scholarly controversies surrounding the scope and nature of Zhuangzi's scepticism, and how they relates to interpretive issues surrounding the so-called 'skills stories' of the Zhuangzi.Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
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