Content: Eaton begins with some remarks on the practical need for classification of art and proceeds to present and improve her definition. Her focus is not on specific properties of artworks, but on the fact that they possess properties which within a given culture are considered worth attending to. The modifications made to the theory follow a realisation of Western-centric bias embedded in the original formulation, and the discussion explicitly aims to work towards a definition which acknowledges the cultural differences in art production and appreciation. Eaton moves on to discuss Danto’s and Cohen’s claims that art cannot be defined and points out some Western-centric aspects of their arguments. The paper ends with an overview of what it is for art and its definition to be sustainable.
The Many-Layered Aesthetics of African Art
Content: Wingo contrasts the traditional Western approaches to art classification with some African traditions in which what gives art its status is the social context in which it is situated, the community that art creates. He reviews some of the ways in which art is approached in those cultures, focusing on its functional, everyday character and sensual nature. Art is not meant for disinterested intellectual contemplation, but for sense experience, and should have the capacity to really move its audience. Similarly, the forms of African art are often different, including mask and costume making and dance. Wingo offers an overview of ways in which such works can be embedded in other cultural practices, and discusses how they are commonly perceived and approached.
Glaring Omissions in Traditional Theories of Art
Abstract: I investigate the role of feminist theorizing in relation to traditionally-based aesthetics. Feminist artworks have arisen within the context of a patriarchal Artworld dominated for thousands of years by male artists, critics, theorists, and philosophers. I look at the history of that context as it impacts philosophical theorizing by pinpointing the narrow range of the paradigms used in defining “art.” I test the plausibility of Danto’s After the End of Art vision of a post-historical, pluralistic future in which “anything goes,” a future that unfortunately rests upon the same outdated foundation as the concept “art.”.
Symbolic and Social Connections of the Oppression of Women and the Domination of Nature
Synopsis generated from the paper: Ruether defines ecofeminism as the meeting of deep ecology and feminism. Deep ecology asks how symbolic, psychological, and ethical patterns of human–nature relation became destructive, while feminism, at its cultural level, charts how domination of women is linked to male monopolies of resources and power. She traces that link through Mediterranean and Western European culture. Early identification of women with nature and men with culture rests on women’s reproductive and maintenance labor, and is hardened by plow agriculture, property, and slavery, which treat women, slaves, animals, and land as linked forms of male property. In Near Eastern myth, the mother goddess is killed and made into the stuff of the cosmos; Hebrew scripture casts God as patriarchal lord and nature as under divine, then male, stewardship; Greek philosophy ties mother to matter and ranks male mind above female and animal bodies; Christian asceticism and medieval ambivalence deepen the repudiation of sexuality, women, and mortal nature. Calvinism strips nature of sacramental presence while keeping a demonic universe, and the Scientific Revolution secularizes nature into dead matter obedient to male scientific control, alongside colonial expropriation of land and labor. That industrial–colonial system now produces ecological crisis, poverty, and militarization. An ecofeminist ethic must replace hierarchical dualism with mutual interdependency: reintegrate human production into ecological patterns, reconceive God as the immanent life-source of the planetary community, convert men to equal share in nurture and household work, and accept mortality and the life cycle instead of fleeing them. Symbolic change must be matched by new social practice and solidarity with the victims of the present order.
Constructivism and Wise Judgment
Abstract: In this paper I introduce a version of constructivism that relies on a theory of practical wisdom. Wise judgment constructivism is a type of constructivism because it takes correct judgments about what we have “all-in” reason to do to be the result of a process we can follow, where our interest in the results of this process stems from our practical concerns. To fully defend the theory would require a comprehensive account of wisdom, which is not available. Instead, I describe a constructivist methodology for defending an account of wisdom and outline its main features. This gives us enough to see what wise judgment constructivism would look like, why it might be an attractive theory, and how it is different from other versions of constructivism.
The Intentional Termination of Life
Content: Steinbock argues that cessation of treatment can be for reasons other than the ending of life, specifically respecting a patient’s right to refuse treatment and when treatment would not be a net benefit. She concludes that the AMA can consistently reject intentional killing and hold that it is sometimes permissible to withdraw treatment without relying on the controversial passive/active euthanasia distinction.
Non-Combatant Liability in War
Publisher: How We Fight: Ethics in War contains ten groundbreaking essays by some of the leading philosophers of war. The essays offer new perspectives on key debates including pacifism, punitive justifications for war, the distribution of risk between combatants and non-combatants, the structure of ‘just war theory’, and bases of individual liability in war.
Ethical Neo-Expressivism
Abstract: A standard way to explain the connection between ethical claims and motivation is to say that these claims express motivational attitudes. Unless this connection is taken to be merely a matter of contingent psychological regularity, it may seem that there are only two options for understanding it. We can either treat ethical claims as expressing propositions that one cannot believe without being at least somewhat motivated (subjectivism), or we can treat ethical claims as nonpropositional and as having their semantic content constituted by the motivational attitudes they express (noncognitivism). In this paper, we argue that there is another option, which can be recognized once we see that there is no need to build the expression relation between ethical claims and motivational states of mind into the semantic content of ethical claims.
The Look and Feel of Virtue
Abstract: For much of the twentieth century it was common to contrast the characteristic forms and preoccupations of modern ethical theory with those of the ancient world. However, the last few decades have seen a growing recognition that contemporary moral philosophy now has much in common with its ancient incarnation, in areas as diverse as virtue ethics and ethical epistemology. Christopher Gill has assembled an international team to conduct a fascinating exploration of the relationship between the two fields, exploring key issues in ancient ethics in a way that highlights their conceptual significance for the study of ethics more generally. Virtue, Norms, and Objectivity will be as interesting and relevant to modern moral philosophers, therefore, as it will be to specialists in ancient thought.