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Added by: Zoé Grange-MarczakAbstract:
Fanon (1925-1961) was born in the French West Indies and studied in France before moving to Algeria to join the independence struggle. In this text, originally published in French in 1952, he addresses the Black man's condition, and more particularly his subjectivity and experience in the colonial context of the French West Indies and of France in general, also drawing parallel with North Africa and Indochina. Black Skin, White Masks is both a minute and complex description of the violence of colonization and a sketch of a liberation from its effects. A psychiatrist by training, Fanon investigates the psychological impact of both racism and colonization, with a strong focus on inter-subjective relations, including the intersection of race and gender relations. He uses a large variety of resources: philosophy (a critical reading of Sartre, an elaboration of Hegel's slave-master dialectic, Leiris, Marcel, and contemporary linguistics) ; Marxism (materialism and alienation); psychiatry and psychoanalysis; the literary Négritude movement (Black Francophones writers who, starting in the 1930s, wrote about lived experience of blackness, displacement and colonialism). Its reception, though belated, has nevertheless made it one of the seminal works of postcolonial theory.
Comment: This work is rather difficult by its intricacy, the importance of often implicit philosophical references, and its inscription in hyper-contemporary debates in philosophy, literature and psychology. However, both its radicalism and the descriptions of lived first-person experiences make it a rather didactic and striking short essay. A classical text of postcolonial theory and French thought in general.
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
This paper enumerates Irigaray's main arguments and thoughts regarding the gendered nature of language and "the logos".Comment: available in this Blueprint