Diversity Reading List

Abstract: "[T]he sceptical argument that Kripke attributes to Wittgenstein, and even the 'sceptical solution', are of considerable importance regardless of whether they are clearly Wittgenstein's. The naturalistically inclined philosopher, who rejects Brentano's irreducibility and yet holds intentionality to be an objective feature of our thoughts, owes a solution to the Kripke-Wittgenstein paradox." The challenge is a welcome one. Although I will argue that the Kripke-Wittgenstein paradox is not a problem for naturalists only, I will propose a naturalist solution to it. (Should the Kripke-Wittgenstein paradox prove to be soluble from a naturalist standpoint but intractable from other standpoints, that would, I suppose, constitute an argument for naturalism.) Then I will show that the paradox and its solution have an important consequence for the theories of meaning and truth. The Kripke-Wittgenstein arguments which pose the paradox also put in question Dummett's and Putnam's view of language understanding. From this view it follows that truth rules must be "verificationist rules" that assign assertability conditions to sentences, rather than "realist rules" that assign correspondence truth conditions. The proposed solution to the paradox suggests another view of language understanding, according to which a speaker can express, through his language practice, a grasp of correspondence truth rules.

Publisher's Note: Carolina Sartorio argues that only the actual causes of our behaviour matter to our freedom. The key, she claims, lies in a correct understanding of the role played by causation in a view of that kind. Causation has some important features that make it a responsibility-grounding relation, and this contributes to the success of the view. Also, when agents act freely, the actual causes are richer than they appear to be at first sight; in particular, they reflect the agents' sensitivity to reasons, where this includes both the existence of actual reasons and the absence of other reasons. So acting freely requires more causes and quite complex causes, as opposed to fewer causes and simpler causes, and is compatible with those causes being deterministic. The book connects two different debates, the one on causation and the one on the problem of free will, in new and illuminating ways.

Abstract:

This is a revision of Scheman's seminal paper originally published in 2000 which provides one of the first pieces showing how mainstream philosophy of mind can benefit from the insertion of feminist thought in its practices. In this article, Scheman criticises mainstream physicalism as ignoring the social context in its explanations of the mental. According to Scheman, this dismissal is a mistake since "beliefs, desires, emotions, and other phenomena of our mental lives are the particulars that they are because they are socially meaningful [...]".

Summary: Sellars' critics have, predominantly, studied single aspects of his work. This essay, on the other hand, is motivated by Sellars' dictum that "analysis without synopsis is blind" (TWO 527). My intent is to give a synopsis of Sellars' thought by focusing on the nominalist strands of his scheme. I shall try to draw the reader's attention to the systematicity and overall coherence of Sellars' work, since I think that any successful analysis of his writings must heed their systematic context. By presenting Sellars' logical, semantic, epistemological and metaphysical arguments for the expendability of abstract entities in their systematic connection, I hope to promote both 'full scope nominalism' and 'full scope Sellarsianism.'

Abstract: Why, when asking oneself whether to believe that p, must one immediately recognize that this question is settled by, and only by, answering the question whether p is true? Truth is not an optional end for first-personal doxastic deliberation, providing an instrumental or extrinsic reason that an agent may take or leave at will. Otherwise there would be an inferential step between discovering the truth with respect to p and determining whether to believe that p, involving a bridge premise that it is good (in whichever sense of good one likes, moral, prudential, aesthetic, allthings-considered, etc.) to believe the truth with respect to p. But there is no such gap between the two questions within the first-personal deliberative perspective; the question whether to believe that p seems to collapse into the question whether p is true.

Summary: In this paper, Shapiro aims to explore Princess Elizabeth's own philosophical position, as developed in her correspondence with Descartes. In particular, Shapiro is interested in tracing Elizabeth's own thought about the nature of the union of soul and body. Shapiro argues that Elizabeth develops her view from her early, famous objection against Descartes' notion of the union of soul and body given his substance dualism to her later (less known) objections to Descartes' neo-Stoic advice to her about regulating her passions. According to Shapiro, Elizabeth defends a unique philosophical position, one that is intermediary between substance dualism and reductionist materialism. On this view, the mind is autonomous yet it depends on the (good health of the) body to function properly. Shapiro concludes her paper by reconsidering Elizabeth's practice of philosophy in light of the lack of a systematic treatment of philosophical issue by her.

Abstract: Identity and distinctness facts are ones like “The Eiffel Tower is identical to the Eiffel Tower,” and “The Eiffel Tower is distinct from the Louvre.” This paper concerns one question in the metaphysics of identity: Are identity and distinctness facts metaphysically fundamental or are they nonfundamental? I provide an overview of answers to this question.

Abstract: I argue that there are phenomenological constraints on what it is to see an object, and that these are overlooked by some theories that offer allegedly sufficient causal and counterfactual conditions on object-seeing.

Publisher's Note: What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.

Abstract: We often have affective responses to fictional events. We feel afraid for Desdemona when Othello approaches her in a murderous rage. We feel disgust toward Iago for orchestrating this tragic event. What mental architecture could explain these affective responses? In this paper I consider the claim that the best explanation of our affective responses to fiction involves imaginative desires. Some theorists argue that accounts that do not invoke imaginative desires imply that consumers of fiction have irrational desires. I argue that there are serious worries about imaginative desires that warrant skepticism about the adequacy of the account. Moreover, it is quite difficult to articulate general principles of rationality for desires, and even according to the most plausible of these possible principles, desires about fiction are not irrational.