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Added by: Simon FoktBack matter: "A welcome attempt to resurrect an older tradition of moral and political reflection and to show its relevance to our current condition." -- John Gray "Cosmopolitanism is... of wide interest-invitingly written and enlivened by personal history... Appiah is wonderfully perceptive and levelheaded about this tangle of issues." -- Thomas Nagel "Elegantly provocative." -- Edward Rothstein "[Appiah's] belief in having conversations across boundaries, and in recognizing our obligations to other human beings, offers a welcome prescription for a world still plagued by fanaticism and intolerance." -- Kofi A. Annan, former United Nations secretary-general "[Appiah's] exhilarating exposition of his philosophy knocks one right off complacent balance... All is conveyed with flashes of iconoclastic humor." -- Nadine Gordimer, winner of the 1991 Nobel Prize in Literature "An attempt to redefine our moral obligations to others based on a very humane and realistic outlook and love of art... I felt like a better person after I read it, and I recommend the same experience to others." -- Orham Pamuk, winner of the 2006 Nobel Prize in Literature.Comment: The introduction provides a particularly good entry text to ethics, race and cosmopolitanism.
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Added by: Simon FoktBack matter: Africa's intellectuals have long been engaged in a conversation with each other, and with Europeans and Americans about what it means to be African. At the heart of these debates on African identity are the seminal works of politicians, creative writers and philosophers from Africa and its diaspora. In this book, Appiah draws on his experiences as a Ghanaian in the New World to explore the writings of these African and African-American thinkers and to contribute his own vision of the possibilities and pitfalls of an African identity in the late twentieth century. Appiah sets out to dismantle the specious oppositions between "us" and "them," the West and the Rest, that have governed so much of the cultural debate about Africa in the modern world. All of us, he maintains, wherever we live on the planet, must explore together the relations between our local cultures and an increasingly global civilization. Combining philosophical analysis with more personal reflections, Appiah addresses the major issues in the philosophy of culture through an exploration of the contemporary African predicament.Comment: Chapters 1 & 2 can be particularly useful in teaching on the social construction of race.
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Added by: Simon Fokt
Abstract: The main theoretical gap in In My Father's House - in the opinion, at least, of its author - is the lack of a proposed alternative to the account of identity in the black diaspora that the book criticizes. The pseudo- biological essentialist account of black identity is, in my judgment, now generally understood to be untenable; what is lacking is an alternative positive account of black identity. In the book I criticized the biological account as a proposed basis for identities in the continent as well: but I offered, in the chapter on "African Identities," some suggestions for a positive basis for a range of continentally based mobilizations of Africa as what I called "a vital and enabling badge." But what I had to say about diasporic identities was, to put it kindly, perfunctory. Katya Azoulay's critique of my work ("Outside Our Parents' House: Race, Culture, and Identity" in RAL 27.1 [1996]: 129-42) identifies this theoretical gap and rightly draws attention to it. Let me offer at least a sketch of an approach.
Comment: The article follows up on Appiah's In My Father's House.
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Added by: Erich Hatala MatthesSummary: In this chapter, Appiah offers a cosmopolitan critique of the concept of cultural property/patrimony. By emphasizing the common features of our humanity and the tenuousness of certain cultural identity claims, he puts pressure on conceptions of cultural property that would exclude others, particularly those that have a nationalist character. He raises important philosophical questions about cultural continuity over time, and explores how the location of art can best facilitate its value for humanity. In general, he supports a cosmopolitan/internationalist approach to cultural property that promotes the exchange of cultural products around the world.Comment: This text offers a clear and effective overview of philosophical issues concerning cultural property, and uses a range of cultural and artistic examples. It offers a concise summary of the legal scholar John Merryman's classic article in support of internationalism about cultural property (not included in this curriculum). It pairs well with Lindsay's article.
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Added by: Chris Blake-Turner, Contributed by: Simon Fokt
Abstract: This essay explores the theories of the person within Western and Akan traditions. It identifies six obstacles to theory comparison. It argues that there may be no non-question begging way of comparing theories since these theories themselves play key roles in understanding how each is to be used.
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, Contributed by: Tammo LossauAbstract:
I begin by arguing that our model of religion is often based on Christianity. A Christian model of religion is going to look for gods and creeds, churches, priests, prayer, collective worship, moral codes, each of which is absent in some of the things we might want to call religions. And it may well ignore dietary and sumptuary rules or cult for ancestors, which are important in some of them. Religion is a paradigm of what Wittgenstein taught us to call a “family-resemblance” concept: each religion, like each member of a family, is like every other, in some respect, but there are few, if any, characteristics they all share. So the first thing we need to do in trying to decide what it is we're explaining is disaggregate the elements that come together in Christianity; if we find that they usually come together that will be one of the things that we need to explain. What then are the questions worth focusing on? I think that, from an evolutionary point of view, it will be two families of issues. First will be the social and the cognitive features of religions that make their explanation challenging. A second family of issues worth exploring, once we have identified these components, is how they fit together. Why, for example does belief in invisible beings go with rituals dealing with disaster? Why does agreement in creeds go with creating powerful social groups that last across the generations? When one finds broad patterns across many societies there are usually two natural types of explanation that spring to mind. One is that the pattern reflects shared solutions to common problems, independently discovered: evolutionary homology, as it were. The other is diffusion from common sources: in a word, copying. I suspect that much of what is share in the organization of religions globally today is the result of diffusion. But, of course, why some patterns diffuse successfully and others don't is itself something that needs explaining.Comment: The discussion of whether there is a coherent concept of religion spanning all the various traditions that are usually classified as religious is a good setup for classes on philosophy of religion. Appiah also gave a TED-Talk ("Is religion good or bad? (This is a trick question)"), in which he explains the core ideas but ends up with a different conclusion. Namely, he argues in the talk that the concept of religion is defective - contrary to the paper, where he promotes a "cluster concept" understanding of religion. Which of these conclusions is more plausible is a good discussion question.
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Added by: Sara PeppePublisher's Note: Hannah Arendt's last philosophical work was an intended three-part project entitled The Life of the Mind. Unfortunately, Arendt lived to complete only the first two parts, Thinking and Willing. Of the third, Judging, only the title page, with epigraphs from Cato and Goethe, was found after her death. As the titles suggest, Arendt conceived of her work as roughly parallel to the three Critiques of Immanuel Kant. In fact, while she began work on The Life of the Mind, Arendt lectured on "Kant's Political Philosophy," using the Critique of Judgment as her main text. The present volume brings Arendt's notes for these lectures together with other of her texts on the topic of judging and provides important clues to the likely direction of Arendt's thinking in this area.Comment: This book provides a good overview of Arendt's perspective on Kant's political philosophy. Previous knowledge on Kant is needed.
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Added by: Simon FoktIntroduction: Bernard Williams's integrity objection against utilitarianism has made a very influential contribution to the view that utilitarianism is so demanding that it cannot be a serious option. Utilitarians, on the other hand, have generally denied that a suitably sophisticated version of utilitarianism is incompatible with agents' integrity. I argue here that, if we examine what a valuable conception of integrity consists in, we can see that it actually commits us, in the current state of the world, to extremely demanding moral obligations, on any plausible account of our moral obligations, including Williams's own. I then argue, however, that any such account of these obligations has difficulty in providing a rationale for how a fundamental conflict between them and agents' pursuit of their personal projects can be avoided. I conclude that it is, in fact, a strength of utilitarianism that it acknowledges that this conflict cannot be resolved and makes explicit the extent to which our integrity is currently compromised. I lastly argue that there is a practically realizable state of the world in which utilitarian moral obligations would not seriously conflict with agents' pursuit of their personal projects.Comment: This text offers a discussion of some of the major objections to utilitarianism. It is useful as a core reading in teaching advanced modules on moral theories, or as a further reading in a more general ethics course.
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Added by: Francesca BrunoPublisher's Note: Mary Astell's A Serious Proposal to the Ladies is one of the most important and neglected works advocating the establishment of women's academies. Its reception was so controversial that Astell responded with a lengthy sequel, also in this volume. The cause of great notoriety, Astell's Proposal was imitated by Defoe in his "An Academy for Women," parodied in the Tatler, satirized on the stage, plagiarized by Bishop Berkeley, and later mocked by Gilbert and Sullivan in Princess Ida.Comment: This new edition by Patricia Springborg of Mary Astell's A Serious Proposal to the Ladies: Parts I and II includes helpful introductory material and explanatory annotations to Astell's text. Springborg's introduction places Astell's work in the context of the woman question and the debate over empirical rationalism in the eighteenth-century. Astell defends women-only education, arguing against the dangers of women failing to think for themselves. This text is good to use in an early modern course. It could also be considered in a course on feminist philosophy as an example of early feminist thought (predating Mary Wollstonecraft).
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Added by: Clotilde TorregrossaAbstract:
In this article, I explore some issues regarding the fictional capacity of photographs and their classification as fiction or nonfiction. In particular, I address the debate on the purported “fictional incompetence” of photography, whether photographs can or cannot represent ficta. In this debate, I side with theorists who defend the view that photographs can indeed represent fictive entities or ficta, but I offer an alternative argument: I claim that photographs can indeed represent ficta by photographic means, something that most theorists have denied. Then I consider some possible objections to my view and try to offer responses. Finally, I question whether representing fictive entities or events is all that is needed for a photograph to be fictional. In this context, I suggest what I take to be the correct way to classify deceptive photographs.Comment: It's useful for an introductory module on Aesthetics or on Epistemology (fiction, deception). It's easy to read and with photos and brings forward cases that connect well with frequently discussed issues related to deceptive images.