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Added by: Laura Jimenez
Publisher's note: This unique book challenges the traditional distinction between eros, the love found in Greek thought, and agape, the love characteristic of Christianity. Focusing on a number of classic texts, including Plato's Symposium and Lysis, Aristotle's Ethics and Metaphysics, and famous passages in Gregory of Nyssa, Origen, Dionysius the Areopagite, Plotinus, Augustine, and Thomas Aquinas, the author shows that Plato's account of eros is not founded on self-interest. In this way, she restores the place of erotic love as a Christian motif, and unravels some longstanding confusions in philosophical discussions of love.Pacherie, Elisabeth. Qualia and representations1999, In Denis Fisette (ed.), Consciousness and Intentionality: Models and Modalities of Attribution. Springer. pp. 119--144.-
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: Dretske has recently offered a representational theory of perceptual experience - considered as paradigmatic of the qualitative and phenomenal aspects of our mental life. This theory belongs, as do his previous works, to a naturalistic approach to mental representationComment:
Palmer, Clare. Killing Animals in Animal Shelters2006, In: Killing Animals, edited by The Animal Studies Group. Champaign: Illinois University Press.-
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Added by: Rochelle DuFord
Summary: In this article, Palmer provides a clear survey of positions on killing domestic animals (cats and dogs) in animal shelters. She argues that there are three ways of understanding the killing that occurs in animal shelters: consequentialism, rights based, and relation based. She considers the relationship of humans and domesticated animals that leads to their killing in animal shelters as well as providing an ethical assessment of the practice.Comment: This text is a clear introduction to the ethical issues involved in keeping 'pets' or 'companion animals.' It would serve as a clear introduction to the problem of 'painless killing' in a course on ethics of killing, environmental ethics, or animal ethics.
Patterson, Sarah. The explanatory role of belief ascriptions1990, Philosophical Studies 59 (3):313-32.-
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: The aim of this paper is to argue that belief ascription in common- sense discourse is not uniformly non-individualistic, as Burge's conclusion suggests. (In concentrating on belief ascriptions I follow the usual practice of treating belief as the paradigm propositional attitude.) I shall present some examples which suggest that when giving common-sense explanations of action we do not individuate thoughts with reference to agents' linguistic environment in the manner indicated by Burge's thought-experiment. The challenge supposedly presented to the Continuity Thesis by Burge's thought-experiment is thus removed. I then discuss whether the mode of individuation characteristic of our explanatory practice deserves to be called individualistic, and conclude with some remarks on the expressibility of thought contents.Comment:
Phemister, Pauline. The Rationalists: Descartes, Spinoza and Leibniz2006, Polity.-
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Added by: Clotilde Torregrossa, Contributed by: Pauline Phemister
Publisher's Note: Descartes, Spinoza and Leibniz stand out among their seventeenth-century contemporaries as the great rationalist philosophers. Each sought to construct a philosophical system in which theological and philosophical foundations serve to explain the physical, mental and moral universe. Through a careful analysis of their work, Pauline Phemister explores the rationalists seminal contribution to the development of modern philosophy. Broad terminological agreement and a shared appreciation of the role of reason in ethics do not mask the very significant disagreements that led to three distinctive philosophical systems: Cartesian dualism, Spinozan monism and Leibnizian pluralism. The book explores the nature of, and offers reasons for, these differences. Phemister contends that Spinoza and Leibniz developed their systems in part through engagements with and amendment of Cartesian philosophy, and critically analyses the arguments and contributions of all three philosophers. The clarity of the authors discussion of their key ideas including their views on knowledge, universal languages, the nature of substance and substances, bodies, the relation of mind and body, freedom, and the role of distinct perception and reason in morals will make this book the ideal introduction to rationalist philosophyComment:
Pointon, Marcia. Portrait, Fact and Fiction2013, in: Portrayal and the Search for Identity, Reaktion Books, pp. 23-46.-
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Added by: Hans Maes
Summary: Considers portraiture an unstable, destabilizing, potentially subversive art through which uncomfortable and unsettling convictions are negotiated. As such, it is primarily an instrumental art form, a kind of agency. Also argues that there is an element of the fictive involved in all portrait representations. Explains how portraiture is a slippery and seductive art.Comment: Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Garibaldi at Caprera, frontispiece of G.M. Trevelyan, Garibaldi and the Thousand, May 1860 (1931 edition)
A reproduction of a photograph of a copy of a many times copied portrait of the guerilla leader. Devoid of monetary or aesthetic value. Not very likely that Garibaldi looked like this or posed for the artist. The portrait works to endow the historical narrative with its illusion of a unified subject. Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Garibaldi at Caprera, frontispiece of G.M. Trevelyan, Garibaldi and the Thousand, May 1860 (1931 edition)
A reproduction of a photograph of a copy of a many times copied portrait of the guerilla leader. Devoid of monetary or aesthetic value. Not very likely that Garibaldi looked like this or posed for the artist. The portrait works to endow the historical narrative with its illusion of a unified subject.
Pointon, Marcia. Slavery and the Possibility of Portraiture2013, in: Portrayal and the Search for Identity, Reaktion Books, pp. 47-73.-
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Added by: Hans Maes
Summary: Draws attention to the fact that portraits of slaves are rarely exhibited or discussed; and that not all images of slaves are portraits. Reflects on the dynamics of power involved in portraiture and on the relation between subject and viewer in particular. Includes extensive commentary on the historical development of portraiture and the place of portraits of slaves therein.Comment: Useful in discussing portraiture and depiction, as well as power relations and art's role in them in general.
Artworks to use with this text:
Francis Wheatley, A Family Group in a Landscape (c.1775)
A dark clad black boy stands motionless at the extreme left of the canvass, scarcely making into the group. He is literally in the shadows. Useful in discussing portraiture and depiction, as well as power relations and art's role in them in general.
Artworks to use with this text:
Francis Wheatley, A Family Group in a Landscape (c.1775)
A dark clad black boy stands motionless at the extreme left of the canvass, scarcely making into the group. He is literally in the shadows.
Rahman, Shahid, Carnielli, Walter. The Dialogical Approach to Paraconsistency2001, Synthese 125 (1-2):201-232-
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Added by: Franci MangravitiAbstract:
Being a pragmatic and not a referential approach to semantics, the dialogical formulation of paraconsistency allows the following semantic idea to be expressed within a semi-formal system: In an argumentation it sometimes makes sense to distinguish between the contradiction of one of the argumentation partners with himself (internal contradiction) and the contradiction between the partners (external contradiction). The idea is that external contradiction may involve different semantic contexts in which, say A and not A have been asserted. The dialogical approach suggests a way of studying the dynamic process of contradictions through which the two contexts evolve for the sake of argumentation into one system containing both contexts. More technically, we show a new, dialogical, way to build paraconsistent systems for propositional and first-order logic with classical and intuitionistic features (i.e. paraconsistency both with and without tertium non-datur) and present their corresponding tableaux.
Comment: This paper would fit well in a course on dialogical formulations of logic (as either main or further reading, depending on the time dedicated to Lorenz-style approaches), or in a course on paraconsistent logic (as an alternative way of thinking about paraconsistency); both topics are introduced in an accessible enough way. If students have no familiarity with tableaux systems, sections 4 and 5.2 can be skipped.
Rand, Ayn. The Romantic Manifesto: A Philosophy of Literature1969, New York, World Pub. Co.-
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Added by: Simon Fokt
Publisher's note: In this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time.Comment: Teaching this text might be quite challenging, as the theory proposed is very revisionist. The text can be inspiring in two ways. Firstly, it can encourage a discussion on the status of the avant-garde and most abstract art forms – some students will likely share the sentiment that many such works are not art. Second, Rand’s definition has clear normative undertones: it is not only about what art is, but about what art is for and what its purpose should be. It might be instructive to use her text to inspire a discussion on whether we should expect definitions of art to cover these points.
Reader, Soran. Needs and Moral Necessity2007, New York: Routledge-
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Added by: Deryn Mair ThomasPublisher’s Note:
Needs and Moral Necessity analyses ethics as a practice, explains why we have three moral theory-types, consequentialism, deontology and virtue ethics, and argues for a fourth needs-based theory.
Comment: In this book, Reader defends a needs-based ethical theory and places it in the context of existing ethical theories. Her style of philosophy is straightforward and for the most part, absent of jargon, making it a very good resource for introductory teaching contexts. At the same time, her arguments are nuanced and developed, and it could just as easily be useful in the context of more advanced students. This book offers a critique of the dominant ethical theories existing in contemporary philosophical literature, and for this reason, could be useful in introductions to western social and political philosophy to teach alongside the traditional approaches to moral theory and to get students to challenge the hegemony of those approaches. It might also be useful as a way to discuss methodology and writing style in philosophy: Reader's approach and style of writing is very accessible to non-philosophers, but she still advances a fairly complex argument. Therefore, it could serve as an illustration of how written philosophy need not be technical or opaque in order to advance interesting claims.
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Osborne, Catherine. Eros Unveiled: Plato and the God of Love
1994, Oxford University Press.
Comment: The author’s view represents a new approach to ancient views on eros and its place in the Christian tradition. It is suitable for undergraduate or postgraduate courses on Ethics and Ancient Philosophy. Perfect as a secondary reading for students working on Plato's Symposium and Lysis, or Aristotle's Ethics and Metaphysics.