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Added by: Hans Maes
Abstract: This is basically a paper about artistic evaluation and how multiple interpretations can give rise to inconsistent and conflicting meanings. Images like Joel-Peter Witkin's First Casting for Milo (2004) challenge the viewer to look closely, understand the formal properties at work, and then extract a meaning that ultimately asks, Is the model exploited or empowered? Is Karen Duffy, pictured here, vulnerable and "enfreaked" or is she potentially subversive, transgressive, and perhaps self-empowered? I will offer an argument in agreement with artist/author/ performer Ann Millett-Gallant that favors the latter interpretation, but will augment and complicate the issue by also introducing a pointed question or two taken from a recent analysis by Cynthia Freeland on objectification. I judge the works by photographer Joel-Peter Witkin to be representations of disabled persons who are empowered through agency and pride, but I also worry about the risk of multiple, conflicting interpretations on the part of viewers who do not, or cannot, entertain such enlightened readings. Like second wave feminist views about pornography that depicted women in demeaning ways, or feminist critiques of Judy Chicago's The Dinner Party , Witkin's photos can be judged as potentially offensive. But they are also objects of beauty - both in terms of aesthetic properties (they are magnificent studies in black and white, shadows, the human body, with many classical references) and because of the feeling of beauty and pride felt by the posers, who become performers of their own beauty and pride. I argue that beauty trumps offensiveness. Pride wins. But I'm not sure that everyone will agree.Brand, Peg Zeglin. Revising the Aesthetic-Nonaesthetic Distinction: The Aesthetic Value of Activist Art2010, In Peg Zeglin Brand & Carolyn Korsmeyer (eds.), Feminism and Tradition in Aesthetics. Penn State Press.-
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Added by: Clotilde Torregrossa, Contributed by: Christy Mag Uidhir
Introduction: This essay will explore the role that the aesthetic-nonaesthetic distinction plays in assessing activist art by women and artists of color. First, I shall review one traditional line of philosophical thought and show how it serves as the foundation for three types of reasons typically given for artworks reputed to lack aesthetic value. I develop two of the three reasons by examining the recent writings opposed to the aesthetic value of activist art by well-known art critic Donald Kuspit, pointing out his aberrant use of 'obscene'. Kuspit's examples of activist art - the work of Jenny Holzer, Barbara Kruger, and Adrian Piper - are presented in light of his charges. I then explore Piper's art in depth in order to outline ways of expanding the notion of aesthetic value beyond its traditional confines. Finally, I suggest moving beyond entrenched, traditional patterns of assessment and invite underrepresented voices to contribute to the emerging discussion of the multiplicity of aesthetic values.Comment:
Brazier, Margaret Rosetta. Exploitation and enrichment: The paradox of medical experimentation2008, Journal of Medical Ethics 34 (3):180--183.-
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: Modern medicine is built on a long history of medical experimentation. Experiments in the past often exploited more vulnerable patients. Questionable ethics litter the history of medicine. Without such experiments, however, millions of lives would be forfeited. This paper asks whether all the ``unethical'' experiments of the past were unjustifiable, and do we still exploit the poorer members of the community today? It concludes by wondering if Harris is right in his advocacy of a moral duty to participate in medical research.Comment:
Briggs, Rachael. Distorted Reflection2009, Philosophical Review 118(1): 59-85.-
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Added by: Berta Grimau, Contributed by: Antony Eagle
Abstract: Diachronic Dutch book arguments seem to support both conditionalization and Bas van Fraassen's Reflection principle. But the Reflection principle is vulnerable to numerous counterexamples. This essay addresses two questions: first, under what circumstances should an agent obey Reflection, and second, should the counterexamples to Reflection make us doubt the Dutch book for conditionalization? In response to the first question, this essay formulates a new 'Qualified Reflection' principle, which states that an agent should obey Reflection only if he or she is certain that he or she will conditionalize on veridical evidence in the future. Qualified Reflection follows from the probability calculus together with a few idealizing assumptions. The essay then formulates a 'Distorted Reflection' principle that approximates Reflection even in cases where the agent is not quite certain that he or she will conditionalize on veridical evidence. In response to the second question, the essay argues that contrary to a common misconception, not all Dutch books dramatize incoherence - some dramatize a less blameworthy sort of epistemic frailty that the essay calls 'self-doubt'. The distinction between Dutch books that dramatize incoherence and those that dramatize self-doubt cross-cuts the distinction between synchronic and diachronic Dutch books. The essay explains why the Dutch book for conditionalization reveals true incoherence, whereas the Dutch book for Reflection reveals only self-doubt.Comment: Appropriate for a graduate level philosophy of probability or formal philosophy seminar. It's a useful adjunct to other readings on the reflection principle which has been recently much discussed.
Briggs, Rachael. Normative Theories of Rational Choice: Expected Utility2014, Standford Encyclopedia of Philosophy-
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Added by: Giada FratantonioAbstract:
Introduction: This article discusses expected utility theory as a normative theory - that is, a theory of how people should make decisions. In classical economics, expected utility theory is often used as a descriptive theory - that is, a theory of how people do make decisions - or as a predictive theory - that is, a theory that, while it may not accurately model the psychological mechanisms of decision-making, correctly predicts people's choices. Expected utility theory makes faulty predictions about people's decisions in many real-life choice situations (see Kahneman & Tversky 1982); however, this does not settle whether people should make decisions on the basis of expected utility considerations. The expected utility of an act is a weighted average of the utilities of each of its possible outcomes, where the utility of an outcome measures the extent to which that outcome is preferred, or preferable, to the alternatives. The utility of each outcome is weighted according to the probability that the act will lead to that outcome. Section 1 fleshes out this basic definition of expected utility in more rigorous terms, and discusses its relationship to choice. Section 2 discusses two types of arguments for expected utility theory: representation theorems, and long-run statistical arguments. Section 3 considers objections to expected utility theory; section 4 discusses its applications in philosophy of religion, economics, ethics, and epistemology.
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Briggs, Ray. The Metaphysics of Chance2010, Philosophy Compass 5(11): 938-952.-
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Added by: Emily Paul
Abstract: This article surveys several interrelated issues in the metaphysics of chance. First, what is the relationship between the probabilities associated with types of trials (for instance, the chance that a twenty?eight?year old develops diabetes before age thirty) and the probabilities associated with individual token trials (for instance, the chance that I develop diabetes before age thirty)? Second, which features of the the world fix the chances: are there objective chances at all, and if so, are there non?chancy facts on which they supervene? Third, can chance be reconciled with determinism, and if so, how?Comment: A nice introduction to the Metaphysics of Chance, suitable for an intermediate metaphysics course. Could also be a good bridge into a determinism or decision theory course element. Requires prior knowledge of some concepts e.g. token/type distinction and supervenience - but could also be a good way to learn what these are. Alternatively, a particular section of the article could be set (e.g. the final section on whether chance can be reconciled with determinism).
2016, Philosophy of Science 83(1): 60--81-
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Added by: Simon Fokt
Abstract: Social scientists report difficulties in drawing out testable predictions from the literature on intersectionality theory. We alleviate that difficulty by showing that some characteristic claims of the intersectionality literature can be interpreted causally. The formal-ism of graphical causal modeling allows claims about the causal effects of occupying intersecting identity categories to be clearly represented and submitted to empirical test-ing. After outlining this causal interpretation of intersectional theory, we address some concerns that have been expressed in the literature claiming that membership in demo-graphic categories can have causal effects.Comment: This text contains a summary of some key concepts in intersectionality theory and a discussion of how they have been used in empirical sociological research, as well as an introduction to methods of causal statistical inference. Students needing an introduction to any of these things could therefore benefit from this text. It also contains arguments about the permissibility of using demographic categories as the basis of causal claims that may be interesting matters of dispute or discussion for students of the philosophy of race.
Brison, Susan J.. Outliving oneself: trauma, memory, and personal identity2022, in McWeeny, J. and Maitra, K. (eds) Feminist Philosophy of Mind. New York: Oxford University Press, pp. 313-328-
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Added by: Adriana Alcaraz Sanchez and Jodie RussellAbstract:
"How can one die in Vietnam or fail to survive a death camp and still live to tell one's story? How does a life- threatening event come to be experienced as self- annihilating? And what self is it who remembers having had this experience?" By examining the lived experience of survivors from traumatic events, Brison sets to explore what exactly "the self" is. According to Brison, the self is "both autonomous and socially dependent", which makes it prone to be disrupted by traumatic events, but also, can be healed through safe and healthy relationships.Comment (from this Blueprint): Trigger warning: This article discusses accounts of trauma, including descriptions of an event of sexual assault that occurred to the author, as well as its aftermath. If used in a syllabi, this text should be presented as "optional" and students should be warned about its sensitive nature. A brief notice of TW should also be presented a the beginning of a session where the text is discussed. Also note that the suggested prompted questions for guiding reading of this article, as well as prompting discussion, also treat sensitive topics. Susan Brison provides a compelling argument about the embodied nature of the self by examining how traumatic events can have an impact on our personal identity and highly disrupt our personhood. Brison defends a relational account of the self in which the self is constructed through our interactions with others, and at the same time, affected by those interactions, making it vulnerable. By drawing first-hand from her own experience with trauma, Brison shows the importance of integrating lived experiences in the development of philosophical accounts.
Broad, Jacqueline, Karen Detlefsen. (eds.) Women and Liberty, 1600-1800: Philosophical Essays2017, Oxford University Press.-
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Added by: Francesca Bruno
Publisher's Note: This book addresses the theme of liberty as it is found in the writing of women philosophers of the seventeenth and eighteenth centuries, or as it is theorized with respect to women and their lives. It covers both theoretical and practical philosophy, with chapters grappling with problems in the metaphysics of free will (both human and God's), the liberty (or lack thereof) of women in their moral, personal lives as well as their social-political, public lives, and the interactions between the metaphysical and normative issues. The chapters draw upon writing of both women and men, and notably, upon a wide range of genres, including more standard philosophical treatises as well as polemical texts, poetry, plays, and other forms of fiction. As such, this book alerts the reader to the wide range of conceptions of what counts as a philosophical text in the early modern period. Several chapters also grapple with the relation between early modern and contemporary ways of thinking about the theme of women and liberty, thus urging the reader to appreciate the continuing importance of these earlier philosophers in the history of philosophy and of feminism. Ultimately, the chapters in this text show how crucial it is to recover the too-long forgotten views of female and women-friendly male philosophers of the seventeenth and eighteenth centuries, for in the process of recovering these voices, our understanding of philosophy in the early modern period is not only expanded, but also significantly altered toward a more accurate history of our discipline.Comment: This volume covers ethical, political, metaphysical, and religious notions of liberty, including chapters on women's ideas about the metaphysics of free will and chapters examining the topic of women's freedom (or lack thereof) in their moral and personal lives. Some of the papers in this collection could be assigned individually in an undergraduate early modern survey course; or it could be one of the main texts for a more advanced (undergraduate or graduate) course on the topic of liberty/freedom, from a variety of philosophical perspectives (ethical, political, metaphysical, and religious).
Broad, Jacqueline, Karen Green. A History of Women’s Political Thought in Europe, 1400–17002009, Cambridge University Press-
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Added by: Simon Fokt, Contributed by: Karen Green
Publisher's Note: This ground-breaking book surveys the history of women's political thought in Europe from the late medieval period to the early modern era. The authors examine women's ideas about topics such as the basis of political authority, the best form of political organisation, justifications of obedience and resistance, and concepts of liberty, toleration, sociability, equality, and self-preservation. Women's ideas concerning relations between the sexes are discussed in tandem with their broader political outlooks; and the authors demonstrate that the development of a distinctively sexual politics is reflected in women's critiques of marriage, the double standard, and women's exclusion from government. Women writers are also shown to be indebted to the ancient idea of political virtue, and to be acutely aware of being part of a long tradition of female political commentary. This work will be of tremendous interest to political philosophers, historians of ideas, and feminist scholars alike.Comment: Offers an overview of women's works advocating for the spiritual and political equality of women and men from Christine de Pizan's Book of the City of Ladies to Mary Astell's Serious Proposal to the Ladies. Embeds these works within the wider traditions of political philosophy and in particular debates about virtue, liberty, religious toleration, equality, and good government.
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Brand, Peg Zeglin. Beauty as Pride: A Function of Agency
2011, APA Newsletter 10(2): 5-9.
Comment: Questions the ideal standard of beauty portrayed throughout the history of art, particularly in form of the female nude, and examines works of art that defiantly challenge that ideal. Argues that in certain representations of disabled persons the model is empowered and not exploited and that beauty trumps offensiveness. Pride wins.
Artworks to use with this text:
Joel-Peter Witkin, First Casting for Milo (2004)
Portrait of Irish artist Karen Duffy engaged in a silent performance of 'disarming' Venus. In her own words, she is aiming to 'liberate herself from histories of oppressive representations of women and disabled women in particular.' Questions the ideal standard of beauty portrayed throughout the history of art, particularly in form of the female nude, and examines works of art that defiantly challenge that ideal. Argues that in certain representations of disabled persons the model is empowered and not exploited and that beauty trumps offensiveness. Pride wins.
Artworks to use with this text:
Joel-Peter Witkin, First Casting for Milo (2004)
Portrait of Irish artist Karen Duffy engaged in a silent performance of 'disarming' Venus. In her own words, she is aiming to 'liberate herself from histories of oppressive representations of women and disabled women in particular.'