Goehr, Lydia. Political music and the politics of music
1994, Journal of Aesthetics and Art Criticism 52 (1):99-112.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: On September 24th, 1947, a composer with "an international reputation" became the first Holly wood artist to be called before the Committee on Un-American Activities [HUAC]. The charge against him was that his music had aided the Communist infiltration of the motion-picture industry.' A significant part of his defense con sisted in his claim that he was only a musician and thus not responsible for any part of a Com munist conspiracy. What is peculiar is that he almost got away with this unlikely defense, unlikely because he had spent much of his life developing a political music consistent with the ideals of Communism. In the end, the Commit tee caught him out on technical grounds: it found a history of inaccurate statements in his visa applications. The composer was deported. It was the second exile of his life: the first had been from Germany ten years earlier.Comment: This is a stub entry. Please add your comments below to help us expand it
Goehr, Lydia. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music
1992, Oxford University Press.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirPublisher's Note: What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer this question, Goehr combines philosophical and historical methods of enquiry. She describes how the concept of a musical work emerged as late as 1800, and how it subsequently defined the norms, expectations, and behavior characteristic of classical musical practice. Out of the historical thesis, Goehr draws philosophical conclusions about the normative functions of concepts and ideals. She also addresses current debates amongst conductors, early-music performers, and avant-gardists.
Goodship, Laura. On Dialethism
1996, Australasian Journal of Philosophy 74 (1):153 – 161
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Added by: Franci MangravitiAbstract:
The paper discusses two problems with Graham Priest's version of dialetheism: the thesis that one cannot be rationally obliged to both accept and reject something, and the use of a Contraction-less conditional in dealing with Curry paradoxes. Some solutions are suggested.
Comment: A useful supplement to any discussion of dialetheism, as the origin of what is now known in the literature as the "Goodship project". Some familiarity with Priest's account is required for context.
Gopnik, Alison. The Child as Scientist
1996, Philosophy of Science 63 (4):485-514
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Added by: Andrea BlomqvistAbstract: This paper argues that there are powerful similarities between cognitive development in children and scientific theory change. These similarities are best explained by postulating an underlying abstract set of rules and representations that underwrite both types of cognitive abilities. In fact, science may be successful largely because it exploits powerful and flexible cognitive devices that were designed by evolution to facilitate learning in young children. Both science and cognitive development involve abstract, coherent systems of entities and rules, theories. In both cases, theories provide predictions, explanations, and interpretations. In both, theories change in characteristic ways in response to counterevidence. These ideas are illustrated by an account of children's developing understanding of the mind.Comment: In the mindreading debate, this is one of the main papers arguing for Theory Theory. It offers a good introduction of the theory as well as empirical support. It is suitable in a second or third year module on social cognition.
Gover, K. E.. Artistic Freedom and Moral Rights in Contemporary Art: The Mass MoCA Controversy
2011, Journal of Aesthetics and Art Criticism 69 (4):355-365.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: The concept of artistic freedom, like that of academic freedom, is as potent as it is slippery. Its indeterminacy may in fact lend the concept some power, since it can be uncritically applied to many different kinds of situations involving artists and their creations. Philosopher Paul Crowther has observed that the prevailing conception of artistic freedom is essentially negative in character: it is based 'purely on the absence of ideological or conceptual restraint.' There is a widespread art-world intuition that the creative freedom of the artist should be given virtually absolute precedence in decisions about the creation, exhibition, and treatment of artworks. As a recent controversy involving Swiss artist Christoph Buchel and the Massachusetts Museum of Contemporary Art (Mass MoCA) shows, the dominant conception of artistic freedom also entails freedom from financial and logistical constraints such as museum budgets and exhibition deadlines. In this particular case, the artist and his supporters argued that the museum violated his artistic freedom by attempting to display his unfinished and abandoned artwork against his wishes. As with the Tilted Arc controversy in the 1980s, this case raises provocative questions about the nature of artistic freedom as 'artistic' as it comes into conflict with the needs and interests of the institutions that pay for, exhibit, and, in Mass MoCA's case, construct the work.
Govier, Trudy. What’s Wrong with Slippery Slope Arguments?
1982, Canadian journal of philosophy. 12(2): 303-316.
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Added by: Simon FoktContent: Govier distinguishes four kinds of slippery slope arguments - conceptual, precedential, causal and mixed - and argues that only the last kind are likely to ever be sound.Comment: Useful in teaching about fallacious arguments in general, and about moral arguments an popular discourse about such arguments in particular.
Gow, Laura. Colour
2014, Philosophy Compass 9: 803-813.
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Added by: Simon Fokt, Contributed by: Simon Prosser
Abstract: The view that physical objects do not, in fact, possess colour properties is certainly the dominant position amongst scientists working on colour vision. It is also a reasonably popular view amongst philosophers. However, the recent philosophical debate about the metaphysical status of colour properties seems to have taken a more realist turn. In this article, I review the main philosophical views – eliminativism, physicalism, dispositionalism and primitivism – and describe the problems they face. I also examine how these views have been classified and suggest that there may be less disparity between some of these positions than previously thought
Comment: Useful survey article on colour and colour perception.
Gow, Laura. The Limitations of Perceptual Transparency
2016, Philosophical Quarterly 66: 723-744
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Added by: Björn Freter
Abstract: My first aim in this paper is to show that the transparency claim cannot serve the purpose to which it is assigned; that is, the idea that perceptual experience is transparent is no help whatsoever in motivating an externalist account of phenomenal character. My second aim is to show that the internalist qualia theorist's response to the transparency idea has been unnecessarily concessive to the externalist. Surprisingly, internalists seem to allow that much of the phenomenal character of perceptual experience depends essentially (and not just causally) upon externally located properties. They argue that we can also be aware of internal, non-intentional qualia. I present an alternative response the internalist can make to the transparency claim: phenomenal character is wholly internal, and seeming to be aware of externally located properties just is being aware of internally constituted experiential features.
Comment: Clarifies the debate on whether perceptual experience is transparent and what significance this has. Points out some mistaken assumptions that both sides of the debate have made. Suggests how internalists should respond to the claim that perceptual experience is transparent. Easy to read if one has prior knowledge of the transparency idea.
Graff Fara, Delia. Shifting Sands: An Interest-Relative Theory of Vagueness
2000, Philosophical Topics 28(1): 45-81.
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Added by: Emily PaulSummary: I propose that the meanings of vague expressions render the truth conditions of utterances of sentences containing them sensitive to our interests. For example, 'expensive' is analyzed as meaning 'costs a lot', which in turn is analyzed as meaning 'costs significantly greater than the norm'. Whether a difference is a significant difference depends on what our interests are. Appeal to the proposal is shown to provide an attractive resolution of the sorites paradox that is compatible with classical logic and semantics.Comment: An important paper to use for an advanced UG Philosophy of Language/Metaphysics course. Would definitely need to be a core reading and be taught in a lecture first, as there are many important things going on here.
Grasswick, Heidi. Feminist Social Epistemology
2013, Standford Encyclopedia of Philosophy
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Added by: Giada FratantonioSummary: Survey article on feminist epistemology and its intersection with social epistemology. Includes discussion on topics such as the historical development of feminist epistemology as well as on epistemic injustice and the epistemology of ignorance.Comment: It can be used as introductory/overview reading for a course on feminism, as well as social epistemology.
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