Diversity Reading List

Abstract:

This article addresses the question whether a basic income will be a just social policy for women. The implementation of a basic income will have different effects for different groups of women, some of them clearly positive, some of them negative. The real issues that concern feminist critics of a basic income are the gender-related constraints on choices and the current gender division of labour, which are arguably both playing at the disadvantage of women. It is argued that those issues are not adequately addressed by a basic income proposal alone, and therefore basic income has to be part of a larger packet of social policy measures if it wants to maximise real freedom for all.

Publisher's Note: Jenefer Robinson takes the insights of modern scientific research on the emotions and uses them to illuminate questions about our emotional involvement with the arts. Laying out a theory of emotion supported by the best evidence from current empirical work, she examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone interested in the emotions and how they work, as well as anyone engaged with the arts and aesthetics.

Abstract: This essay is about the relation between the expression and the arousal of emotion by music. I am assuming that music frequently expresses emotional qualities and qualities of human personality such as sadness, nobility, aggressiveness, tenderness, and serenity. I am also assuming that music frequently affects us emotionally: it evokes or arouses emotions in us. My question is whether there is any connection between these two facts, whether, in particular, music ever expresses emotion by virtue of arousing emotion. Of course, what it means to say that music expresses emotion is a contentious issue and I shall not be directly addressing it here, although what I say will have implications for any theory of musical expression. Nor will I be examining all the possible contexts in which music can be said to arouse emotion. My focus in this essay will be narrower. The question I shall try to answer is this: Are the grounds on which we attribute the expression of emotion to music ever to be identified with the arousal of that same emotion in listeners?

Abstract: We apply Carol Gilligan's distinction between a "male" mode of moral reasoning, focussed on justice, and a "female" mode, focussed on caring, to the reading of literature. Martha Nussbaum suggests that certain novels are works of moral philosophy. We argue that what Nussbaum sees as the special ethical contribution of such novels is in fact training in the stereotypically female mode of moral concern. We show this kind of training is appropriate to all readers of these novels, not just to women. Finally, we explore what else is involved in distinctively feminist readings of traditional novels

Abstract:
Philosophers tend to take very sophisticated and culture bound emotions as their paradigms for emotion in general. So Gilbert Ryle discusses an interest in symbolic logic; William Lyons discusses being awestruck by the beauty of a golden eagle; Patricia Greenspan talks about being warily suspicious of an insurance salesman; and Robert Gordon talks about being embar rassed about the publicity for one's wedding.' Psychologists, on the other hand, tend to stick to very different examples; several of them have studied the startle reaction as an example of an emo tion, a suggestion most philosophers would consider laughable. I shall argue that startle does belong on the spectrum of emotional response, and that indeed, if we abstract from the startle response, we can come up with a useful model of emotional response in general.

Abstract:
Attempts to identify feminist epistemology by picking out particular topics or projects that supposedly all feminist epistemologists engage, or by focusing on specific claims or theories about knowledge (justification, objectivity) to which all or most feminist epistemologists subscribe, often end up mischaracterizing the field. I argue that what makes feminist epistemology distinctive, a quarter century into its development, is best determined by examining what makes mainstream epistemology still so distinctively non‐feminist. For example, feminist epistemology includes a critical examination of historical and contemporary forms of epistemic subordination and disempowerment that it seeks to bring out from the shadows of traditional theorizing in epistemology, that is, forms of exclusion or distancing of women and other “others” from domains, conceptions, and idealizations of knowledge and of epistemology. This feminist project, though it encompasses quite a range of specific inquiries, is distinctive to the extent that proponents of mainstream projects or perspectives in epistemology remain hostile to, dismissive of, or notably ignorant of it. Mainstream marginalizations and dismissals of feminist work are underwritten by distinctively limited understandings of specific features of epistemological theorizing that come to the fore in an examination of the relationship between feminist and mainstream work in epistemology. These features include: a recognition of the historical situatedness of epistemology; an appreciation of different types of relationships between epistemology and politics; the promotion of epistemological reflexivity; critical re-assessments of starting concepts and questions in epistemology; and recognition of important connections between epistemic normativity and moral or political normativity.

Abstract:
Sometimes our emotions change straightaway when we learn that what we believed is not true. The grieving husband recovers when he learns that, because she missed her plane, his wife did not die in the fatal plane crash. But often changes in emotions do not appropriately follow changes in belief. Their tenacity, their inertia, suggests that there is akrasia of the emotions; it reveals the complex structure of their intentionality.'

Abstract: Recent developments in neuroscience raise the worry that understanding how brains cause behavior will undermine our views about free will and, consequently, about moral responsibility. The potential ethical consequences of such a result are sweeping. I provide three reasons to think that these worries seemingly inspired by neuroscience are misplaced. First, problems for common-sense notions of freedom exist independently of neuroscientific advances. Second, neuroscience is not in a position to undermine our intuitive notions. Third, recent empirical studies suggest that even if people do misconstrue neuroscientific results as relevant to our notion of freedom, our judgments of moral responsibility will remain largely unaffected. These considerations suggest that neuroethical concerns about challenges to our conception of freedom are misguided.

Abstract:

From the introduction: "we argue that the semantics of the first degree paradox-free implication system FD supports the claim it is superior to strict implication as an analysis of entailment at the first degree level. The semantics also reveals that Disjunctive Syllogism, [...] far from being a paradigmatic entailment, is invalid, and allows the illegitimate suppression of tautologies"

Abstract:

The problems of the meaning and function of negation are disentangled from ontological issues with which they have been long entangled. The question of the function of negation is the crucial issue separating relevant and paraconsistent logics from classical theories. The function is illuminated by considering the inferential role of contradictions, contradiction being parasitic on negation. Three basic modelings emerge: a cancellation model, which leads towards connexivism, an explosion model, appropriate to classical and intuitionistic theories, and a constraint model, which includes relevant theories. These three modelings have been seriously confused in the modern literature: untangling them helps motivate the main themes advanced concerning traditional negation and natural negation. Firstly, the dominant traditional view, except around scholastic times when the explosion view was in ascendency, has been the cancellation view, so that the mainstream negation of much of traditional logic is distinctively nonclassical. Secondly, the primary negation determinable of natural negation is relevant negation. In order to picture relevant negation the traditional idea of negation as otherthanness is progressive) refined, to nonexclusive restricted otherthanness. Several pictures result, a reversal picture, a debate model, a record cabinet (or files of the universe) model which help explain relevant negation. Two appendices are attached, one on negation in Hegel and the Marxist tradition, the other on Wittgenstein's treatment of negation and contradiction.