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Added by: Quentin Pharr and Clotilde TorregrossaAbstract:
From the canonical texts of the Arts and Crafts Movement to the radical thinking of today's “DIY” movement, from theoretical writings on the position of craft in distinction to Art and Design to how-to texts from renowned practitioners, from feminist histories of textiles to descriptions of the innovation born of necessity in Soviet factories and African auto-repair shops, The Craft Reader presents the first comprehensive anthology of writings on modern craft. Covering the period from the Industrial Revolution to today, the Reader draws on craft practice and theory from America, Europe, Asia and Africa. The world of craft is considered in its full breadth -- from pottery and weaving, to couture and chocolate-making, to contemporary art, architecture and curation. The writings are themed into sections and all extracts are individually introduced, placing each in its historical, cultural and artistic context. Bringing together an astonishing range of both classic and contemporary texts, The Craft Reader will be invaluable to any student or practitioner of Craft and also to readers in Art and Design.Comment (from this Blueprint): Starr highlights in this selection that art and the entirety of humanity go hand-in-hand. Firstly, she notes that art (at least, the best art) has always been, in great part, an expression of humanity's "common life" and not just an expression of its elite's interests. But, secondly and more importantly, she also argues that humans, regardless of their social status or class, cannot live without beauty in their lives. Striving for art has always been essential to joy in humanity's productive capacities, and those products have always been essential to the retention of humanity's hope in itself through our consumption of it. This selection, in conjunction with Du Bois's, makes salient that, although things are often produced by many of us without art in mind and art is often consumed by relatively few of us, such a state of affairs is ultimately not amenable to producing good societies and happy peoples. Art, as she claims, can and must be by all for all, regardless of social status or class.
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Added by: Hans MaesSummary: In conventional film photography, negatives are used in the darkroom to produce positive images, but in the outmoded medium Polaroid 665 the positive image is used to make a unique negative that can then be employed to make positive prints in the future. This generativity of the Polaroid 665 negative is used by the artist to mirror the complexity of feelings regarding intersex bodies. The series shows how negative affect can be productive and political, even when it appears to suspend agency.Comment: Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Del LaGrace Volcano, Herm Body (2011- )
Self-portraits which clearly reference the work of John Coplans and reflect on Volcano’s midlife embodiment changed by hormones, age, and weight. The title draws attention to the materiality of its subject, insisting that we receive the body as ‘herm’ – a word Volcano uses to name intersex history and claim trans embodiment. Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Del LaGrace Volcano, Herm Body (2011- )
Self-portraits which clearly reference the work of John Coplans and reflect on Volcano’s midlife embodiment changed by hormones, age, and weight. The title draws attention to the materiality of its subject, insisting that we receive the body as ‘herm’ – a word Volcano uses to name intersex history and claim trans embodiment.
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Added by: Helen MorleyAbstract: I address questions about values in model-making in engineering, specifically: Might the role of values be attributable solely to interests involved in specifying and using the model? Selected examples illustrate the surprisingly wide variety of things one must take into account in the model-making itself. The notions of system , and physically similar systems are important and powerful in determining what is relevant to an engineering model. Another example illustrates how an idea to completely re-characterize, or reframe, an engineering problem arose during model-making.I employ a qualitative analogue of the notion of physically similar systems. Historical cases can thus be drawn upon; I illustrate with a comparison between a geoengineering proposal to inject, or spray, sulfate aerosols, and two different historical cases involving the spraying of DDT . The current geoengineering proposal is seen to be like the disastrous and counterproductive case, and unlike the successful case, of the spraying of DDT. I conclude by explaining my view that model-making in science is analogous to moral perception in action, drawing on a view in moral theory that has come to be called moral particularism.Comment: Further reading, particulary in relation to geoengineering responses to climate change. Also of interest in relation to engineering & technology ethics.
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Added by: Chris Blake-TurnerAbstract:
In this paper, I make three arguments regarding Crisis Standards of Care developed during the COVID-19 pandemic. First, I argue against the consideration of third person quality of life judgments that deprioritize disabled or chronically ill people on a basis other than their survival, even if protocols use the language of health to justify maintaining the supposedly higher well-being of non-disabled people. Second, while it may be unavoidable that some disabled people are deprioritized by triage protocols that must consider the likelihood that someone will survive intensive treatment, Crisis Standards of Care should not consider the amount or duration of treatment someone may need to survive. Finally, I argue that, rather than parsing who should be denied treatment to maximize lives saved, professional bioethicists should have put our energy into reducing the need for such choices at all by resisting the systemic injustices that drive the need for triage.Comment (from this Blueprint): Stramondo critiques triage protocols that were put into place, or at least proposed, during the COVID-19 pandemic. Stramondo argues that protocols that prioritize quality of life involve ableist commitments. While chance-of-survival protocols might do better here, he argues that they are also vulnerable to creeping ableism. Stramondo’s paper is valuable not only for its perspective on triage protocols, but also for highlighting some crucial theoretical contributions by philosophers of disability and by bioethicists. Stramondo also argues not to cede too much ground to fatalism in thinking about triage protocols; bioethicists should also, and perhaps primarily, resist the framing of triage as inevitable, rather than a product of various privileged interests.
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Added by: Hans MaesSummary: Traces the origins of, and eventually challenges, the idea that many people in non-industrialized countries refused to have their photographic portrait taken due to the belief that it would steal their soul. Investigates and refutes the evidence provided by Richard Andree, James Napier, James G. Frazer. With references to C.S. Peirce, Rosalind Krauss, Susan Sontag.Comment: Useful in aesthetics classes discussing portraiture, depiction and representation, as well as social and political philosophy classes focused on racial and cultural stereotyping.
Artworks to use with this text:
Antoine Freitas, self-portrait with handmade box camera in Bena Mulumba, Kasaï Province (1939)
A masterpiece of composition, showing the photographer at work, surrounded by children and women who would normally be kept away from recognized sorcerers (thereby demonstrating that the photographer was not considered an evil soul-stealing sorcerer). Useful in aesthetics classes discussing portraiture, depiction and representation, as well as social and political philosophy classes focused on racial and cultural stereotyping.
Artworks to use with this text:
Antoine Freitas, self-portrait with handmade box camera in Bena Mulumba, Kasaï Province (1939)
A masterpiece of composition, showing the photographer at work, surrounded by children and women who would normally be kept away from recognized sorcerers (thereby demonstrating that the photographer was not considered an evil soul-stealing sorcerer).
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Added by: Francesca BrunoPublisher's Note: During the oppressive reign of Louis XIV, Gabrielle Suchon (1632-1703) was the most forceful female voice in France, advocating women's freedom and self-determination, access to knowledge, and assertion of authority. This volume collects Suchon's writing from two works - Treatise on Ethics and Politics (1693) and On the Celibate Life Freely Chosen; or, Life without Commitments (1700) - and demonstrates her to be an original philosophical and moral thinker and writer. Suchon argues that both women and men have inherently similar intellectual, corporeal, and spiritual capacities, which entitle them equally to essentially human prerogatives, and she displays her breadth of knowledge as she harnesses evidence from biblical, classical, patristic, and contemporary secular sources to bolster her claim. Forgotten over the centuries, these writings have been gaining increasing attention from feminist historians, students of philosophy, and scholars of seventeenth-century French literature and culture. This translation, from Domna C. Stanton and Rebecca M. Wilkin, marks the first time these works will appear in English.Comment: This volume could be assigned in an early modern (survey) course together with other texts by women philosophers of this time, such as Mary Astell. Suchon's prose is long-winded but clear. There are a number of tensions in the text between (some of) Suchon's ideas, which offer a good opportunity for discussion with students.
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Added by: Simon Fokt, Contributed by: Yoko Arisaka
Publisher's Note: Offering a wide variety of philosophical approaches to the neglected philosophical problem of ignorance, this groundbreaking collection builds on Charles Mills’s claim that racism involves an inverted epistemology, an epistemology of ignorance. Contributors explore how different forms of ignorance linked to race are produced and sustained and what role they play in promoting racism and white privilege. They argue that the ignorance that underpins racism is not a simple gap in knowledge, the accidental result of an epistemological oversight. In the case of racial oppression, ignorance often is actively produced for purposes of domination and exploitation. But as these essays demonstrate, ignorance is not simply a tool of oppression wielded by the powerful. It can also be a strategy for survival, an important tool for people of color to wield against white privilege and white supremacy. The book concludes that understanding ignorance and the politics of such ignorance should be a key element of epistemological and social/political analyses, for it has the potential to reveal the role of power in the construction of what is known and provide a lens for the political values at work in knowledge practices.
“This anthology brings together some very prominent philosophers to address one of the most embarrassing and blatantly ignored elephants in philosophy: ignorance. While philosophers claim to be children of Socrates, who alone was virtuous and courageous enough to recognize the fecundity of ignorance, few have really addressed it with the verve and originality displayed in the contributions to this volume. I consider it a must-have for libraries, faculty, and graduate students.” — Eduardo Mendieta, editor of The Frankfurt School on Religion: Key Writings by the Major Thinkers
Contributors include Linda Martín Alcoff, Alison Bailey, Robert Bernasconi, Lorraine Code, Harvey Cormier, Stephanie Malia Fullerton, Sarah Lucia Hoagland, Frank Margonis, Charles W. Mills, Lucius T. Outlaw (Jr.), Elizabeth V. Spelman, Shannon Sullivan, Paul C. Taylor, and Nancy Tuana.
Comment: Different chapters can be used as a reading material on situated epistemology, philosophy of race, production of knowledge
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonPublisher's Note: Leading scholars explore how different forms of ignorance are produced and sustained, and the role they play in knowledge practices.
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Added by: Sonja Dobroski and Quentin PharrAbstract:
Lecture as part of the Social Justice Institute Noted Scholars Lecture Series, co-presented by the Ecologies of Social Difference Research Network at the University of British Columbia.Comment: available in this Blueprint
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Added by: Rie IzukaAbstract: In this paper I offer an original account of intellectual modesty and some of its surrounding vices: intellectual haughtiness, arrogance, servility and self-abasement. I argue that these vices are attitudes as social psychologists understand the notion. I also draw some of the educational implications of the account. In particular, I urge caution about the efficacy of direct instruction about virtue and of stimulating emulation through exposure to positive exemplars.Comment: This article examines the intellectual vice of arrogance, and also touches upon the issue of how to teach virtues. The author is urging caution about the efficacy of exemplarism: a popular view on the education for virtues, and instead offers an alternative method of teaching virtues: self-affirmation.