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Added by: Erich Hatala Matthes
Summary: Saito examines arguments concerning why artworks should be restored, which are couched in terms of a debate between "purist" and "integral/conservator" restoration. Purists believe artworks should only be cleaned, emphasizing the integrity of the material object, whereas integral restorationists are open to adding material to the work, emphasizing the integrity of the original aesthetic experience. Rather than embracing a particular side in this debate, Saito's discussion reveals how cultural/historical considerations can be as important to the debate over restoration as aesthetic considerations.Yuriko Saito. The Moral Dimension of Japanese Aesthetics2007, Journal of Aesthetics and Art Criticism 65(1): 85–97.-
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Added by: Meilin Chinn
Summary: Saito presents the moral dimension of Japanese aesthetics in terms of two design principles: respect for the quintessential, innate characteristics of things and honor and responsiveness to human needs. She analyzes the sensitivity to objects and people at work in a wide range of Japanese arts and crafts, including garden design, haiku, painting, pottery, and food, emphasizing that the cultivation of a moral attitude toward things is often practiced through aesthetic means.Comment: This text is appropriate for a course on Japanese aesthetics and/or philosophy. It would work well in a cross-cultural discussion of everyday aesthetics and the relationship between ethics and aesthetics.
Zeami Motokiyo. Zeami: Performance Notes2008, New York: Columbia University Press-
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Added by: Meilin Chinn
Publisher's Note: Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns. Spanning over four decades, the texts reflect the essence of Zeami's instruction under his famous father, the actor Kannami, and the value of his long and challenging career in medieval Japanese theater. Tom Hare, who has conducted extensive studies of no academically and on stage, begins with a comprehensive introduction that discusses Zeami's critical importance in Japanese culture. He then incorporates essays on the performance of no in medieval Japan and the remarkable story of the transmission and reproduction of Zeami's manuscripts over the past six centuries. His eloquent translation is fully annotated and includes Zeami's diverse and exquisite anthology of dramatic songs, Five Sorts of Singing, presented both in English and in the original Japanese.Comment: A compilation of writings on performance by the Japanese playwright, actor, and aesthetician, Zeami Motoyiko. His work addresses the principles of nō theater, including dramatic imitation, music, and movement, as well as ideas from Japanese philosophical aesthetics such as yūgen (“dark” or “mysterious”). Zeami also maintains a focus throughout his writings on jo-ha-kyū, a style of movement found in many Japanese arts, including theater, tea ceremony, and martial arts. This text is best used in a course on aesthetics, especially theater and cross-cultural aesthetics.
Zera Yacob (Zär'a Ya'eqob, Wärqe), Sumner, Claude. Hatata [I] (1667)1976, In Ethiopian Philosophy, Vol. 2. Addis Ababa, Addis Ababa University Press.-
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Added by: Sara Peppe, Contributed by: Jonathan EgidPublisher’s Note:
Translating to 'an investigation', this is the first of two 17th century ethical and rational treatises from present-day Ethiopia. Zera Yacob (Zär'a Ya'eqob, Wärqe) is most noted for his philosophy surrounding the principle of harmony. He asserted that an action's morality is decided by whether it advances or degrades overall harmony in the world. While he did believe in a deity, whom he referred to as God, he criticised several sets of religious beliefs. Rather than deriving beliefs from any organized religion, Yacob sought the truth in observing the natural world. In Hatata, Zera Yacob applied the idea of a first cause to produce a proof for the existence of God, thus proposing a cosmological argument. "If I say that my father and my mother created me, then I must search for the creator of my parents and of the parents of my parents until they arrive at the first who were not created as we [are] but who came into this world in some other way without being generated." However, the knowability of God does not depend on human intellect, but "Our soul has the power of having the concept of God and of seeing him mentally. God did not give this power purposelessly; as he gave the power, so did he give the reality." Yacob's work was continued in a second Hatata by his pupil and patron's son, Walda Heywat (Wäldä Hewat).
Comment: This is a treatise that covers several philosophical themes such as the morality of actions, the proof of the existence of God and a critique of religious beliefs as presented in the religious systems of the modern era. This text provides a good basis for developing knowlege of Ethiopian Philosophy. Therefore, it could be used as a starting point to introduce students to the areas of African and Ethiopian Philosophy. It may also be useful as a tool to explore enlightenment ideals as they predated work by European philosophers, such as Descartes and John Locke.
Zhuangzi, trans. Brook Ziporyn. Zhuangzi: The Complete Writings, translated and with introduction and notes by Brook Ziporyn2020, Hackett Publishing-
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, Contributed by: I Xuan ChongPublisher’s Note:
Brook Ziporyn's carefully crafted, richly annotated translation of the complete writings of Zhuangzi—including a lucid Introduction, a Glossary of Essential Terms, and a Bibliography—provides readers with an engaging and provocative deep dive into this magical work.Comment: This is a distinctly philosophical translation of the entire Zhuangzi. It is recommendeded, but should be read alongside A.C. Graham's and Watson's translations. This is essential reading on Daoism.
Zhuangzi, trans. A.C. Graham. Chuang Tzu: The Inner Chapters, translated, with Commentary, by A. C. Graham2001, Hackett Publishing-
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, Contributed by: I Xuan ChongPublisher’s Note:
A reliable translation and commentary of the core chapters of the Zhuangzi by a leading scholar.Comment: This is an essential partial translation of the Zhuangzi. Its commentary is very helpful. It is essential reading on Daoism.
Zhuangzi, trans. Burton Watson. The Complete Works of Chuang Tzu1968, Columbia University Press-
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, Contributed by: I Xuan ChongPublisher’s Note:
This is one of the standard and often-cited translations of the full text of the ZhuangziComment: This is one of the best and most literal complete translations of the Zhuangzi. It is essential reading on Daoism.
Zhuangzi, trans. Brook Ziporyn. Zhuangzi: The Essential Writings: With Selections from Traditional Commentaries.2009, Hackett Publishing-
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, Contributed by: I Xuan ChongPublisher’s Note:
Ideal for students and scholars alike, this edition of the Zhuangzi (Chuang Tzu) includes the complete Inner Chapters, extensive selections from the Outer and Miscellaneous Chapters, and judicious selections from two thousand years of traditional Chinese commentaries, which provide the reader access to the text as well as to its reception and interpretation. A glossary, brief biographies of the commentators, a bibliography, and an index are also included.Comment: This is an essential (partial) philosophical translation of the Zhuangzi. It also comprises useful translations of excerpts from key commentaries on the text, as well as an informative glossary of key philosophical terms.
Zhuangzi, trans. Richard John Lynn. Zhuangzi: A New Translation of the Sayings of Master Zhuang as Interpreted by Guo Xiang.2022, Columbia University Press-
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, Contributed by: I Xuan ChongPublisher’s Note:
The Zhuangzi (Sayings of Master Zhuang) is one of the foundational texts of the Chinese philosophical tradition and the cornerstone of Daoist thought. The earliest and most influential commentary on the Zhuangzi is that of Guo Xiang (265–312), who also edited the text into the thirty-three-chapter version known ever since. Guo’s commentary enriches readings of the Zhuangzi, offering keen insights into the meaning and significance of its pithy but often ambiguous aphorisms, narratives, and parables.Richard John Lynn’s new translation of the Zhuangzi is the first to follow Guo’s commentary in its interpretive choices. Unlike any previous translation into any language, its guiding principle is how Guo read the text; Lynn renders the Zhuangzi in terms of Guo’s understanding. This approach allows for the full integration of the text of the Zhuangzi with Guo’s commentary. The book also features a translation of Guo’s complete interlinear commentary and is annotated throughout.Comment: This translation of the Zhuangzi based on its earliest commentary by Guo Xiang is essential reading on Daoism.
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Yuriko Saito. Why Restore Works of Art?
1985, The Journal of Aesthetics and Art Criticism 44(2):141-151.
Comment: This article offers a useful philosophical framework for thinking about the relationship among preservation, restoration, and authenticity. Using it alongside the following readings might be particularly good in inspiring further discussion: Coleman, Elizabeth Burns. “Aboriginal Painting: Identity and Authenticity.” Jeffers, Chike. “The Ethics and Politics of Cultural Preservation.” Young, James O. “Art, Authenticity and Appropriation.” Korsmeyer, Carolyn. “Real Old Things.” Karlström, Anna. “Authenticity.” This article offers a useful philosophical framework for thinking about the relationship among preservation, restoration, and authenticity. Using it alongside the following readings might be particularly good in inspiring further discussion: Coleman, Elizabeth Burns. “Aboriginal Painting: Identity and Authenticity.” Jeffers, Chike. “The Ethics and Politics of Cultural Preservation.” Young, James O. “Art, Authenticity and Appropriation.” Korsmeyer, Carolyn. “Real Old Things.” Karlström, Anna. “Authenticity.”