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Capozzi, Mirella, Roncaglia, Gino. Logic and Philosophy of Logic from Humanism to Kant
2009, In Leila Haaparanta (ed.), The Development of Modern Logic. Oxford University Press

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Added by: Franci Mangraviti
Abstract:

This chapter begins with a discussion of humanist criticisms of scholastic logic. It then discusses the evolution of the scholastic tradition and the influence of Renaissance Aristotelianism, Descartes and his influence, the Port-Royal Logic, the emergence of a logic of cognitive faculties, logic and mathematics in the late 17th century, Gottfried Wilhelm Leibniz's role in the history of formal logic, and Kant's influence on logic.

Comment: Useful for a history of logic course. Familiarity with Aristotelian syllogistic is assumed.

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Cardona, Carlos Alberto. Kepler: Analogies in the search for the law of refraction
2016, Studies in History and Philosophy of Science Part A 59:22-35.

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Added by: Clotilde Torregrossa, Contributed by: Juan R. Loaiza

Publisher's Note: This paper examines the methodology used by Kepler to discover a quantitative law of refraction. The aim is to argue that this methodology follows a heuristic method based on the following two Pythagorean principles: (1) sameness is made known by sameness, and (2) harmony arises from establishing a limit to what is unlimited. We will analyse some of the author's proposed analogies to find the aforementioned law and argue that the investigation's heuristic pursues such principles.

Comment:

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Carpenter, Amber. Illuminating Community – Animals in Classical Indian Thought
2018, In Peter Adamson and G. Fay Edwards (eds) Animals: A History. Oxford University Press

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Added by: Björn Freter
Abstract:
This chapter presents a discussion of the rich tradition of reflection on animals in ancient Indian philosophy, which deals with but is not restricted to the topic of reincarnation. At the center of the piece is the continuity that Indians saw between human and nonhuman animals and the consequences of this outlook for the widespread idea of nonviolence. Consideration is also given to the philosophical interest of fables centrally featuring animals, for example the Pañcatantra. In general it is suggested that ancient Indian authors did not, unlike European counterparts, focus on the question of what makes humans unique in contrast to all other animals, but rather on the ethical and metaphysical interconnections between humans and various kinds of animals.

Comment (from this Blueprint): An overview of the role of non-human animals in Indian Thought pointing out that there is not much evidence of that presumption of a fundamental difference between human and nonhuman forms of life that allows us in English to use the word “animal” simply to mean “nonhuman animal.” The concept of the animal is thus not best suited to explore the nature of the human by contrast. Instead we more often find a background presumption of a common condition: whatever lives seeks to sustain its life, wants pleasure and not pain, wants its desires and aims satisfied rather than thwarted.

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Carpenter, Amber. Amber Carpenter on Animals in Indian Philosophy [Podcast]
2018, History of Philosophy Without Any Gaps [Blog]

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Added by: Björn Freter
Abstract:
An interview with Amber Carpenter about the status of nonhuman animals in ancient Indian philosophy and literature.

Comment (from this Blueprint): An interview about the status of nonhuman animals in ancient Indian philosophy and literature; a very good complement to her paper.

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Carrasco, David. The Aztecs: A Very Short Introduction
2012, Oxford University Press

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Added by: M. Jimena Clavel Vázquez and Andrés Hernández Villarreal
Publisher’s Note:
The Aztecs: A Very Short Introduction employs the disciplines of history, religious studies, and anthropology as it illuminates the complexities of Aztec life. This VSI looks beyond Spanish accounts that have coloured much of the Western narrative to let Aztec voices speak. It also discusses the arrival of the Spaniards, contrasts Aztec mythical traditions about the origins of their city with actual urban life in Mesoamerica, outlines the rise of the Aztec empire, explores Aztec religion, and sheds light on Aztec art. The VSI concludes by looking at how the Aztecs have been portrayed in Western thought, art, film, and literature as well as in Latino culture and arts

Comment:
available in this Blueprint

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Carrasco, David, Jones, Lindsay, Sessions, Scott. Mesoamerica’s Classic Heritage: From Teotihuacan to the Aztecs
2000, University Press of Colorado

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Added by: M. Jimena Clavel Vázquez and Andrés Hernández Villarreal
Publisher’s Note:

For more than a millennium the great Mesoamerican city of Teotihuacn (c. 150 b.c.a.d. 750) has been imagined and reimagined by a host of subsequent cultures including our own. Mesoamerica's Classic Heritage engages the subject of the unity and diversity of pre-Hispanic Mesoamerica by focusing on the classic heritage of this ancient city. This new volume is the product of several years of research by members of Princeton University's Moses Mesoamerican Archive and Research Project and Mexico's Proyecto Teotihuacn. Offering a variety of disciplinary perspectives--including the history of religions, anthropology, archaeology, and art history - and a wealth of new data, Mesoamerica's Classic Heritage examines Teotihuacn's rippling influence across Mesoamerican time and space, including important patterns of continuity and change, and its relationships, both historical and symbolic, with Tenochtitlan, Cholula, and various Mayan communities.

Comment:
available in this Blueprint

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Chakrabarti, Arindam. Ownerless Emotions in Rasa-Aesthetics
2011, In Ken-ichi Sasaki (ed.). Asian Aesthetics. National Univeristy of Singapore Press.

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Added by: Meilin Chinn

Summary: Chakrabarti explores the possibilities of rasa theory via the question of whose emotion is experienced when an audience relishes a work of art. Chakrabarti argues for the existence of a “centerless non-singular subjectivity” according to which the special emotions savored in aesthetic experience do not have specific owners. These personless sentiments indicate an ethical relationship between aesthetic imagination and moral unselfishness.

Comment: This text could serve as both an overview of rasa theory in Indian aesthetics, as a basis for comparative work in cross-cultural aesthetics, as well as comparative philosophy.

Related reading:

  • Abhinavabhāratī. Abhinavagupta. In Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. M.M. Ghosh (ed.). Delhi: New Bharatiya Book Corporation, 2006.
This text could serve as both an overview of rasa theory in Indian aesthetics, as a basis for comparative work in cross-cultural aesthetics, as well as comparative philosophy.

Related reading:

  • Abhinavabhāratī. Abhinavagupta. In Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. M.M. Ghosh (ed.). Delhi: New Bharatiya Book Corporation, 2006.


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Chakrabarty, Dipesh. Provincializing Europe: Postcolonial Thought and Historical Difference
2007, New Edition. Princeton University Press.

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Added by: Suddha Guharoy and Andreas Sorger
Publisher’s Note:
First published in 2000, Dipesh Chakrabarty's influential Provincializing Europe addresses the mythical figure of Europe that is often taken to be the original site of modernity in many histories of capitalist transition in non-Western countries. This imaginary Europe, Dipesh Chakrabarty argues, is built into the social sciences. The very idea of historicizing carries with it some peculiarly European assumptions about disenchanted space, secular time, and sovereignty. Measured against such mythical standards, capitalist transition in the third world has often seemed either incomplete or lacking. Provincializing Europe proposes that every case of transition to capitalism is a case of translation as well - a translation of existing worlds and their thought-categories into the categories and self-understandings of capitalist modernity. Now featuring a new preface in which Chakrabarty responds to his critics, this book globalizes European thought by exploring how it may be renewed both for and from the margins.

Comment (from this Blueprint): This book is a watershed in Indian history, labour theory and postcolonial theory. Chakrabarty begins by accepting the idea that history has already provincialized Europe. However, time and again we find the author acknowledging that the categories and ideals that European thought and the Enlightenment produced are both indispensable and at the same time inadequate to understand the modern political relations of non-European, ex-colonial lands. On the one hand, the familiar theories we use to understand the lives of the proletariat or bourgeois political relations were inadequate to explain their postcolonial existence in Bengal and India. Yet, on the other, these frameworks are simultaneously indispensable for theories about the proletariat in postcolonial Bengal to be accepted as knowledge. A quest, therefore, ensued to interpret the lives of the working class and bourgeoisie political relations in parts of the world that did not replicate the historical transition of Europe. This book challenges the monolithic understanding of historical progression and attempts to follow a different historiography (using Marxist insights) to understand political modernity in places with different histories.

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Chakravartty, Anjan. Introduction: Ancient Skepticism, Voluntarism, and Science
2015, International Journal for the Study of Skepticism 5 (2):73-79

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Added by: Simon Fokt, Contributed by: Matthew Watts

Abstract: In this introduction, I motivate the project of examining certain resonances between ancient skeptical positions, especially Pyrrhonism, and positions in contemporary epistemology, with special attention to recent work in the epistemology of science. One such resonance concerns the idea of suspension of judgment or belief in certain contexts or domains of inquiry, and the reasons for (or processes eventuating in) suspension. Another concerns the question of whether suspension of belief in such circumstances is voluntary, in any of the senses discussed in current work on voluntarism in epistemology, which informs recent discussions of how voluntarism regarding epistemic stances may shed light on positions like scientific realism and antirealism. The aim of this special issue is thus to explore certain analogies and disanalogies between ancient and contemporary debates about skepticism, and to consider whether and to what extent the former can provide insight into the latter.

Comment: This text offers motivation for examining ancient skeptical positions in relation to contemporary epistemology, especially epistemology of science.

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Chambers, Emma. Face to Face: Representing Facial Disfigurement
2010, in: Richard Sandell, Jocelyn Dodd, & Rosemarie Garland-Thomson, Re-presenting Disability: Activism and Agency in the Museum, London: Routledge, pp. 179-193.

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Added by: Hans Maes

Summary: In-depth analysis of how the Saving Faces exhibition challenges stereotypes of disabled people as dependent invalids or exotic specimens. Discusses the artist's rejection of experimentation in favour of a painting style that is as 'straight' as possible (and so makes for an interesting contrast with the use of cubist painting in Anita Silver's essays). Also draws attention to the interaction between artist and sitter and to the process of portraiture.

Comment: Useful in discussing portraiture, as well as depiction and representation in general.

Artworks to use with this text:

Mark Gilbert, Saving Faces (2000)

Gilbert was artist-in-residence at the oral and maxillofacial surgery department of a London hospital. His brief was to illustrate what is, and also isn't, possible with modern facial surgery; and to capture the emotional journey undertaken by patients in ways that standard clinical photography cannot. Useful in discussing portraiture, as well as depiction and representation in general.

Artworks to use with this text:

Mark Gilbert, Saving Faces (2000)

Gilbert was artist-in-residence at the oral and maxillofacial surgery department of a London hospital. His brief was to illustrate what is, and also isn't, possible with modern facial surgery; and to capture the emotional journey undertaken by patients in ways that standard clinical photography cannot.

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