Eaton, A. W.. Robust Immoralism
2012, Journal of Aesthetics and Art Criticism 70 (3):281-292.
Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Introduction: Several years after the end of the HBO series The Sopranos , I still miss the characters. In particu lar, I miss the protagonist, Tony, who feels like an old friend. This affection of mine for the fictional mob boss gives me pause. After all, Tony Soprano is a murderer, a liar, a thief, an extortionist, and a womanizer; he is pathologically callous, selfish, bigoted, racist, homophobic, and self-centered. So why do I sympathize with him? Why do I admire him? What makes me like him so much?
Export citation in BibTeX format
Export text citation
View this text on PhilPapers
Export citation in Reference Manager format
Export citation in EndNote format
Export citation in Zotero format