Eaton, A. W.. Robust Immoralism
2012, Journal of Aesthetics and Art Criticism 70 (3):281-292.
Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: Several years after the end of the HBO series The Sopranos , I still miss the characters. In particu lar, I miss the protagonist, Tony, who feels like an old friend. This affection of mine for the fictional mob boss gives me pause. After all, Tony Soprano is a murderer, a liar, a thief, an extortionist, and a womanizer; he is pathologically callous, selfish, bigoted, racist, homophobic, and self-centered. So why do I sympathize with him? Why do I admire him? What makes me like him so much?
Comment:Export citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
Can’t find it?
Contribute the texts you think should be here and we’ll add them soon!