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Akkitiq, Atuat, Akpaliapak Karetak, Rhoda. Inunnguiniq (Making a Human Being)
2017, In: Inuit Qaujimajatuqangit: What Inuit Have Always Known to be True. Joe Karetak, Frank Tester, Shirley Tagalik (eds.), Fernwood Publishing.
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Added by: Sonja Dobroski and Quentin Pharr
Abstract: The Inuit have experienced colonization and the resulting disregard for the societal systems, beliefs and support structures foundational to Inuit culture for generations. While much research has articulated the impacts of colonization and recognized that Indigenous cultures and worldviews are central to the well-being of Indigenous peoples and communities, little work has been done to preserve Inuit culture. Unfortunately, most people have a very limited understanding of Inuit culture, and often apply only a few trappings of culture -- past practices, artifacts and catchwords --to projects to justify cultural relevance. Inuit Qaujimajatuqangit -- meaning all the extensive knowledge and experience passed from generation to generation -- is a collection of contributions by well- known and respected Inuit Elders. The book functions as a way of preserving important knowledge and tradition, contextualizing that knowledge within Canada's colonial legacy and providing an Inuit perspective on how we relate to each other, to other living beings and the environment.

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Andersen, Line Edslev, Johansen, Mikkel Willum, Kragh Sørensen, Henrik. Mathematicians Writing for Mathematicians
2021, Synthese, 198(26): 6233-6250.
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Added by: Fenner Stanley Tanswell
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We present a case study of how mathematicians write for mathematicians. We have conducted interviews with two research mathematicians, the talented PhD student Adam and his experienced supervisor Thomas, about a research paper they wrote together. Over the course of 2 years, Adam and Thomas revised Adam’s very detailed first draft. At the beginning of this collaboration, Adam was very knowledgeable about the subject of the paper and had good presentational skills but, as a new PhD student, did not yet have experience writing research papers for mathematicians. Thus, one main purpose of revising the paper was to make it take into account the intended audience. For this reason, the changes made to the initial draft and the authors’ purpose in making them provide a window for viewing how mathematicians write for mathematicians. We examined how their paper attracts the interest of the reader and prepares their proofs for validation by the reader. Among other findings, we found that their paper prepares the proofs for two types of validation that the reader can easily switch between.

Comment (from this Blueprint): In this paper, Andersen et al. track the genesis of a maths research paper written in collaboration between a PhD student and his supervisor. They track changes made to sequential drafts and interview the two authors about the motivations for them, and show how the edits are designed to engage the reader in a mathematical narrative on one level, and prepare the paper for different types of validation on another level.

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Dutilh Novaes, Catarina. The Dialogical Roots of Deduction: Historical, Cognitive, and Philosophical Perspectives on Reasoning
2020, Cambridge University Press.
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Added by: Fenner Stanley Tanswell
Publisher’s Note: This comprehensive account of the concept and practices of deduction is the first to bring together perspectives from philosophy, history, psychology and cognitive science, and mathematical practice. Catarina Dutilh Novaes draws on all of these perspectives to argue for an overarching conceptualization of deduction as a dialogical practice: deduction has dialogical roots, and these dialogical roots are still largely present both in theories and in practices of deduction. Dutilh Novaes' account also highlights the deeply human and in fact social nature of deduction, as embedded in actual human practices; as such, it presents a highly innovative account of deduction. The book will be of interest to a wide range of readers, from advanced students to senior scholars, and from philosophers to mathematicians and cognitive scientists.

Comment (from this Blueprint): This book by Dutilh Novaes recently won the coveted Lakatos Award. In it, she develops a dialogical account of deduction, where she argues that deduction is implicitly dialogical. Proofs represent dialogues between Prover, who is aiming to establish the theorem, and Skeptic, who is trying to block the theorem. However, the dialogue is both partially adversarial (the two characters have opposite goals) and partially cooperative: the Skeptic’s objections make sure that the Prover must make their proof clear, convincing, and correct. In this chapter, Dutilh Novaes applies her model to mathematical practice, and looks at the way social features of maths embody the Prover-Skeptic dialogical model.

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Tollefsen, Sondra, Bacharach, Deborah. We Did It: From Mere Contributors to Coauthors
2010, Journal of Aesthetics and Art Criticism 68 (1):23-32.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: The diversity and increasing number of recent artistic collaborations raise new and substantive philosophical questions about the nature of authorship. In the past, the problems surrounding the authorship of collaboratively produced art were tackled primarily by film theorists, who defended the conservative view that films were on a par with other artworks, having a single author. Fortunately, this is starting to change. Recently, a number of theorists, including Berys Gaut, Paisley Livingston, and C. Paul Sellors, have argued, contra auteur theory, that films (and many other artworks) are the product of multiple authors.1 Livingston and Sellors draw on recent theories of collective intentionality, specifically theories of shared intention, in order to develop their theories of coauthorship. Although we agree entirely with this anti?individualistic movement, we think there are problems with the accounts of coauthorship on offer. Some of the accounts are too weak, failing to distinguish between mere contributors and genuine coauthors, while others rely on a theory of shared intention that does not adequately account for the range and complexity of artistic collaborations present in contemporary art. Fortunately, there is an alternative theory of collective intentionality that has yet to be considered as a point of departure in developing an account of coauthorship: Margaret Gilbert's plural subject theory. We argue that her theory provides for an account of coauthorship that successfully distinguishes between mere contributors and coauthors. It also makes sense of a number of actual cases of collaboratively produced art in which intuitively the group, rather than any set of individuals, is the author. In Section I, we rehearse Gaut's arguments against auteur theory and explain why Gaut's account of multiple authorship is problematically overpermissive. In Section II, we consider Livingston and Sellors's attempts to develop an account of coauthorship that relies on the theories of shared intentions by Michael Bratman and John Searle, respectively. Both accounts are ultimately problematic in different ways. In Section III, we turn to Margaret Gilbert's plural subject theory. At the heart of Gilbert's theory is the notion of a joint commitment. We develop a theory of coauthorship that appeals to the notion of a joint commitment, and then we show how it helps us to distinguish between mere contributors and genuine coauthors. We also present a number of actual cases of collaboratively produced art and show how Gilbert's plural subject theory can accommodate these cases in a way that other accounts of coauthorship cannot.

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