-
Expand entry
-
Added by: Carl FoxContent: A very short, but very clear overview of the differences between Rawlsian resourcists and capability theorists over the appropriate metric for distributive justice. It also sets out very nicely and very succinctly the main argumentative strategies employed by both sides in the debate.Comment: Would make good required or further reading in a module on distributive justice, especially in relation to questions about metrics of justice.
-
Expand entry
-
Added by: Carl FoxContent: A relatively short but very illuminating discussion of the application of two key metrics (social primary goods and capabilities) to the issue of gender injustice in non-ideal circumstances.Comment: Offers a clear account of gender and what falls under 'gender justice'. Easy to read with some useful exposition but a reader would benefit from some background knowledge. Probably best as a specialised or further reading.
-
Expand entry
-
Added by: Chris Blake-Turner, Contributed by: Jojanneke VanderveenAbstract: In recent year a growing number of political philosophers have expressed worries about the nature of ideal theory and its dominance in the literature on social justice. Differently, in the post-Rawlsian literature on theories of justice, most of the work done by mainstream political theorists and philosophers is part of what is known as 'ideal theory'.Comment: Very influential article about the use of idealizations in theories of justice, and about the use of partial theories of justice. Cited a lot. Very good resource in a justice class.
-
Expand entry
-
Added by: Deryn Mair ThomasAbstract:
This article addresses the question whether a basic income will be a just social policy for women. The implementation of a basic income will have different effects for different groups of women, some of them clearly positive, some of them negative. The real issues that concern feminist critics of a basic income are the gender-related constraints on choices and the current gender division of labour, which are arguably both playing at the disadvantage of women. It is argued that those issues are not adequately addressed by a basic income proposal alone, and therefore basic income has to be part of a larger packet of social policy measures if it wants to maximise real freedom for all.
Comment: This paper explores questions as the intersection of feminism and the basic income literature, offering a take on one of the classic feminist critiques of basic income: namely, that the purported conditions of freedom that basic income is supposed to bring about are only really available to members of the population who do not belong to an oppressed or marginalised class. For those that do belong to such groups - in this case, women - the availability of such conditions of freedom will be highly dependent on existing gendered divisions of labour and restrictions on choice. As such, the author argues that proposals for basic income, if they are serious about ensuring real freedom for all, must take this into consideration. The author also challenges existing (at the time of writing) contradictions in the claims being made about the effect of basic income policy on women, as opposed to men. The paper would therefore be interesting to discuss in relation to feminist politics or a survey of the basic income literature, especially assigned in tandem with some of the foundational literature, such as Phillipe Van Parijs' work.
-
Expand entry
-
Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirPublisher's Note: Jenefer Robinson takes the insights of modern scientific research on the emotions and uses them to illuminate questions about our emotional involvement with the arts. Laying out a theory of emotion supported by the best evidence from current empirical work, she examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone interested in the emotions and how they work, as well as anyone engaged with the arts and aesthetics.
-
Expand entry
-
Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: This essay is about the relation between the expression and the arousal of emotion by music. I am assuming that music frequently expresses emotional qualities and qualities of human personality such as sadness, nobility, aggressiveness, tenderness, and serenity. I am also assuming that music frequently affects us emotionally: it evokes or arouses emotions in us. My question is whether there is any connection between these two facts, whether, in particular, music ever expresses emotion by virtue of arousing emotion. Of course, what it means to say that music expresses emotion is a contentious issue and I shall not be directly addressing it here, although what I say will have implications for any theory of musical expression. Nor will I be examining all the possible contexts in which music can be said to arouse emotion. My focus in this essay will be narrower. The question I shall try to answer is this: Are the grounds on which we attribute the expression of emotion to music ever to be identified with the arousal of that same emotion in listeners?
-
Expand entry
-
Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: We apply Carol Gilligan's distinction between a "male" mode of moral reasoning, focussed on justice, and a "female" mode, focussed on caring, to the reading of literature. Martha Nussbaum suggests that certain novels are works of moral philosophy. We argue that what Nussbaum sees as the special ethical contribution of such novels is in fact training in the stereotypically female mode of moral concern. We show this kind of training is appropriate to all readers of these novels, not just to women. Finally, we explore what else is involved in distinctively feminist readings of traditional novels
-
Expand entry
-
Added by: Rebecca BuxtonAbstract:
From the Publisher: The history of philosophy has not done women justice: you’ve probably heard the names Plato, Kant, Nietzsche and Locke – but what about Hypatia, Arendt, Oluwole and Young? The Philosopher Queens is a long-awaited book about the lives and works of women in philosophy by women in philosophy. This collection brings to centre stage twenty prominent women whose ideas have had a profound – but for the most part uncredited – impact on the world. Youll learn about Ban Zhao, the first woman historian in ancient Chinese history; Angela Davis, perhaps the most iconic symbol of the American Black Power Movement; Azizah Y. al-Hibri, known for examining the intersection of Islamic law and gender equality; and many more. For anyone who has wondered where the women philosophers are, or anyone curious about the history of ideas – it's time to meet the philosopher queens.
Comment (from this Blueprint): Robson offers an overview of the true breadth and holistic nature of Midgley's work, beyond the widely known aspects of her work such as her thoughts on animal ethics. As such it can serve as a great introduction to any of her works, from her ethics to her metaphilosophy.
-
Expand entry
-
Added by: Alison StonePublisher's Note: The American idealist movement started in St. Louis, Missouri in 1858, becoming more influential as women joined and influenced its development. Susan Elizabeth Blow was well known as an educator and pedagogical theorist who founded the first public kindergarten program in America (1873-1884). Anna C. Brackett was a feminist and pedagogical theorist and the first female principal of a secondary school (St. Louis Normal School, 1863-72). Grace C. Bibb was a feminist literary critic and the first female dean at the University of Missouri, Columbia (1878-84). American idealism took on a new form in the 1880s with the founding of the Concord School of Philosophy in Massachusetts. Ellen M. Mitchell participated in the movement in both St. Louis and Concord. She was one of the first women to teach philosophy at a co-educational college (University of Denver, 1890-92). Lucia Ames Mead, Marietta Kies, and Eliza Sunderland joined the movement in Concord. Lucia Ames Mead became a chief pacifist theorist in the early twentieth century. Kies and Sunderland were among the first women to earn the Ph.D. in philosophy (University of Michigan, 1891, 1892). Kies wrote on political altruism and shared with Mitchell the distinction of teaching at a coeducational institution (Butler College, 1896-99). These were the first American women as a group to plunge into philosophy proper, bridging those years between the amateur, paraprofessional and professional academic philosopher. Dorothy Rogers's new book at last gives them the attention they deserve.Comment: A book covering many US 19th-century women philosophers, mostly influenced by Hegel to some extent. Could be used as supplementary reading on a history of philosophy course if it covers the nineteenth century, so that students are aware there were women active in philosophy then.
-
Expand entry
-
Added by: Alison StoneAbstract: Recent research on women philosophers has led to more discussion of the merits of many previously forgotten women in the past several years. Yet due to the fact that a thinker’s significance and influence are historical phenomena, women remain relatively absent in 'mainstream' discussions of philosophy. This paper focuses on several successful academic women in American philosophy and takes notice of how they succeeded in their own era. Special attention is given to three important academic women philosophers: Mary Whiton Calkins, Ellen Bliss Talbot, and Marietta Kies.Comment: Focusing on three nineteenth-century women philosophers, Mary Whiton Calkins, Ellen Bliss Talbot, and Marietta Kies. Could be used as supplementary reading on a history of philosophy course if it covers the nineteenth century.