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Added by: Clotilde Torregrossa, Contributed by: Dan DemetriouAbstract: In this chapter we focus on the debate over publicly-maintained racist monuments as it manifests in the mid-2010s Anglosphere, primarily in the US (chiefly regarding the over 700 monuments devoted to the Confederacy), but to some degree also in Britain and Commonwealth countries, especially South Africa (chiefly regarding monuments devoted to figures and events associated with colonialism and apartheid). After pointing to some representative examples of racist monuments, we discuss ways a monument can be thought racist, and neutrally categorize removalist and preservationist arguments heard in the monument debate. We suggest that both extremist and moderate removalist goals are likely to be self-defeating, and that when concerns of civic sustainability are put on moral par with those of fairness and justice, something like a Mandela-era preservationist policy is best: one which removes the most offensive of the minor racist monuments, but which focuses on closing the monumentary gap between peoples and reframing existing racist monuments.Comment: Frames debates about racist monuments (e.g., Confederate or colonialist monuments), categorizes arguments for and against removal. Suitable for an intro-level course.Detlefsen, Karen. Custom Freedom and Equality: Mary Astell on marriage and women’s education2016, In Penny Weiss & Alice Sowaal (eds.), Feminist Interpretations of Mary Astell. Pennsylvania State University Press, 74-92.
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Added by: Benjamin GoldbergAbstract: Whatever may be said about contemporary feminists' evaluation of Descartes' role in the history of feminism, Mary Astell herself believed that Descartes' philosophy held tremendous promise for women. His urging all people to eschew the tyranny of custom and authority in order to uncover the knowledge that could be found in each one of our unsexed souls potentially offered women a great deal of intellectual and personal freedom and power. Certainly Astell often read Descartes in this way, and Astell herself has been interpreted as a feminist - indeed, as the first English feminist. But a close look at Astell's and Descartes' theories of reason, and the role of authority in knowledge formation as well as in their philosophies of education, show that there are subtle yet crucial divergences in their thought - divergences which force us to temper our evaluation of Astell as a feminist. My first task is to evaluate Astell's views on custom and authority in knowledge formation and education by comparing her ideas with those of Descartes. While it is true that Astell seems to share Descartes' wariness of custom and authority, a careful reading of her work shows that the wariness extends only as far as the tyranny of custom over individual intellectual development. It does not extend to a wariness about social and institutional customs and authority (including, perhaps most crucially, the institution of marriage as we see in her Reflection on Marriage). The reason for this is that Astell's driving goal is to help women to come to know God's plan for women - both in their roles as human and in their roles as women. According to Astell, while it is true that, as individuals, women must develop their rational capacities to the fullest in order to honor God and his plan for women as human, as members of social institutions, including the institution of marriage, women must subordinate themselves to men, including their husbands, in this case so as to honor God and his plan for women as women. Once we understand the theological underpinnings of her equivocal reaction to authority and custom, we can see that Astell may be considered a feminist in a very tempered way. My second task is to use these initial conclusions to re-read her proposal for single-sexed education that we find in A Serious Proposal to the Ladies. It is true that Astell encourages women to join single-sexed educational institutions for the unique and empowering friendships that women can develop in such institutions. Still, my argument continues, the development of such friendships is not entirely an end in itself. Rather, Astell encourages women to develop such friendships such that they can re-enter the broader world armed with the tools that will help them endure burdensome features of the lives that await them in the world, including their lives as subordinated wives - burdens that Astell does not, in principle, challenge.Comment: This is a useful paper for understanding how an early modern woman (Astell) understood the implications of Descartes' work for women, on the subject of marriage. It would be very useful in undergraduate courses that explore the social implications of early modern philosophy, as well as more advanced courses on early modern philosophy more generally.Detlefsen, Karen. Reason and Freedom: Margaret Cavendish on the order and disorder of nature2007, Archiv für Geschichte der Philosophie 89(2): 157-191.
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Added by: Benjamin GoldbergAbstract: According to Margaret Cavendish the entire natural world is essentially rational such that everything thinks in some way or another. In this paper, I examine why Cavendish would believe that the natural world is ubiquitously rational, arguing against the usual account, which holds that she does so in order to account for the orderly production of very complex phenomena (e.g. living beings) given the limits of the mechanical philosophy. Rather, I argue, she attributes ubiquitous rationality to the natural world in order to ground a theory of the ubiquitous freedom of nature, which in turn accounts for both the world's orderly and disorderly behavior.Comment: This article examines Cavendish's concept of order and disorder in nature, and will prove a useful complement to advanced courses in early modern thought. Usefully paired with Cavendish's works, but also those of Descartes, Malebranche, etc.Díaz-León, E.. Sexual Orientations: The Desire View2022, In McWeeny, J. and Maitra, K. (eds) Feminist Philosophy of Mind, New York: Oxford University Press, pp.294-309
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Abstract: Talk about sexual orientations is widespread in our society and our culture, but very few analytic philosophers have paid attention to questions about the nature of sexual orientations, such as what sexual orientations are and what "sexual orientation" means. This chapter examines the main theories that are available in the recent and growing literature on this issue, including behaviorism, ideal and ordinary versions of dispositionalism, structuralism, and views according to which sexual orientations are mental states such as sexual desires. It discusses several objections to these views, and develops and defends a new version of the view that characterizes sexual orientations in terms of sexual desires.Comment (from this Blueprint): Díaz-León's paper is an approachable entry point into the literature on defining sexual orientation. This paper works well without background reading on the wider debate and is especially approachable for those already familiar with behaviourism and its issues. Díaz-León also demonstrates the different feminist projects we may take up within the literature on the mind: the descriptive and the political. Both of which provide fertile ground for discussion and debate.Dotson, Kristie. A Cautionary Tale: On Limiting Epistemic Oppression2012, Frontiers: A Journal of Women Studies 33 (1):24-47.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: In this paper, first and foremost, I aim to issue a caution. Specifically, I caution that when addressing and identifying forms of epistemic oppression one needs to endeavor not to perpetuate epistemic oppression. Epistemic oppression, here, refers to epistemic exclusions afforded positions and communities that produce de? ciencies in social knowledge. An epistemic exclusion, in this analysis, is an infringement on the epistemic agency of knowers that reduces her or his ability to participate in a given epistemic community.2 Epistemic agency will concern the ability to utilize persuasively shared epistemic resources within a given epistemic community in order to participate in knowledge production and, if required, the revision of those same resources.3 A compromise to epistemic agency, when unwarranted, damages not only individual knowers but also the state of social knowledge and shared epistemic resources.Comment:Dotson, Kristie. Accumulating Epistemic Power2018, Philosophical Topics 46 (1):129-154.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: On December 3, 2014, in a piece entitled 'White America's Scary Delusion: Why Its Sense of Black Humanity Is So Skewed,' Brittney Cooper criticizes attempts to deem Black rage at state-sanctioned violence against Black people 'unreasonable.' In this paper, I outline a problem with epistemology that Cooper highlights in order to explore whether beliefs can wrong. My overall claim is there are difficult-to-defeat arguments concerning the 'legitimacy' of police slayings against Black people that are indicative of problems with epistemology because of the epistemic power they accumulate toward resilient oblivion, which can have the effect of normalizing oppressive conditions. That is to say, if one takes the value of lessening oppression as a key feature of normative, epistemological conduct, then it can generate demands on epistemological orientations that, in turn, generate wrongs for beliefs and, more specifically, beliefs as wrongs.Comment:Dotson, Kristie. How is this Paper Philosophy?2013, Comparative Philosophy 3 (1):3-29.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: This paper answers a call made by Anita Allen to genuinely assess whether the field of philosophy has the capacity to sustain the work of diverse peoples. By identifying a pervasive culture of justification within professional philosophy, I gesture to the ways professional philosophy is not an attractive working environment for many diverse practitioners. As a result of the downsides of the culture of justification that pervades professional philosophy, I advocate that the discipline of professional philosophy be cast according to a culture of praxis. Finally, I provide a comparative exercise using Graham Priest's definition of philosophy and Audre Lorde's observations of the limitations of philosophical theorizing to show how these two disparate accounts can be understood as philosophical engagement with a shift to a culture of praxis perspective.Comment:Dotson, Kristie. Tracking Epistemic Violence, Tracking Practices of Silencing2011, Hypatia 26 (2):236-257.
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Added by: Simon Fokt, Contributed by: Naomi Beecroft, Emily DysonAbstract: Too often, identifying practices of silencing is a seemingly impossible exercise. Here I claim that attempting to give a conceptual reading of the epistemic violence present when silencing occurs can help distinguish the different ways members of oppressed groups are silenced with respect to testimony. I offer an account of epistemic violence as the failure, owing to pernicious ignorance, of hearers to meet the vulnerabilities of speakers in linguistic exchanges. Ultimately, I illustrate that by focusing on the ways in which hearers fail to meet speaker dependency in a linguistic exchange, efforts can be made to demarcate the different types of silencing people face when attempting to testify from oppressed positions in society.Comment: This text provides an alternative framework to epistemic injustice and focuses on the positionality of black women. It encourages thought about (certain kinds of) ignorance as specific harms to others. This would suit an undergraduate class who were looking at race, gender, and/or applied epistemologies.Droege, Paula. Why Feminists Should be Materialists and Vice Versa2022, in McWeeny, J. and Maitra, K. (eds) Feminist Philosophy of Mind. New York: Oxford University Press, pp. 255-270
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Abstract: In this article, Droege defends a nonreductive account of materialism, which in her view, can be endorsed by feminists since it considers the dynamic relations among mind, body, and environment. Droege shows how "new materialism" or nonreductive materialism preserves the role of social interactions in explaining the constitution of mental states, while at the same time, also considers the role of the physical. Droege argues that ignoring the physical is a mistake that some feminists commit that prevents us from offering a full picture of the nature of social constructs, such as "gender". In the materialist view that Droege supports, physical causation is seen as "indeterminate, constantly in flux, and potentially both disruptive and supportive of human projects". Droege closes the article by showing how feminist methods, by taking an interdisciplinary approach, can provide a more nuanced picture of the nature of the mind, one that considers both the role of the physical and social world.Comment (from this Blueprint): Roege defends a nonreductive account of materialism, which, in her view, doesn't stand against feminist criticisms of physicalism. Similarly to Scheman's "Against Physicalism", Droeger argues that mainstream physicalist theories have ignored the role of the social in their explanations about the mental. Droeger offers an analysis of how feminist practices can illuminate work on the philosophy of mind by taking an interdisciplinary approach that brings together findings and viewpoints from different disciplines.Du Bois, W.E.B.. Criteria of Negro Art1926, The Crisis, 32: 290-297
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Added by: Quentin Pharr and Clotilde TorregrossaAbstract: Published in The Crisis of October 1926, DuBois initially spoke these words at a celebration for the recipient of the Twelfth Spingarn Medal, Carter Godwin Woodson. The celebration was part of the NAACP's annual conference and was held in June 1926.Comment (from this Blueprint): In this selection, Du Bois discusses the nature of aesthetic value, how black artists have been historically excluded from creating it for false and racist reasons, and what role black artists actually have to play in creating beauty. Firstly, he establishes an expansive conception of aesthetic value. Secondly, he sets out various examples of how black artists have been historically excluded from producing art in general and art which portrays "blackness" more specifically. And lastly, he sets out a vision for the arts which not only includes black artists, but also recognizes the aesthetic and political value of their work for creating fair and equal societies where beauty is ever present and sought. It will help readers to understand the costs and wrongs that come with exclusionary practices in the production of aesthetic objects.Eaton, A. W.. Feminist philosophy of art2008, Philosophy Compass 3 (5):873-893.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: This article outlines the issues addressed by feminist philosophy of art, critically surveys major developments in the field, and concludes by considering directions in which the field is moving.Comment:Eaton, A. W.. ‘A Lady on the Street but a Freak in the Bed’: On the Distinction Between Erotic Art and Pornography2018, British Journal of Aesthetics 58 (4): 469-488
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Added by: Simon Fokt
Abstract: How, if at all, are we to distinguish between the works that we call ‘art’ and those that we call ‘pornography’? This question gets a grip because from classical Greek vases and the frescoes of Pompeii to Renaissance mythological painting and sculpture to Modernist prints, the European artistic tradition is chock-full of art that looks a lot like pornography. In this paper I propose a way of thinking about the distinction that is grounded in art historical considerations regarding the function of erotic images in 16 th -century Italy. This exploration suggests that the root of the erotic art/pornography distinction was—at least in this context—class: in particular, the need for a special category of unsanctioned illicit images arose at the very time when print culture was beginning to threaten elite privilege. What made an erotic representation exceed the boundaries of acceptability, I suggest, was not its extreme libidinosity but, rather, its widespread availability and, thereby, its threat to one of the mechanisms of sustaining class privilege.
Comment: The paper has implications reaching far beyond the pornography debate. Could similar power relations not impact art classification elsewhere? It might be useful to discuss this in the context of Larry Shiner's 'The Invention of Art,' where the historical processes leading to the establishment of the modern Western system of the arts are analysed, including examples such as the exclusion of weaving as it became a female-dominated profession. Reaching even further, this can be applied to attitudes to art of other cultures, with (post)colonial power relations impacting on the way works are classified. Finally, Eaton’s text can serve as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge? The paper has implications reaching far beyond the pornography debate. Could similar power relations not impact art classification elsewhere? It might be useful to discuss this in the context of Larry Shiner's 'The Invention of Art,' where the historical processes leading to the establishment of the modern Western system of the arts are analysed, including examples such as the exclusion of weaving as it became a female-dominated profession. Reaching even further, this can be applied to attitudes to art of other cultures, with (post)colonial power relations impacting on the way works are classified. Finally, Eaton’s text can serve as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge?Eaton, A.W.. A Lady in the Street But a Freak in the Bed: On the Distinction Between Erotic Art And Pornography2018, British Journal of Aesthetics, 58 (4): 469-488-
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Added by: Quentin Pharr and Clotilde TorregrossaAbstract: How, if at all, are we to distinguish between the works that we call ‘art’ and those that we call ‘pornography’? This question gets a grip because from classical Greek vases and the frescoes of Pompeii to Renaissance mythological painting and sculpture to Modernist prints, the European artistic tradition is chock-full of art that looks a lot like pornography. In this paper I propose a way of thinking about the distinction that is grounded in art historical considerations regarding the function of erotic images in 16 th -century Italy. This exploration suggests that the root of the erotic art/pornography distinction was—at least in this context—class: in particular, the need for a special category of unsanctioned illicit images arose at the very time when print culture was beginning to threaten elite privilege. What made an erotic representation exceed the boundaries of acceptability, I suggest, was not its extreme libidinosity but, rather, its widespread availability and, thereby, its threat to one of the mechanisms of sustaining class privilege.Comment (from this Blueprint): Eaton argues that what really matters in the distinction between pornography and erotic art, has little to do with artistic or aesthetic features, value, or function. Instead, the distinction follows social power structures along the class line: the priviledged reserve art status (and positive value) to works available only in an exclusive ‘private iconic circuit’ but are otherwise no different from those available in the ‘public iconic circuit’ and labelled pornography (and evaluated negatively). Eaton likens the distinction to that between two kinds of prostitute: a ‘courtesan’ and a ‘whore’, suggesting that in both cases the distinctions originate in class divisions and serve to reinforce them. Eaton’s text can serve as a great case study in the debate surrounding the distinction between low and high art, as well as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge?Eckert, Maureen. De-centering and Genderqueering Val Plumwood’s Feminist Logic2024, In R. Cook and A. Yap (eds.), Feminist Philosophy and Formal Logic. University of Minnesota Press
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Added by: Franci Mangraviti and Viviane FairbankAbstract: The strongest and, until recently, least-explored approach to feminist logic holds that some formal logics have structural features that perpetuate sexism and oppression, whereas other logics are helpful for resisting and opposing these social phenomena. Our choice of logics may not be purely formal on this view: for example, some logics are preferrable to others on the grounds of feminist commitments. This strong account of feminist logic was first articulated by Val Plumwood. We will critically engage salient features of her view, especially her critique of classical logic and the centering and dominating functions she believes classical negation has. We will see that her understanding of classical negation captures neither the development of Intersectional Feminism, nor the position the concept of centering holds in transformative justice. However, Plumwood's critique of classical negation does lead us to a deeper insight regarding which logics to apply in social justice contexts. Robin Dembroff's analysis of genderqueer as a critical gender kind helps us delineate a non-classical context in which a four-valued logic, such as FDE, can structurally account for the critical feature of this gender kind in a way classical logic cannot. We will also observe how four-valued logics precisely capture the destabilization of, and resistance to, the exclusive and exhaustive gender binary categories Dembroff describes.Comment: available in this BlueprintEckert, Maureen, Donahue, Charlie. Towards a Feminist Logic: Val Plumwood’s Legacy and Beyond2020, In Dominic Hyde (ed.), Noneist Explorations II: The Sylvan Jungle - Volume 3 (Synthese Library, 432). Dordrecht: pp. 424-448
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Added by: Franci MangravitiAbstract:
Val Plumwood’s 1993 paper, “The politics of reason: towards a feminist logic” (hence- forth POR) attempted to set the stage for what she hoped would begin serious feminist exploration into formal logic – not merely its historical abuses, but, more importantly, its potential uses. This work offers us: (1) a case for there being feminist logic; and (2) a sketch of what it should resemble. The former goal of Plumwood’s paper encourages feminist theorists to reject anti-logic feminist views. The paper’s latter aim is even more challenging. Plumwood’s critique of classical negation (and classical logic) as a logic of domination asks us to recognize that particular logical systems are weapons of oppression. Against anti-logic feminist theorists, Plumwood argues that there are other logics besides classical logic, such as relevant logics, which are suited for feminist theorizing. Some logics may oppress while others may liberate. We provide details about the sources and context for her rejection of classical logic and motivation for promoting relevant logics as feminist.
Comment (from this Blueprint): This is an ideal companion piece to Plumwood's paper: it provides an accessible summary, and discusses both objections to the paper and possible responses.Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
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Demetriou, Dan, Wingo, Ajume. The Ethics of Racist Monuments
2018, In David Boonin (ed.), Palgrave Handbook of Philosophy and Public Policy. Palgrave .