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, Contributed by: Quentin PharrPublisher’s Note: Harmony is a concept essential to Confucianism and to the way of life of past and present people in East Asia. Integrating methods of textual exegesis, historical investigation, comparative analysis, and philosophical argumentation, this book presents a comprehensive treatment of the Confucian philosophy of harmony. The book traces the roots of the concept to antiquity, examines its subsequent development, and explicates its theoretical and practical significance for the contemporary world. It argues that, contrary to a common view in the West, Confucian harmony is not mere agreement but has to be achieved and maintained with creative tension. Under the influence of a Weberian reading of Confucianism as "adjustment" to a world with an underlying fixed cosmic order, Confucian harmony has been systematically misinterpreted in the West as presupposing an invariable grand scheme of things that pre-exists in the world to which humanity has to conform. The book shows that Confucian harmony is a dynamic, generative process, which seeks to balance and reconcile differences and conflicts through creativity. Illuminating one of the most important concepts in Chinese philosophy and intellectual history, this book is of interest to students of Chinese studies, history and philosophy in general and eastern philosophy in particular.
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Added by: Lea Cantor, Contributed by: Lea CantorAbstract:
Comment: This chapter offers useful insights into the methodology involved in engaging constructively with the history of philosophy, focusing on the specific challenges that arise in the study of Chinese texts. What is involved in textual analysis and philosophical exegesis? How do concerns about present-day relevance guide philosophical analysis and construction? How far is close reading of texts a precondition for productive engagement with Chinese philosophy? What are the specific challenges that arise in comparative studies involving Chinese texts and thinkers? Shun explores these questions in a nuanced and accessible way. No prior knowledge of Chinese philosophy is required to engage with the paper's main points.
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Added by: Lea Cantor, Contributed by: Lea CantorAbstract:
Comment: This article reflects on the challenges that arise in the study and practice of comparative philosophy, focusing on the case of 'Western'-Chinese comparative work in ethics. The paper more specifically highlights an 'asymmetry' worry in relation to much existing comparative engagement with Chinese ethics, whereby the frameworks of 'Western Philosophy' are taken as the unquestioned reference point by which to analyse (unilaterally) Chinese ethics. The paper will be easy to follow for those with a basic understanding of Chinese philosophy (especially (neo-)Confucian ethics) and some understanding of contemporary debates in normative ethics and moral philosophy. It could easily be integrated into courses on normative ethics and moral philosophy, Chinese philosophy, and/or comparative philosophy.
Comment: This text is the single best introduction and overview of the Confucian conception of harmony (hē), and how it compares with ancient Roman and Greek conceptions of the same. This text is best read with some familiarity of various Confucian texts and commentators. But, the author is quite generous to readers in explaining the background of whatever is under discussion. In general, this text is probably best as a further reading for students who are also reading Confucian texts, but it also stands up as an introductory and specialized overview of its subject matter as well.