Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity
1999, Routledge.
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Added by: Emily Paul
Publisher's note: Arguing that traditional feminism is wrong to look to a natural, 'essential' notion of the female, or indeed of sex or gender, Butler starts by questioning the category 'woman' and continues in this vein with examinations of 'the masculine' and 'the feminine'. Best known however, but also most often misinterpreted, is Butler's concept of gender as a reiterated social performance rather than the expression of a prior reality.Comment : All of this book would be very useful for a feminist philosophy course, but chapter 1 in particular would be great to use for a unit on the metaphysics of gender, by considering Butler's account of gender being performative, and how this links in with the social constructivist account of gender.Cahill, Ann J., Jennifer Hansen (eds.). Continental Feminism Reader2003, Rowman & Littlefield-
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Added by: Alison Stone
Publisher's Note: Ann J. Cahill and Jennifer Hansen collect the most groundbreaking recent work in Continental feminist theory, introducing and explaining pieces that are often mystifying to those outside the field and outside academia. With these essays, Continental Feminism Reader begins the process of reanimating feminist politics through the critical tools of its contributors.Comment : A collection of essays that represent a range of continental-philosophy influenced approaches within feminism, for example with selections from the work of Judith Butler and Kelly Oliver. It could be used as the basis of a course on feminist philosophy if approaching it from a continental perspective, or separate chapters could be used as some of the readings.Davidson, Maria Del Guadalupe, Kathryn Sophia Belle (formerly known as Kathryn T. Gines), Marcano, Donna-Dale L. (eds). Convergences: Black Feminism and Continental Philosophy2010, State University of New York Press.-
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Added by: Chris Blake-Turner, Contributed by: Esther McIntosh
Publisher's Note: A range of themes - race and gender, sexuality, otherness, sisterhood, and agency - run throughout this collection, and the chapters constitute a collective discourse at the intersection of Black feminist thought and continental philosophy, converging on a similar set of questions and concerns. These convergences are not random or forced, but are in many ways natural and necessary: the same issues of agency, identity, alienation, and power inevitably are addressed by both camps. Never before has a group of scholars worked together to examine the resources these two traditions can offer one another. By bringing the relationship between these two critical fields of thought to the forefront, the book will encourage scholars to engage in new dialogues about how each can inform the other. If contemporary philosophy is troubled by the fact that it can be too limited, too closed, too white, too male, then this groundbreaking book confronts and challenges these problems.Guenther, Lisa. Critical Phenomenology2019, In 50 Concepts for a Critical Phenomenology, ed. Gail Weiss, Ann Murphy and Gayle Salamon. Northwestern University Press, pp. 11-16-
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Added by: Tomasz Zyglewicz, Shannon Brick, Michael GreerAbstract:
Phenomenology, the philosophical method that seeks to uncover the taken-for-granted presuppositions, habits, and norms that structure everyday experience, is increasingly framed by ethical and political concerns. Critical phenomenology foregrounds experiences of marginalization, oppression, and power in order to identify and transform common experiences of injustice that render “the familiar” a site of oppression for many. In Fifty Concepts for a Critical Phenomenology, leading scholars present fresh readings of classic phenomenological topics and introduce newer concepts developed by feminist theorists, critical race theorists, disability theorists, and queer and trans theorists that capture aspects of lived experience that have traditionally been neglected. By centering historically marginalized perspectives, the chapters in this book breathe new life into the phenomenological tradition and reveal its ethical, social, and political promise. This volume will be an invaluable resource for teaching and research in continental philosophy; feminist, gender, and sexuality studies; critical race theory; disability studies; cultural studies; and critical theory more generally.Comment (from this Blueprint): Lisa Guenther, author of the 2015 book "Solidarity Confinement: Social Death and its Afterlives," gives a quick overview of "critical phenomenology" and how it is different from classical phenomenology. The boundaries of critical phenomenology are still being drawn, but Guenther's concise explanation has already become canon. Understanding, in broad brush strokes, what critical phenomenology is will be important to engage with many conversations on feminist philosophy, especially in the continental tradition, since feminist theorists (inspired by Simone de Beavoir and Frantz Fanon) often appeal to lived experience in their theorizing of oppression.Hass, Marjorie. Fluid Thinking: Irigaray’s Critique of Formal Logic2002, In Falmagne, R.J. and Hass, M. eds. Representing Reason: Feminist Theory and Formal Logic. Rowman & Littlefield-
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Added by: Franci Mangraviti
From the Introduction: "Marjorie Hass addresses the limitations of logical concepts, including negation, by illuminating the ongoing critique of these terms in the work of Luce Irigaray. In Hass’s view, Irigaray’s work calls the neutrality of logic into question, suggesting that the standard formalism is capable of expressing only distorted and partial interpretations of negation, identity, and generality. More specifically, in Irigaray’s work, standard symbolic logic is shown to be unable to represent the form of difference proper to sexual difference, the form of identity proper to feminine identity, and the form of generality proper to a feminine generic. Hass interprets and evaluates Irigaray’s critique of logic, arguing that many of Irigaray’s readers have misunderstood its nature and force."
Comment : available in this BlueprintIrigaray, Luce. Is the Subject of Science Sexed?1987, Hypatia, 2 (3): 65-87, trans. C. Bové-
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
The premise of this paper is that the language of science, like language in general, is neither asexual nor neutral. The essay demonstrates the various ways in which the non-neutrality of the subject of science is expressed and proposes that there is a need to analyze the laws that determine the acceptability of language and discourse in order to interpret their connection to a sexed logic.Comment : available in this BlueprintIrigaray, Luce. The “Mechanics” of Fluids1985, In This Sex Which Is Not One, trans. C. Porter and C. Burke-
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
The paper argues that science's focus on the ideal and stable hides, and thus contributes to the silencing of, the real and fluid, which corresponds to womanhood.Comment : available in this BlueprintIrigaray, Luce, Carlston, Erin G.. The Language of Man1989, Cultural Critique, 13: 191-202-
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
This paper enumerates Irigaray's main arguments and thoughts regarding the gendered nature of language and "the logos".Comment : available in this BlueprintKorsmeyer, Carolyn. Gender and Aesthetics: An Introduction2004, London: Psychology Press.-
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Added by: Simon Fokt
Publisher's note: Feminist approaches to art are extremely influential and widely studied across a variety of disciplines, including art theory, cultural and visual studies, and philosophy. Gender and Aesthetics is an introduction to the major theories and thinkers within art and aesthetics from a philosophical perspective, carefully introducing and examining the role that gender plays in forming ideas about art. It is ideal for anyone coming to the topic for the first time. Organized thematically, the book introduces in clear language the most important topics within feminist aesthetics:- Why were there so few women painters?
- Art, pleasure and beauty
- Music, literature and painting
- The role of gender in taste and food
- What is art and who is an artist?
- Disgust and the sublime.
Comment : Chapter 5 is particularly useful in teaching on art theories. It offers an interesting review of art theories from a feminist perspective, noting the gendered character of existing definitions. It may be good to teach it alongside Brand's ‘Glaring Omissions in Traditional Theories of Art’ to best bring out these issues. Secondly, it inspires the question: given the problematic exclusionary character of art history and theory, would it not be better if we did not have a definition of art which we can use to exclude? The value of the feminist art discussed in the chapter lies largely in its ability to expose the biases present in the artworld and expressed in theories of art. Thus the fact that artists tend to create works which challenge existing theories might be in fact desirable.Veltman, Andrea. The Sisyphean Torture of Housework: Simone de Beauvoir and Inequitable Divisions of Domestic Work in Marriage2004, Hypatia 19 (3):121-143-
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Added by: Deryn Mair ThomasAbstract:
This paper examines Simone de Beauvoir's account of marriage in The Second Sex and argues that Beauvoir's dichotomy between transcendence and immanence can provide an illuminating critique of continuing gender inequities in marriage and divisions of domestic work. Beauvoir's existentialist ethics not only establishes a moral wrong in marriages in which wives perform the second shift of household labor but also supports the need to transform existing normative expectations surrounding wives and domestic work.
Comment : This paper revisits the contemporary literature on the gendered divisions of household labour and argues for a new ethical framework based on Simone de Beauvoir's analysis of marriage in terms of transcendence and immanence. According to Beauvoir, 'marriage is oppressive and involves a moral wrong when it facilitates the transcendence of one spouse by relegating the other to the round of relatively uncreative chores needed to maintain life in the home.' Veltman also argues that, contrary to a common reading of de Beauvoir's account, de Beauvoir does not reject marriage per se, but in fact leaves open the opportunity for reform, such that a marriage 'has the potential to support equitable unions between free beings.' For this reason, the paper may be useful as specialised or further reading for courses interested in contemporary feminist critiques, the work of Simone de Beauvoir, or more broadly, 20th Century feminism. In addition, it also offers an interesting discussion of housework and domestic labor which may prove useful in the context of courses examining work and gendered divisions of labour. It would also be well paired with the work of Hannah Arendy, and another of Veltman's essays, "Simone de Beauvoir and Hannah Arendt on Labor."Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
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