Diversity Reading List

Publisher’s Note:

Adrian Piper argues that the Humean conception can be made to work only if it is placed in the context of a wider and genuinely universal conception of the self, whose origins are to be found in Kant’s Critique of Pure Reason. This conception comprises the basic canons of classical logic, which provide both a model of motivation and a model of rationality. These supply necessary conditions both for the coherence and integrity of the self and also for unified agency. The Kantian conception solves certain intractable problems in decision theory by integrating it into classical predicate logic, and provides answers to longstanding controversies in metaethics concerning moral motivation, rational final ends, and moral justification that the Humean conception engenders. In addition, it sheds light on certain kinds of moral behavior – for example, the whistleblower – that the Humean conception is at a loss to explain.

Abstract:

These two sets of comments on Volume II of my Rationality and the Structure of the Self (henceforth RSS II), from the two leading philosophers in their respective areas of specialization – Kant scholarship and decision theory – are the very first to appear from any quarter within academic philosophy. My gratitude to Paul Guyer and Richard Bradley for the seriousness, thoroughness and respect with which they treat RSS – and my admiration for their readiness to acknowledge the existence of books that in fact have been in wide circulation for a long time – know no bounds. Their comments and criticisms, though sharp, are always constructive. I take my role here to be to incorporate those comments and criticisms where they hit the mark, and, where they go astray, to further articulate my view to meet the standard of clarity they demand. While Guyer’s and Bradley’s comments both pertain to the substantive view elaborated in RSS II, my responses often refer back to the critical background it presupposes that I offer in RSS Volume I: The Humean Conception (henceforth RSS I). I address Guyer’s more exegetically oriented remarks first, in order to provide a general philosophical framework within which to then discuss the decision-theoretic core of the project that is the focus of Bradley’s comments.

Abstract:

The purpose of this discussion is twofold. First, I want to shed some light on Kant's concept of personhood as rational agency, by situating it in the context of the first Critique's conception of the self as defined by its rational dispositions. I hope to suggest that this concept of personhood cannot be simply grafted onto an essentially Humean conception of the self that is inherently inimical to it, as I believe Rawls, Gewirth, and others have tried to do. Instead I will try to show how deeply embedded this concept of personhood is in Kant's conception of the self as rationally unified consciousness. Second, I want to deploy this embedded concept of personhood as the basis for an analysis of the phenomenon of xenophobia.

Publisher's Note: Kant's Critique of Judgment has often been interpreted by scholars as comprising separate treatments of three uneasily connected topics: beauty, biology, and empirical knowledge. Rachel Zuckert's book interprets the Critique as a unified argument concerning all three domains. She argues that on Kant's view, human beings demonstrate a distinctive cognitive ability in appreciating beauty and understanding organic life: an ability to anticipate a whole that we do not completely understand according to preconceived categories. This ability is necessary, moreover, for human beings to gain knowledge of nature in its empirical character as it is, not as we might assume it to be. Her wide-ranging and original study will be valuable for readers in all areas of Kant's philosophy.

Abstract: Can an ordinary viewer ever experience art - particularly politically charged, socially relevant art - in a neutral, detached, and objective way? The familiar philosophical notion of disinterestedness has its roots in eighteenth century theories of taste and was refined throughout the twentieth century. In contrast, many contemporary theorists have argued for what I call an 'interested approach' in order to expand beyond the traditional emphasis on neutrality and universality. Each group, in effect, has argued for the value of a work of art by excluding the other's approach. This essay will consider the legacy of the concept of disinterestedness for contemporary aesthetic theory in light of challenges posed by postmodern skepticism regarding the possibility of disinterestedness, and by the difficulties involved in appreciating political art with a disinterested attitude. My principal examples of political art will be drawn from feminist art. Unlike traditional philosophers, I will advocate that an interested stance toward art is, at times, inevitable and appropriate. I will so argue that not only feminist art- and by extension political art of all kinds - can be experienced disinterestedly, but that it should be. As a position inconsistent with both traditionalists and feminist critics of tradition, my recommendation of both disinterestedness and interestedness affords what I take to be the fullest and fairest experience of a work of art.

Abstract: LIBERALS OFTEN THINK diversity of belief and its expression should be tolerated in order to respect either individuals or reason and truth themselves. Because they are agnostic about the good for man, they hold that liberty for each to pursue his or her conception of the good in "self-regarding" matters is required, and that practices of toleration are important aspects of this liberty. They also often advocate practices of toleration as means by which reasoned and true beliefs can come to prevail over false beliefs. Each line of thought justifies practices of toleration as means to something which is seen both as logically independent and as of more fundamental value. These familiar lines of thought are not the only possible liberal vindication of toleration. In Kant's writings toleration is not a derivative value, to be established only when the value of true and reasoned belief and of liberty in self-regarding matters has been established. His arguments for toleration of what he terms "the public use of reason" presuppose neither antecedently given standards of rationality nor that any class of self-regarding individual actions is of special importance. For Kant the importance of (some sorts of) toleration is connected with the very grounding of reason, and so in particular with the grounding of practical reason. His arguments suggest that liberal political thinking can vindicate practices of toleration without commitment either to a strong form of individualism or to the view that we can distinguish "self-regarding" acts, and without claiming that reasoning either has a "transcendent" vindication or is groundless. The themes of toleration and of the grounding of reason are brought together in many Kantian texts. The most important is the Critique of Pure Reason, in particular the section of the Doctrine of Method called "The Discipline of Pure Reason in Respect of its Polemical Employment." I The same connection is stressed in many other places, including scattered passages in the Second and Third Critiques, in the Logic, and in Religion within the Limits of Reason Alone. A number of shorter essays, including "What Is Enlightenment?" (1784), "What Is Orientation in Thinking?" (1786), "Idea for a Universal History with a Cosmopolitan Purpose" (1784), "The Conflict of the Faculties" (1798), "On the Common Saying 'This may be True in Theory, but it does not Apply in Practice' " (1795), and "Perpetual Peace" (1795),2 appear at first to have much to say about toleration, including the political aspects of toleration, and little about the grounding of reason. Yet here too the themes are often interwoven. The close connections between the short political essays and the central critical writings suggest not only that the essays are part of Kant's systematic philosophy, and not marginal or occasional pieces, but also perhaps that the entire critical enterprise has a certain political character. If this is the case, it is no accident that the guiding metaphors of The Critique of Pure Reason are political metaphors. If the discussion of reason itself is to proceed in terms of conflicts whose battlefields and strife are scenes of defeat and victory that will give way to a lasting peace only when we have established through legislation such courts, tribunals, and judges as can weigh the issue and give verdict, then it is perhaps not surprising that Kant links his discussions of politics very closely to larger issues about the powers and limits of human reason. However, this is a large and for present purposes somewhat tangential issue.3 The more immediate concern is to see how Kantian arguments link toleration to the very grounding of reason.

Publisher's Note: Two centuries after they were published, Kant's ethical writings are as much admired and imitated as they have ever been, yet serious and long-standing accusations of internal incoherence remain unresolved. Onora O'Neill traces the alleged incoherences to attempts to assimilate Kant's ethical writings to modern conceptions of rationality, action and rights. When the temptation to assimilate is resisted, a strikingly different and more cohesive account of reason and morality emerges. Kant offers a "constructivist" vindication of reason and a moral vision in which obligations are prior to rights and in which justice and virtue are linked. O'Neill begins by reconsidering Kant's conceptions of philosophical method, reason, freedom, autonomy and action. She then moves on to the more familiar terrain of interpretation of the Categorical Imperative, while in the last section she emphasizes differences between Kant's ethics and recent "Kantian" ethics, including the work of John Rawls and other contemporary liberal political philosophers

Abstract: The aim of the present paper is to discuss how the legal metaphors in Kant's Critique of Pure Reason can help us understand the work's transcendental argumentation. I discuss Dieter Henrich's claim that legal deductions form a methodological paradigm for all three Critiques that exempts the deductions from following a stringent logical structure. I also consider Rüdiger Bubner's proposal that the legal metaphors show that the transcendental deduction is a rhetorical argument. On the basis of my own reading of the many different uses of legal analogies in the first Critique, I argue that they cannot form a consistent methodological paradigm as Henrich and Bubner claim.

Abstract: Kant conducts his Analytic of the Beautiful, in the Critique of the Power of Judgment, according to the 'leading thread' that also guided the table of the categories in the first Critique: the four titles of the logical functions of judgement. This leading thread, which has not met with much favor on the part of Kant's readers where the first Critique is concerned, is even less popular in the case of the third Critique. In this essay, I will argue that this ill repute is unmerited. In fact, Kant's use of the leading thread of the logical functions of judgment to analyze judgments of taste merits close attention. In particular, it brings to light a striking feature of judgments of taste as analyzed by Kant. We would expect the main headings in the table of logical functions (quantity, quality, relation, modality) to guide the analysis of aesthetic judgments as judgments about an object ('this rose is beautiful,' 'this painting is beautiful'). Now they certainly do serve this purpose. But in addition, it turns out that they also serve to analyze another judgment, one that remains implicitly contained within the predicate ('beautiful') of the judgments of taste. This second judgment, embedded, as it were, in the first (or in the predicate of the first), and that only the critique of taste brings to discursive clarity, is a judgment no longer about the object, but about the judging subjects, namely, the subjects that pass the judgment: 'this rose is beautiful,' 'this painting is beautiful,' and so on.

Publisher's Note: "Kant and the Capacity to Judge" will prove to be an important and influential event in Kant studies and in philosophy.