Mama, Amina. Inventing Black Identity
1995, in Beyond the Masks. Race, Gender and Subjectivity. 1st ed. London: Taylor & Francis Group
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Added by: Björn Freter & Marc GwodogAbstract:
Psychology has had a number of things to say about black and coloured people, none of them favourable, and most of which have reinforced stereotyped and derogatory images. Beyond the Masks is a readable account of black psychology, exploring key theoretical issues in race and gender. In it, Amina Mama examines the history of racist psychology, and of the implicit racism throughout the discipline. Beyond the Masks also offers an important theoretical perspective, and will appeal to all those involved with ethnic minorities, gender politics and questions of identity.Comment (from this Blueprint): The study of Amina Mama allows for the development of an understanding of black women's multiple subjectivities and their experience of racism and sexism, while at the same time showing that the black individual cannot be defined only via racism. She unveils the absurd effects of anti-black thought in psychology and how black psychologists have worked on developing non-racist theories of black identity.
Maracle, Lee. I Am Woman: A Native Perspective on Sociology and Feminism
2002, Press Gang Publishers, Canada
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Added by: Sonja Dobroski and Quentin PharrPublisher’s Note:
I Am Woman represents my personal struggle with womanhood, culture, traditional spiritual beliefs and political sovereignty, written during a time when that struggle was not over. My original intention was to empower Native women to take to heart their own personal struggle for Native feminist being. The changes made in this second edition of the text do not alter my original intention. It remains my attempt to present a Native woman's sociological perspective on the impacts of colonialism on us, as women, and on my self personally.Comment: available in this Blueprint
Mariátegui, José Carlos. Seven Interpretative Essays on Peruvian Reality
1971, Marjory Urquidi (ed.). University of Texas Press
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Added by: Adriana Clavel-VázquezPublisher’s Note:
In this essay, Mariátegui offers an analysis of Peruvian literary practices and a criticism of some of its central figures. He argues that what has been construed as a “national literature” erases the contributions of Indigenous cultures to Peruvian identity, and, in doing so, it partly contributes to the marginalization of Indigenous Peruvians.Comment (from this Blueprint): Mariátegui’s criticism of the Latin American literary canon is interesting because he brings forward the way in which Eurocentric mestizaje has shaped the aesthetic practices that are regarded as constitutive of Latin American identity. Much like Adrian Piper’s criticism of critical hegemony in the arts, Mariátegui argues that the Latin American literary canon is built on “Hispanism, colonialism, and social privilege” that is passed as a neutral academic spirit. Mariátegui shows, therefore, how even in mestizaje taste remains racialized.
Memmi, Albert. The Colonizer and the Colonized
1965, translated by H. Greenfeld. New York: Orion Press.
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Added by: Zoé Grange-MarczakAbstract:
A Jew born in Tunisia, Memmi (1920–2020) rose to fame with The Colonizer and The Colonized, prefaced by Sartre. Educated in Tunisia, Algeria, and France, he settled in Paris, where he wrote novels and essays alike. His main topics include colonialism, the Jewish condition, and Tunisia.
An early theorist of decolonization, he used a sociological approach, getting to psycho-sociology, working through portraits—the original title of the book is Portrait of the Colonized, Preceded by Portrait of the Colonizer—trying to describe "rendings of the spirit" as "introjections of social conflicts", according to Sartre in his preface.
Published in 1957, this work aims to show the interweaving of the colonizer's and the colonized's mind, clearly sketched out by the binary structure of the essay.
Memmi starts with the economic aspect of colonization, describing how the fundamental inequality of colonization gives the colonizer a much more favorable material situation. One of his key theses is the interdependence of the colonizer and the colonized, trying to go beyond Marxism and psychoanalysis. He characterizes the consciousness of the colonizer through three discoveries: "profit, privilege, and usurpation". To this duality, he adds several third parties: nationals of other countries, assimilated minorities, Jews, colonized participating in the colonial administration, etc, giving a vivid account of the entanglement between both subjectivity and objective structures, and colonizer and colonized.Comment: Memmi is a good complement to a class on colonization as he brings in a specific North-African Jewish point of view. His influence on existentialist philosophy also makes him appropriate for political philosophy. Can go with readings of Sartre, Said or Fanon.
Mukherji, Parul Dave. Who is afraid of Mimesis? Contesting the Common Sense of Indian Aesthetics through the Theory of ‘Mimesis’ or Anukaraṇa Vâda
2016, In Arindam Chakrabarti (ed.). The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art. New York: Bloomsbury Academic, 71-92.
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Added by: Meilin ChinnSummary: A rejoinder to the claim that mimesis is unimportant in Indian art and aesthetics. Dave-Mukherji seeks to decolonize Indian aesthetics from its internalized Western ethnocentrism, according to which mimesis belongs to the domain of Western art and aesthetics, and open new, non-binary terrain for comparative aesthetics. She seeks to revive the complex theory of visual representation theorized in ancient Indian art treatises, particularly the concept of anukrti, a term she considers cognate to mimesis.Comment: This text is appropriate for a course in aesthetics and/or comparative aesthetics. It provides an excellent background for a cross-cultural discussion of mimesis.
Narayan, Uma. Undoing the ‘Package Picture’ of Cultures
2004, Signs: Journal of Women in Culture and Society 25 (4): 1083-1086.
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Added by: Andrea Blomqvist, Contributed by: Nadia MehdiAbstract: Many feminists of color have demonstrated the need to take into account differences among women to avoid hegemonic gender-essentialist analyses that represent the problems and interests of privileged women as paradigmatic. As feminist agendas become global, there is growing feminist concern to consider national and cultural differences among women. However, in attempting to take seriously these cultural differences, many feminists risk replacing gender-essentialist analyses with culturally essentialist analyses that replicate problematic colonialist notions about the cultural differences between "Western culture" and "non-Western cultures" and the women who inhabit them (Narayan 1998). Seemingly universal essentialist generalizations about "all women" are replaced by culture-specific essentialist generalizations that depend on totalizing categories such as "Western culture,' "non-Western cultures," "Indian women," and "Muslim women." The picture of the "cultures" attributed to these groups of women remains fundamentally essentialist, depicting as homogeneous groups of heterogeneous peoples whose values, ways of life, and political commitments are internally diverge.Comment: This text can be used to teach about the pitfalls of imperialist feminism such as Susan M. Okin's as well as gender and cultural essentialism. It would also be excellent on any courses that attempt to discuss cultural value or cultural heritage as it complicates the idea of cultures as discrete, bounded and unified entities.
Ngũgĩ wa Thiong'o. Decolonising the Mind. The Politics of Language in African Literature
1986, London: James Curry, Nairobi: Heineman Kenya, Portsmouth: Heinemann, Harare: Zimbabwe Publishing House
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Added by: Sara Peppe and Björn FreterPublisher’s Note:
Decolonising the Mind is a collection of essays about language and its constructive role in national culture, history, and identity. The book, which advocates for linguistic decolonization, is one of Ngũgĩ’s best-known and most-cited non-fiction publications, helping to cement him as a pre-eminent voice theorizing the “language debate” in post-colonial studies. Ngũgĩ describes the book as “a summary of some of the issues in which I have been passionately involved for the last twenty years of my practice in fiction, theatre, criticism, and in teaching of literature…” Decolonising the Mind is split into four essays: “The Language of African Literature,” “The Language of African Theatre,” “The Language of African Fiction,” and “The Quest for Relevance.”Comment (from this Blueprint): The papers in this volume were foundational for the post-colonial debate on African language.
Olufemi Taiwo. Exorcising Hegel’s ghost: Africa’s challenge to philosophy
1998, African Studies Quarterly 1(4)
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Added by: Sara Peppe, Contributed by: Jonathan EgidAbstract:
Anyone who has lived with, worked on, and generally hung out with philosophy as long as I have and who, and this is a very important element, inhabits the epidermal world that it has pleased fate to put me in, and is as engaged with both the history of that epidermal world and that of philosophy, must at a certain point come upon the presence of a peculiar absence: the absence of Africa from the discourse of philosophy. In the basic areas of philosophy (e.g.. epistemology, metaphysics, axiology, and logic) and in the many derivative divisions of the subject (e.g., the philosophy of ...) once one begins to look, once one trains one's eyes to apprehend it, one is struck by the absence of Africa from the disquisitions of its practitioners.
Comment: A good way of responding to Hegel's denigrating views of Africans and Enlightenment racism more generally. Could be used in a class on philosophy and colonialism, or the global reception of German idealism.
Oyěwùmí, Oyèrónkẹ́. Visualizing the Body: Western Theories and African Subjects
1997, in The Invention of Women. Making an African Sense of Western Gender Discourse. London: University of Minnesota Press
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Added by: Björn Freter & Marc GwodogAbstract:
The “woman question,” this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western construction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Author Oyeronke Oyewumi reveals an ideology of biological determinism at the heart of Western social categories-the idea that biology provides the rationale for organizing the social world. And yet, she writes, the concept of “woman,” central to this ideology and to Western gender discourses, simply did not exist in Yorubaland, where the body was not the basis of social roles. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed and that the subordination of women is universal. The Invention of Women demonstrates, to the contrary, that gender was not constructed in old Yoruba society, and that social organization was determined by relative age. A meticulous historical and epistemological account of an African culture on its own terms, this book makes a persuasive argument for a cultural, context-dependent interpretation of social reality. It calls for a reconception of gender discourse and the categories on which such study relies. More than that, the book lays bare the hidden assumptions in the ways these different cultures think. A truly comparative sociology of an African culture and the Western tradition, it will change the way African studies and gender studies proceed.Comment (from this Blueprint): A foundational and controversial work of African (feminist) philosophy. Oyěwùmí introduces the idea of gender being a Western construct that has been imposed on African communities. Oyěwùmí provides a perspective on the Western discourse on sex and gender widely unknown within Western philosophical institutions.
Oyěwùmí, Oyèrónkẹ́. (Re)constituting the Cosmology and Sociocultural Institutions of Ọ̀yọ́-Yorùbá
1997, in The Invention of Women. Making an African Sense of Western Gender Discourse. London: University of Minnesota Press
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Expand entry
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Added by: Björn Freter & Marc GwodogAbstract:
The “woman question,” this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western construction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Author Oyeronke Oyewumi reveals an ideology of biological determinism at the heart of Western social categories-the idea that biology provides the rationale for organizing the social world. And yet, she writes, the concept of “woman,” central to this ideology and to Western gender discourses, simply did not exist in Yorubaland, where the body was not the basis of social roles. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed and that the subordination of women is universal. The Invention of Women demonstrates, to the contrary, that gender was not constructed in old Yoruba society, and that social organization was determined by relative age. A meticulous historical and epistemological account of an African culture on its own terms, this book makes a persuasive argument for a cultural, context-dependent interpretation of social reality. It calls for a reconception of gender discourse and the categories on which such study relies. More than that, the book lays bare the hidden assumptions in the ways these different cultures think. A truly comparative sociology of an African culture and the Western tradition, it will change the way African studies and gender studies proceed.Comment (from this Blueprint): A foundational and controversial work of African (feminist) philosophy. Oyěwùmí introduces the idea of gender being a Western construct that has been imposed on African communities. Oyěwùmí provides a perspective on the Western discourse on sex and gender widely unknown within Western philosophical institutions.
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