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Aybüke Özgün, Tom Schoonen. The Logical Development of Pretense Imagination
2022, Erkenntnis 89: 2121–2147.

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Added by: Viviane Fairbank
Abstract:

We propose a logic of imagination, based on simulated belief revision, that intends to uncover the logical patterns governing the development of imagination in pretense. Our system complements the currently prominent logics of imagination in that ours in particular formalises (1) the algorithm that specifies what goes on in between receiving a certain input for an imaginative episode and what is imagined in the resulting imagination, as well as (2) the goal-orientedness of imagination, by allowing the context to determine, what we call, the overall topic of the imaginative episode. To achieve this, we employ well-developed tools and techniques from dynamic epistemic logic and belief revision theory, enriched with a topicality component which has been exploited in the recent literature. As a result, our logic models a great number of cognitive theories of pretense and imagination [cf. Currie and Ravenscroft (Recreative minds, Oxford University Press, Oxford, 2002); Nichols and Stich (Mindreading: an integrated account of pretence, self-awareness, and understanding other minds, Oxford University Press, Oxford, 2003); Byrne (The rational imagination, The MIT Press, London, 2005); Williamson (The philosophy of philosophy, Blackwell Publishing, Oxford, 2007); Langland-Hassan (Philos Stud 159:155–179, 2012, in: Kind and Kung (eds) Knowledge through imaginaion, Oxford University Press, Oxford, 2016].

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Chakrabarti, Arindam. Ownerless Emotions in Rasa-Aesthetics
2011, In Ken-ichi Sasaki (ed.). Asian Aesthetics. National Univeristy of Singapore Press.

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Added by: Meilin Chinn

Summary: Chakrabarti explores the possibilities of rasa theory via the question of whose emotion is experienced when an audience relishes a work of art. Chakrabarti argues for the existence of a “centerless non-singular subjectivity” according to which the special emotions savored in aesthetic experience do not have specific owners. These personless sentiments indicate an ethical relationship between aesthetic imagination and moral unselfishness.

Comment: This text could serve as both an overview of rasa theory in Indian aesthetics, as a basis for comparative work in cross-cultural aesthetics, as well as comparative philosophy.

Related reading:

  • Abhinavabhāratī. Abhinavagupta. In Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. M.M. Ghosh (ed.). Delhi: New Bharatiya Book Corporation, 2006.
This text could serve as both an overview of rasa theory in Indian aesthetics, as a basis for comparative work in cross-cultural aesthetics, as well as comparative philosophy.

Related reading:

  • Abhinavabhāratī. Abhinavagupta. In Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. M.M. Ghosh (ed.). Delhi: New Bharatiya Book Corporation, 2006.


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Debus, Dorothea. Mental Time Travel: Remembering the Past, Imagining the Future, and the Particularity of Events
2014, Review of Philosophy and Psychology 5 (3):333-350

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Added by: Andrea Blomqvist

Abstract: The present paper offers a philosophical discussion of phenomena which in the empirical literature have recently been subsumed under the concept of 'mental time travel'. More precisely, the paper considers differences and similarities between two cases of 'mental time travel', recollective memories ('R-memories') of past events on the one hand, and sensory imaginations ('S-imaginations') of future events on the other. It develops and defends the claim that, because a subject who R-remembers a past event is experientially aware of a past particular event, while a subject who S-imagines a future event could not possibly be experientially aware of a future particular event, R-memories of past events and S-imaginations of future events are ultimately mental occurrences of two different kinds.

Comment: This paper is concerned with both metaphysics and cognitive science. It could be used to raise questions about how we imagine future events involving ourselves and other people, and how this is similar or dissimilar to how we remember events. It could be used together with papers in cognitive neuroscience investigating the brain areas active in imagination and memory, most likely in a third or fourth year module.

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Friend, Stacie. Imagining Fact and Fiction
2008, In Kathleen Stock & Katherine Thomsen-Jones (eds.), New Waves in Aesthetics. Palgrave-Macmillan. pp. 150-169.

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Added by: Andrea Blomqvist, Contributed by: Christy Mag Uidhir

Abstract: I argue that there is no interpretation of imagining or make-believe that designates a response distinctive to fiction as opposed to nonfiction. The class of works that invite makebelieve, however it is determined, is substantially broader than our ordinary concept of fiction would allow. The question is whether there is a way of understanding the sort of imagining involved in our engagement with fictions that would carve out a narrower category. I consider various possible interpretations and argue in each case that works of nonfiction may invite the same imaginative responses as fiction, just as works of fiction may invite the same cognitive responses as nonfiction. These considerations cast doubt on definitions of fiction that appeal to make-believe, and the attempt to save the theory by restricting it to individual statements rather than whole works is unsatisfactory. A different approach to classification is required if we wish to understand the significance of the distinction.

Comment: This text would be good as further reading for students who are interested in writing a coursework essay on the topic. It is suitable in a philosophy of fiction module.

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Gendler, Tamar. Intuition, Imagination, and Philosophical Methodology
2010, Oxford: Oxford University Press.

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Added by: Jie Gao

Publisher's Note: This volume consists of fourteen chapters that focus on a trio of interrelated themes. First: what are the powers and limits of appeals to intuition in supporting or refuting various sorts of claims? Second: what are the cognitive consequences of engaging with content that is represented as imaginary or otherwise unreal? Third: what are the implications of these issues for the methodology of philosophy more generally? These themes are explored in a variety of cases, including thought experiments in science and philosophy, early childhood pretense, self?deception, cognitive and emotional engagement with fiction, mental and motor imagery, automatic and habitual behavior, and social categorization.

Comment: The book contains fourteen previously published essays. The first six essays are on thought experiments and the use of the imagination therein. Mainly, these essays take up the tasks of explaining how thought experiments produce novel beliefs and explaining whether and how thought experiments justify beliefs. Those are good papers for teachings on methodology of philosophy and intuitions. The next six essays are on imagination in general: its nature, its role in motivating action and producing emotion, and its relations to other mental states. It covers a range of topics including the paradox of fictional emotions and the nature of self-deception, the puzzle of imaginative resistance, the problem of the precipice. The topic of the last two essays is a mental state called "alief" which are highly relevant materials for teachings on mental states in action, implicit bias and etc.

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Gendler, Tamar. The Puzzle of Imaginative Resistance
2000, Journal of Philosophy 97 (2):55-81

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Added by: Andrea Blomqvist, Contributed by: Christy Mag Uidhir

Abstract: This chapter presents and discusses the puzzle of imaginative resistance: the puzzle of explaining our comparative difficulty in imagining fictional worlds that we take to be morally deviant. It suggests that the primary source of imaginative resistance lies not in our inability to imagine morally deviant situations, but in our unwillingness to do so. This diagnosis is then used to illuminate the nature of imagination itself: unlike belief, the contents of imagination are not restricted to those things we take to be true; but unlike mere supposition, imagination involves a certain sort of engaged participation on the part of the imaginer. The chapter also includes a brief discussion of the issue of truth‐in‐fiction. The author's views on the puzzle are contrasted with those of David Hume, Richard Moran, and Kendall Walton.

Comment: Gendler argues here that there is truly a problem of imaginative restistance, and that it demonstrates something about the nature of imagination. This is a good introductory paper to the problem of imaginative resistance and the nature of imagination. It would be very suitable in a module focusing on philosophy of fiction.

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Gendler, Tamar. Imaginative Resistance Revisisted
2006, In Shaun Nichols (ed.), The Architecture of the Imagination. Oxford University Press. pp. 149-173 (2006)

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Added by: Andrea Blomqvist

Summary: This chapter discusses the puzzle of imaginative resistance, partially defending and partially refining the account presented in the previous chapter. It explores imaginative resistance as a special case of a more general puzzle the author calls the puzzle of authoritative breakdown: that when an author follows standard conventions for fictionally asserting P, engaged readers typically imagine P—but in some cases this relation falls apart. The bulk of the chapter is devoted to systematically identifying and explaining where and why this breakdown occurs, and to drawing connections with the literature on metaphor and perspective‐taking. The author's views are contrasted with those of David Hume, Brian Weatherson, Gregory Currie, Stephen Yablo, and Shaun Nichols.

Comment: This paper would compliment other papers on imaginative resistance well in a module where this is the focus.

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Gendler, Tamar Szabó. Alief in Action (and Reaction)
2008, Mind and Language 23 (5): 552- 585

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Added by: Jie Gao

Abstract: I introduce and argue for the importance of a cognitive state that I call alief. An alief is, to a reasonable approximation, an innate or habitual propensity to respond to an apparent stimulus in a particular way. Recognizing the role that alief plays in our cognitive repertoire provides a framework for understanding reactions that are governed by nonconscious or automatic mechanisms, which in turn brings into proper relief the role played by reactions that are subject to conscious regulation and deliberate control.

Comment: This is an introductory paper on alief. It provides an account of alief and argues for its role in governing non-conscious or automatic actions. The paper is useful for teachings on philosophy of action, mental attitudes, moral philosophy, social psychology, etc.

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Gendler, Tamar Szabó. Philosophical thought experiments, intuitions, and cognitive equilibrium
2007, French, Peter A. & Wettstein, Howard K. (eds). Philosophy and Empirical. Oxford: Blackwell. 68-89.

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Added by: Jie Gao

Summary: Drawing on literature from the dual-processing tradition in psychology, this paper tries to explain why contemplation of an imaginary particular may have cognitive and motivational effects that differ from those evoked by an abstract description of the same content, and hence, why thought experiments may be effective devices for conceptual reconfiguration. It suggests that by presenting content in a suitably concrete way, thought experiments recruit representational schemas that were otherwise inactive, thereby evoking responses that may run counter to those evoked by alternative presentations of relevantly similar content.

Comment: In this interesting paper, Gendler elucidates the role and nature of intuition in the light of current philosophical practice. It is a good material for teaching on philosophical intuitions and experimental philosophy.

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Kind, Amy. The Puzzle of Imaginative Desire
2011, Australasian Journal of Philosophy 89(3): 421-439.

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Added by: Nick Novelli

Abstract: The puzzle of imaginative desire arises from the difficulty of accounting for the surprising behaviour of desire in imaginative activities such as our engagement with fiction and our games of pretend. Several philosophers have recently attempted to solve this puzzle by introducing a class of novel mental states - what they call desire-like imaginings or i-desires. In this paper, I argue that we should reject the i-desire solution to the puzzle of imaginative desire. The introduction of i-desires is both ontologically profligate and unnecessary, and, most importantly, fails to make sense of what we are doing in the imaginative contexts in question.

Comment: Kind provides good arguments against accepting the existence of "i-desires". This article would be useful to teach in the context of philosophy of mind, as well as in philosophy of art and fiction, as it engages with some of the issues surrounding "make-believe".

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