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Added by: Clotilde TorregrossaPublisher's Note: Visible Identities critiques the critiques of identity and of identity politics and argues that identities are real but not necessarily a political problem. Moreover, the book explores the material infrastructure of gendered identity, the experimental aspects of racial subjectivity for both whites and non-whites, and in several chapters looks specifically at Latio identity.Comment: This is a stub entry. Please add your comments below to help us expand it
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Added by: Björn Freter & Marc GwodogAbstract:
In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume published the groundbreaking 'Male Daughters, Female Husbands' to critical acclaim. This compelling, enduring, and highly original book argues that gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference. Amadiume examines the African societal structures that enabled people to achieve power within fluid masculine and feminine roles. At a time when gender and queer theory is viewed by many as overly focused on identity politics, this apt text not only warns against the danger of projecting Western notions of difference onto other cultures, but also questions the very concept of gender itself.Comment (from this Blueprint): Amadiume explains the institutional and ideological power of women in the pre-colonial 19th century, the downfall of this power during colonialism, and the continuation of women's marginalization in society. This study allows to develop an understanding of the highly complex sex/gender understanding in African (here: Igbo) societies. It will show that the Western understanding of sex and gender might be fruitfully applicable for certain (Western) societies, but is only of limited (if not detrimental) use within African spaces. The book is thus not only a lesson in African philosophy, African feminism, or Igbo thought, it also teaches an important caveat with regard to the cultural relativity of concepts (like sex and gender).
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Added by: Björn Freter & Marc GwodogAbstract:
In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume published the groundbreaking 'Male Daughters, Female Husbands' to critical acclaim. This compelling, enduring, and highly original book argues that gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference. Amadiume examines the African societal structures that enabled people to achieve power within fluid masculine and feminine roles. At a time when gender and queer theory is viewed by many as overly focused on identity politics, this apt text not only warns against the danger of projecting Western notions of difference onto other cultures, but also questions the very concept of gender itself.Comment (from this Blueprint): Amadiume explains the institutional and ideological power of women in the pre-colonial 19th century, the downfall of this power during colonialism, and the continuation of women's marginalization in society. This study allows to develop an understanding of the highly complex sex/gender understanding in African (here: Igbo) societies. It will show that the Western understanding of sex and gender might be fruitfully applicable for certain (Western) societies, but is only of limited (if not detrimental) use within African spaces. The book is thus not only a lesson in African philosophy, African feminism, or Igbo thought, it also teaches an important caveat with regard to the cultural relativity of concepts (like sex and gender).
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Expand entry
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Added by: Björn Freter & Marc GwodogAbstract:
In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume published the groundbreaking 'Male Daughters, Female Husbands' to critical acclaim. This compelling, enduring, and highly original book argues that gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference. Amadiume examines the African societal structures that enabled people to achieve power within fluid masculine and feminine roles. At a time when gender and queer theory is viewed by many as overly focused on identity politics, this apt text not only warns against the danger of projecting Western notions of difference onto other cultures, but also questions the very concept of gender itself.Comment (from this Blueprint): Amadiume explains the institutional and ideological power of women in the pre-colonial 19th century, the downfall of this power during colonialism, and the continuation of women's marginalization in society. This study allows to develop an understanding of the highly complex sex/gender understanding in African (here: Igbo) societies. It will show that the Western understanding of sex and gender might be fruitfully applicable for certain (Western) societies, but is only of limited (if not detrimental) use within African spaces. The book is thus not only a lesson in African philosophy, African feminism, or Igbo thought, it also teaches an important caveat with regard to the cultural relativity of concepts (like sex and gender).
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Added by: Simon FoktBack matter: "A welcome attempt to resurrect an older tradition of moral and political reflection and to show its relevance to our current condition." -- John Gray "Cosmopolitanism is... of wide interest-invitingly written and enlivened by personal history... Appiah is wonderfully perceptive and levelheaded about this tangle of issues." -- Thomas Nagel "Elegantly provocative." -- Edward Rothstein "[Appiah's] belief in having conversations across boundaries, and in recognizing our obligations to other human beings, offers a welcome prescription for a world still plagued by fanaticism and intolerance." -- Kofi A. Annan, former United Nations secretary-general "[Appiah's] exhilarating exposition of his philosophy knocks one right off complacent balance... All is conveyed with flashes of iconoclastic humor." -- Nadine Gordimer, winner of the 1991 Nobel Prize in Literature "An attempt to redefine our moral obligations to others based on a very humane and realistic outlook and love of art... I felt like a better person after I read it, and I recommend the same experience to others." -- Orham Pamuk, winner of the 2006 Nobel Prize in Literature.Comment: The introduction provides a particularly good entry text to ethics, race and cosmopolitanism.
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Added by: Simon Fokt
Abstract: The main theoretical gap in In My Father's House - in the opinion, at least, of its author - is the lack of a proposed alternative to the account of identity in the black diaspora that the book criticizes. The pseudo- biological essentialist account of black identity is, in my judgment, now generally understood to be untenable; what is lacking is an alternative positive account of black identity. In the book I criticized the biological account as a proposed basis for identities in the continent as well: but I offered, in the chapter on "African Identities," some suggestions for a positive basis for a range of continentally based mobilizations of Africa as what I called "a vital and enabling badge." But what I had to say about diasporic identities was, to put it kindly, perfunctory. Katya Azoulay's critique of my work ("Outside Our Parents' House: Race, Culture, and Identity" in RAL 27.1 [1996]: 129-42) identifies this theoretical gap and rightly draws attention to it. Let me offer at least a sketch of an approach.
Comment: The article follows up on Appiah's In My Father's House.
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Added by: Ten-Herng LaiAbstract:
In recent years, campaigns across the globe have called for the removal of objects symbolic of white supremacy. This paper examines the ethics of altering or removing such objects. Do these strategies sanitize history, destroy heritage and suppress freedom of speech? Or are they important steps towards justice? Does removing monuments and renaming schools reflect a lack of parity and unfairly erase local identities? Or can it sometimes be morally required, as an expression of respect for the memories of people who endured past injustices; a recognition of this history's ongoing legacies; and a repudiation of unjust social hierarchies?Comment (from this Blueprint): It is often thought that statues and monuments, even those of terrible people, are innocuous, that they cannot harm or affect us negatively. This paper helps to spell out the harms of preserving these commemorations. Among other important issues, this paper also engages with the “anachronism” problem, that we are judging people of the past with contemporary standards. This paper also gives a good introduction on the notion of “ideology” and its relation to objectionable commemorations.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: Intersectionality has attracted substantial scholarly attention in the 1990s. Rather than examining gender, race, class, and nation as distinctive social hierarchies, intersectionality examines how they mutually construct one another. I explore how the traditional family ideal functions as a privileged exemplar of intersectionality in the United States. Each of its six dimensions demonstrates specific connections between family as a gendered system of social organization, racial ideas and practices, and constructions of U.S. national identity
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: Black women have long occupied marginal positions in academic settings. I argue that many Black female intellectuals have made creative use of their marginality their "outsider within " status-to produce Black feminist thought that reflects a special standpoint on self family, and society. I describe and explore the sociological significance of three characteristic themes in such thought: (1) Black women's self-definition and self-valuation; (2) the interlocking nature of oppression; and (3) the importance of Afro-American women's culture. After considering how Black women might draw upon these key themes as outsiders within to generate a distinctive standpoint on existing sociological paradigms, I conclude by suggesting that other sociologists would also benefit by placing greater trust in the creative potential of their own personal and cultural biographies.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonIntroduction: June Jordan (1992) had her eye set on an understanding of freedom that challenged social inequality as being neither natural, normal, nor inevitable. Instead, she believed that power relations of racism, class exploitation, sexism, and heterosexism were socially constructed outcomes of human agency and, as such, were amenable to change. For Jordan, the path toward a reenvisioned world where 'freedom is indivisible' reflected aspirational political projects of the civil rights and Black Power movements, feminism, the antiwar movement, and the movement for gay and lesbian liberation. These social justice projects required a messy politics of taking the risks that enabled their participants to dream big dreams.