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Mills, Charles. The Racial Contract
1997, Ithaca, Cornell University Press.

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Added by: John Baldari
Introduction: White supremacy is the unnamed political system that has made the modern world what it is today. You will not find this term in introductory, or even advanced, texts in political theory. A standard undergraduate philosophy course will start off with Plato and Aristotle, perhaps say something about Augustine, Aquinas, and Machiavelli, move on to Hobbes, Locke, Mill, and Marx, and then wind up with Rawls and Nozick. It will introduce you to notions of aristocracy, democracy, absolutism, liberalism, representative government, socialism, welfare capitalism, andlibertarianism. But though it covers more than two thousand years of Western political thought and runs the ostensible gamut of political systems, there will be no mention of the basic political system that has shaped the world for the past several hundred years. And this omission is not accidental. Rather, it reflects the fact that standard textbooks and courses have for the most part been written and designed by whites, who take their racial privilege so much for granted that they do not even see it as political, as a form of domination. Ironically, the most important political system of recent global history-the system of domination by which white people have historically ruled over and, in certain important ways, continue to rule over nonwhite people-is not seen as a political system at all. It is just taken for granted; it is the background against which other systems, which we are to see as political are highlighted. This book is an attempt to redirect your vision, to make you see what, in a sense, has been there all along.
Comment: This text should be a primary early introduction to philosophy of race and critical race studies. Due to the Marxist undertones, this text would be well suited to secondary reading in a political philosophy course or module.
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Mills, Charles. ’But What Are You Really?’ The Metaphysics of Race
2000, In: Light A., Mechthild N. (eds). Race, Class, and Community Identity: Radical Philosophy Today. Amherst, NY: Humanity Books. p. 23-51.

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Added by: Simon Fokt
Summary (Diversifying Syllabi): There are a variety of possible views about the metaphysical status of racial assignments, which roughly parallel the variety of meta-ethical views in the literature. Most people are realists about race. Those who see that the realist position is wrongheaded often conclude that race is unreal, subjective, or relative. Both of these views are mistaken. There are seven candidate conditions for racial identification: appearance, ancestry, public awareness of ancestry, self-awareness of ancestry, culture, experience, and self-identification. Consideration of ten cases of “racial transgressives”—in which a person has some of these conditions but not others — push on our intuitions and ultimately show that we ought to conclude that race is a social construction. This view is to be distinguished from relativism, insofar as you can be wrong about what race you are: Thinking does not make it so.
Comment: This article draws parallels between various positions on the nature of race and various positions on the metaphysical status of ethical values (realism, constructivism, nihilism, etc.). The article explains the latter meta-ethical positions quickly and cursorily, so your students might need a primer (Diversifying Syllabi).
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Mills, Charles W.. White Ignorance
2007, In Suvllian, Shannon & Tuana, Nancy (eds). Race and Epistemologies of Ignorance. State University of New York Press, Albany. 
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Added by: Helen Morley, Contributed by: Kei Hiruta
Abstract:

The development of social epistemology in recent decades is a welcome turn away from Cartesian individualism. But the centrality of oppression to societies in general is still insufficiently recognized in this literature. This chapter looks at white ignorance as an example of a particular kind of systemic group-based miscognition that has been hugely influential over the past few hundred years. After a ten-point clarification of the concept, it turns to an examination of white ignorance as it plays itself out in the complex interaction of Eurocentric perception and categorization, white normativity, social memory and social amnesia, the derogation of non-white testimony, racial group interests, and motivated irrationality.

Comment: Argues that "color blindness" contributes to perpetuating racial injustice. Good introductory text to issues of justice in a race context. This text is a classic in epistemologies of ignorance and a lot of succeeding literature on ignorance disccusses this text. It doesn't require massive background knowledge. It would be a valuable addition in classes on the philosophy of race, on standpoint epistemology or in social epistemololgy.
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Ney, Alyssa. Metaphysics: An Introduction
2015, Routledge.

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Added by: Emily Paul, Contributed by: Tyron Goldschmidt
Publisher's note: <em>Metaphysics: An Introduction</em> combines comprehensive coverage of the core elements of metaphysics with contemporary and lively debates within the subject. It provides a rigorous and yet accessible overview of a rich array of topics, connecting the abstract nature of metaphysics with the real world. Topics covered include: Basic logic for metaphysics, An introduction to ontology, Abstract objects, Material objects Critiques of metaphysics, Free Will, Time, Modality, Persistence, Causation, Social ontology: the metaphysics of race. This outstanding book not only equips the reader with a thorough knowledge of the fundamentals of metaphysics but provides a valuable guide to contemporary metaphysics and metaphysicians. Additional features such as exercises, annotated further reading, a glossary and a companion website www.routledge.com/cw/ney will help students find their way around this subject and assist teachers in the classroom
Comment: An excellent textbook to use for an introduction to metaphysics course. Provides a great overview of and introduction to topics such as modality, inexistence, causation, time, race, social ontology, and the special composition question. This textbook could be used as the key reading for the whole course.
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Phnuyal, Abiral Chitrakar. The Ontology of Race
2018, 1000-Word Philosophy: An Introductory Anthology

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Added by: Simon Fokt, Contributed by: Nathan Nobis
Abstract: Various racial concepts have been employed at different times in human history – most prominently since the 17th century – to classify humans into groups, often to great social, political, ethical, medical, and scientific significance. But what are races, and on what are they grounded?
Comment: An 1000-word overview of many of the main theories of what races are.
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Shuchen Xiang. The Racism of Philosophy’s Fear of Cultural Relativism
2020, Journal of World Philosophies 5 (1):99-120
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Added by: Sara Peppe, Contributed by: Jonathan Egid
Abstract:

By looking at a canonical article representing academic philosophy’s orthodox view against cultural relativism, James Rachels’ “The Challenge of Cultural Relativism,” this paper argues that current mainstream western academic philosophy’s fear of cultural relativism is premised on a fear of the racial Other. The examples that Rachels marshals against cultural relativism default to the persistent, ubiquitous, and age-old stereotypes about the savage/barbarian Other that have dominated the history of western engagement with the non-western world. What academic philosophy fears about cultural relativism, it is argued, is the barbarians of the western imagination and not fellow human beings. The same structure that informs fears of cultural relativism, whereby people with different customs are reduced to the barbarian/savage of the western imagination, can be seen in the genesis of international law which arose as a justification for the domination of the Amerindian (parsed as “barbarians”). It is argued that implicit in arguments against cultural relativism is the preservation of the same right to dominate the Other. Finally, it is argued that the appeal of the fear of cultural relativism is that, in directing moral outrage at others, one can avoid reflecting on the failures of one’s own cultural tradition.

Comment: Introductory reading to be used for students at undergraduate or graduate level claiming that current mainstream philosophy’s fear in the Western academic environment of cultural relativism is based on an intrinsic fear of the racial 'Other'.
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Smalls, James. African-American Self-Portraiture
2001, Third Text, pp. 47-62.

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Added by: Hans Maes
Summary: As 'always already' racialized object of the white patriarchal look African-Americans have enduringly suffered from having to negotiate notions of the self from a crisis position. The act of self-portraiture for the African-American artist has the value of bestowing upon the self-portraitist a sense of empowerment.
Comment: Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.

Artworks to use with this text:

Lyle Ashton Harris, Construct #10 (collection of the artist, 1988)

Harris's self-portraits are redemptive and liberatory in their focus on the self. They challenge standard discourse on identity and subjectivity to present a new sign of black power and liberation. Because his photographs expose gender as constructed and performed, they also, in the process, subvert phallocentrism and compulsory heterosexuality. Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.

Artworks to use with this text:

Lyle Ashton Harris, Construct #10 (collection of the artist, 1988)

Harris's self-portraits are redemptive and liberatory in their focus on the self. They challenge standard discourse on identity and subjectivity to present a new sign of black power and liberation. Because his photographs expose gender as constructed and performed, they also, in the process, subvert phallocentrism and compulsory heterosexuality.

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Spencer, Quayshawn. A radical solution to the Race problem
2014, Philosophy of Science 81 (5):1025-1038
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Added by: Simon Fokt, Contributed by: Anonymous

Abstract: It has become customary among philosophers and biologists to claim that folk racial classification has no biological basis. This paper attempts to debunk that view. In this paper, I show that ‘race’, as used in current U.S. race talk, picks out a biologically real entity. I do this by, first, showing that ‘race’, in this use, is not a kind term, but a proper name for a set of human population groups. Next, using recent human genetic clustering results, I show that this set of human population groups is a partition of human populations that I call ‘the Blumenbach partition’.

Comment: This is a great paper to use for teaching metaphysics of race
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Strother, Z.S.. “A Photograph Steals the Soul”: The History of an Idea
2013, in: John Peffer and Elisabeth L. Cameron (eds.), Portraiture & Photography in Africa, Bloomington and Indianapolis: Indiana University Press, pp. 177-212.

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Added by: Hans Maes
Summary: Traces the origins of, and eventually challenges, the idea that many people in non-industrialized countries refused to have their photographic portrait taken due to the belief that it would steal their soul. Investigates and refutes the evidence provided by Richard Andree, James Napier, James G. Frazer. With references to C.S. Peirce, Rosalind Krauss, Susan Sontag.
Comment: Useful in aesthetics classes discussing portraiture, depiction and representation, as well as social and political philosophy classes focused on racial and cultural stereotyping.

Artworks to use with this text:

Antoine Freitas, self-portrait with handmade box camera in Bena Mulumba, Kasaï Province (1939)

A masterpiece of composition, showing the photographer at work, surrounded by children and women who would normally be kept away from recognized sorcerers (thereby demonstrating that the photographer was not considered an evil soul-stealing sorcerer). Useful in aesthetics classes discussing portraiture, depiction and representation, as well as social and political philosophy classes focused on racial and cultural stereotyping.

Artworks to use with this text:

Antoine Freitas, self-portrait with handmade box camera in Bena Mulumba, Kasaï Province (1939)

A masterpiece of composition, showing the photographer at work, surrounded by children and women who would normally be kept away from recognized sorcerers (thereby demonstrating that the photographer was not considered an evil soul-stealing sorcerer).

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Sullivan, Shannon (ed.), Tuana, Nancy (ed.). Race and Epistemologies of Ignorance
2007, State Univ of New York Pr.

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Added by: Clotilde Torregrossa, Contributed by: Corbin Covington
Publisher's Note: Leading scholars explore how different forms of ignorance are produced and sustained, and the role they play in knowledge practices.
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