-
Expand entry
-
, Contributed by: I Xuan ChongAbstract:
The issue of human nature or xing 性 was a major philosophical topic of the mid- and late-Warring States period of ancient China. It was famously discussed, for example, in the Mencius. Zhuangzi 莊子 lived around the same time as Mencius and one might expect that he, too, would have discussed it. Surprisingly, the term xing is absent from the Inner Chapters of the Zhuangzi. There have been different responses to this, namely, that Zhuangzi: used different terms equivalent to xing; believed that human nature is bad (despite not mentioning xing); was deliberately silent on xing as an oblique way of criticizing others such as Mencius. I review these claims and pro- vide an analysis of how xing was mainly conceptualized during the Warring States period in essentialist terms. I shall read Zhuangzi’s philosophy as transcending this conceptual framework. Instead of a theory of human nature, Zhuangzi provides sto- ries and descriptions of the different facets of human behavior and their psychologi- cal and other complexities. These often have an epistemic focus that stand indepen- dently of any theory of human nature.Kongzi (Confucius). Analects (Selections)2005, In: Readings in Classical Chinese Philosophy (Second Edition). Edited by Philip J. Ivanhoe and Bryan W. Van Norden. Hackett.-
Expand entry
-
Added by: Chris Blake-Turner
Summary: Selections from the Analects of Kongzi (Confucius), a foundational text in Chinese philosophy. It is split into twenty books recounting things that the Master (Kongzi) and his disciples said and did. Much of the rest of Chinese philosophy owes a debt, more or less explicit, to this work. Kongzi seeks the cultivation of virtue through ritual, so that worthy persons will occupy positions of power and influence. Society will thereby return to some of the splendor of the bygone ages of the legendary Three Sovereigns and Five Emperors, as well as the more recent Xia, Shang, and Western Zhou dynasties.Comment: The selections are best read in their entirety, as the work is holistic and difficult to interpret piecemeal. (So reading the whole text is better still!) It's helpful to stress Kongzi's particularism, as this makes sense of seemingly contradictory pronouncements he makes in different contexts. But if you're looking to incorporate some Classical Chinese philosophy in a course without space for the whole thing, the selections from Book One include many key Confucian themes: ritual, the ideal of a junzi or gentleman, virtue, filial piety, and the appeal to tradition. Either way, it's probably wise to give students some historical context to help understand the appeal of harking back to older traditions.
Laozi, trans. D.C. Lau. Tao Te Ching (Laozi/ Daodejing); trans. DC Lau1963, Columbia University Press-
Expand entry
-
, Contributed by: I Xuan ChongPublisher’s Note:
The Laozi is a key text in Daoism/Taosim (a school in Classical Chinese Philosophy), and is also the single most frequently translated Chinese classic. This is a bilingual edition of a standard translation.Comment: This is a highly influential and still excellent English translation of the Laozi. It is essential reading on Daoism.
Laozi, trans. Richard John Lynn. The Classic of the Way and Virtue: A New Translation of the Tao-te ching of Laozi as Interpreted by Wang Bi1999, Columbia University Press-
Expand entry
-
, Contributed by: I Xuan ChongPublisher’s Note:
The Laozi is a key text in Daoism/Taoism (a school in Classical Chinese Philosophy), and is also the single most frequently translated Chinese classic. This edition features a translation "as interpreted by Wang Bi" (a highly influential ancient commentator). This approach aligns closely with common practice in the Chinese-speaking world.Comment: This is essential primary reading on Daoism that is sensitive to the Laozi's ancient reception.
Li Zehou. The Chinese Aesthetic Tradition2009, Honolulu: University of Hawai'i Press-
Expand entry
-
Added by: Meilin Chinn
Publisher's Note: The Chinese Aesthetic Tradition touches on all areas of artistic activity, including poetry, painting, calligraphy, architecture, and the "art of living." Right government, the ideal human being, and the path to spiritual transcendence all come under the provenance of aesthetic thought. According to Li this was the case from early Confucian explanations of poetry as that which gives expression to intent, through Zhuangzi’s artistic depictions of the ideal personality who discerns the natural way of things and lives according to it, to Chan Buddhist-inspired notions that nature and words can come together to yield insight and enlightenment. In this enduring and stimulating work, Li demonstrates conclusively the fundamental role of aesthetics in the development of the cultural and psychological structures in Chinese culture that define "humanity."Comment: Li’s synthesis of Chinese aesthetic thought from ancient to early modern times. Li incorporates pre-Confucian, Confucian, Daoist, and Chan Buddhist ideas to discuss art and the central role of aesthetics in Chinese culture and philosophy. Government, self-cultivation and realization, and ethics are all approached here as aesthetic activities. This text is well-suited to an aesthetics or Chinese philosophy course in which there is some introduction to key philosophical concepts from Chinese philosophy. It provides excellent material for cross-cultural aesthetics.
Li, Chenyang. The Confucian Philosophy of Harmony2014, Routledge Studies in Asian Religion and Philosophy-
Expand entry
-
, Contributed by: Quentin PharrPublisher’s Note:
Harmony is a concept essential to Confucianism and to the way of life of past and present people in East Asia. Integrating methods of textual exegesis, historical investigation, comparative analysis, and philosophical argumentation, this book presents a comprehensive treatment of the Confucian philosophy of harmony. The book traces the roots of the concept to antiquity, examines its subsequent development, and explicates its theoretical and practical significance for the contemporary world. It argues that, contrary to a common view in the West, Confucian harmony is not mere agreement but has to be achieved and maintained with creative tension. Under the influence of a Weberian reading of Confucianism as "adjustment" to a world with an underlying fixed cosmic order, Confucian harmony has been systematically misinterpreted in the West as presupposing an invariable grand scheme of things that pre-exists in the world to which humanity has to conform. The book shows that Confucian harmony is a dynamic, generative process, which seeks to balance and reconcile differences and conflicts through creativity. Illuminating one of the most important concepts in Chinese philosophy and intellectual history, this book is of interest to students of Chinese studies, history and philosophy in general and eastern philosophy in particular.Comment: This text is the single best introduction and overview of the Confucian conception of harmony (hē), and how it compares with ancient Roman and Greek conceptions of the same. This text is best read with some familiarity of various Confucian texts and commentators. But, the author is quite generous to readers in explaining the background of whatever is under discussion. In general, this text is probably best as a further reading for students who are also reading Confucian texts, but it also stands up as an introductory and specialized overview of its subject matter as well.
Man, Eva Kit Wah. Female bodily aesthetics, politics, and feminine ideals of beauty in China2000, In Beauty Matters, Peg Zeglin Brand (ed.), Indiana University Press, p169-196.-
Expand entry
-
Added by: Clotilde Torregrossa, Contributed by: Christy Mag Uidhir
Abstract: A long and scholarly piece by Eva Kitt Wah Man covers the history of Chinese conventions governing female 'beauty' from Confucius through Maoism to the present day. Classical manuals provide highly specific requirements forc ourtesans and concubines. The shrunken, pulpy appendages produced by foot-binding practiceswere regarded as the most sexually stimulating features of the female body. In 1949, following the inauguration of the Communist regime, women were expected to shun ornament and make-up, to have short hair, wear party uniforms, and to look as much like men as possible. The ideal for the contemporary Chinese woman is quite a lot like the ideal for the courtesan of tradition, but the de-tails are drawn from western fashion magazines. Wah believes that such liberation, although it has its advantages, is mainly nominal and fosters confusion. She writes: 'Although Chinese women today are developing new self-confidence, they do not seem to be aware of the fact that one can be-come a slave of the fashion industry, which merely repeats the bodily constraints of past times in a new form' (p. 194). [review by Mary Mothersill, 2001 - Journal of Aesthetics and Art Criticism 59 (2):211-214.] Feminist Review volume 75, pages145-147, 2003)Comment:
Mengzi. Chapter Four: Mengzi (Mencius)2023, In Ivanhoe, Philip and Van Norden, Bryan (eds.), Readings in Classical Chinese Philosophy, 3rd edition. Indianapolis, IN: Hackett Publishing Company-
Expand entry
-
Added by: Xintong WeiAbstract:
The third edition of Ivanhoe and Van Norden's acclaimed anthology builds on the strengths of previous editions with the addition of new selections for each chapter; selections from Shen Dao; a new translation of the writings of Han Feizi; selections from two texts, highly influential in later Chinese philosophy, the Great Learning and Mean ; and a complete translation of the recently discovered text Nature Comes from the Mandate . Each section of this volume begins with a brief Introduction and concludes with a lightly annotated Selective Bibliography. Also included are four appendices: Important Figures, Important Periods, Important Texts, and Important Terms.Comment:
available in this Blueprint
Olberding, Amy, Philip J. Ivanhoe (eds.). Mortality in Traditional Chinese Thought2011, SUNY Press.-
Expand entry
-
Added by: Nick Novelli
Publisher's note: Mortality in Traditional Chinese Thought is the definitive exploration of a complex and fascinating but little-understood subject. Arguably, death as a concept has not been nearly as central a preoccupation in Chinese culture as it has been in the West. However, even in a society that seems to understand death as a part of life, responses to mortality are revealing and indicate much about what is valued and what is feared. This edited volume fills the lacuna on this subject, presenting an array of philosophical, artistic, historical, and religious perspectives on death during a variety of historical periods. Contributors look at material culture, including findings now available from the Mawangdui tomb excavations; consider death in Confucian, Daoist, and Buddhist traditions; and discuss death and the history and philosophy of war.Comment: This volume contains a number of excellent essays on mortality as it appears in Chinese philosophy. It would be useful in a history of Chinese philosophy course, or to provide an additional perspective in a course on philosophy of death, immortality and the afterlife. Of particular value for this purpose is Tao Jiang's chapter comparing Linji Yixuan's views on immortality to those of William James, discussing the degree to which remembrance counts as immortality.
Olberding, Amy. Confucius’ Complaints and the Analects’ Account of the Good Life2013, Dao: A Journal of Comparative Philosophy 12 (4):417-440.-
Expand entry
-
Added by: Simon Fokt, Contributed by: Ian James Kidd
Abstract: The Analects appears to offer two bodies of testimony regarding the felt, experiential qualities of leading a life of virtue. In its ostensible record of Confucius' more abstract and reflective claims, the text appears to suggest that virtue has considerable power to afford joy and insulate from sorrow. In the text's inclusion of Confucius' less studied and apparently more spontaneous remarks, however, he appears sometimes to complain of the life he leads, to feel its sorrows, and to possess some despair. Where we attend to both of these elements of the text, a tension emerges. In this essay, I consider how Confucius' complaints appear to complicate any clean conclusion that Confucius wins a good life, particularly where we attend to important pre-theoretical sensibilities regarding what a 'good life' ought to include and how it ought to feel for the one who leads it.Comment: A rich text that explains the role of complaints - and, more broadly, disappointment, regret, and sadness - in the moral life. Especially good for challenging the idea that the moral life will insulate a person from such negative affects. Also points out the tendency of some moral philosophers to downplay certain aspects of human beings when constructing their ideals.
Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
-
-
-
This site is registered on Toolset.com as a development site. -
-
-
-
-
-
Kim‐chong Chong. Zhuangzi and the Issue of Human Nature
2023, Dao: A Journal of Comparative Philosophy 22, 237–254
Comment: A useful discussion of Zhuangzi's views about human nature. Best read together with Wai Wai CHIU's "The Debate over Xing in the Outer Chapters of the Zhuangzi". Prior knowledge of the Zhuangzi is helpful.