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Mohanty, J. N., Chatterjee, Amita, et. al. Indian Logic
2009, In Leila Haaparanta (ed.), The Development of Modern Logic. Oxford University Press

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Added by: Franci Mangraviti
Abstract:

The chapter is an overview of Indian logic, with a general introduction followed by specialized sections on four different schools: Nyāya logic, Buddhist logic, Jaina logic, and Navya-Nyāya logic.

Comment: Can be used as a general reference for a course focusing on Indian logic. The various sections are independent, so each can on its own serve as a reading in any course wanting to include discussion of a particular system of logic (e.g. a general logic course, or a course in Indian philosophy).

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Carpenter, Amber. Amber Carpenter on Animals in Indian Philosophy [Podcast]
2018, History of Philosophy Without Any Gaps [Blog]

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Added by: Björn Freter
Abstract:
An interview with Amber Carpenter about the status of nonhuman animals in ancient Indian philosophy and literature.

Comment (from this Blueprint): An interview about the status of nonhuman animals in ancient Indian philosophy and literature; a very good complement to her paper.

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Carpenter, Amber. Illuminating Community – Animals in Classical Indian Thought
2018, In Peter Adamson and G. Fay Edwards (eds) Animals: A History. Oxford University Press

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Added by: Björn Freter
Abstract:
This chapter presents a discussion of the rich tradition of reflection on animals in ancient Indian philosophy, which deals with but is not restricted to the topic of reincarnation. At the center of the piece is the continuity that Indians saw between human and nonhuman animals and the consequences of this outlook for the widespread idea of nonviolence. Consideration is also given to the philosophical interest of fables centrally featuring animals, for example the Pañcatantra. In general it is suggested that ancient Indian authors did not, unlike European counterparts, focus on the question of what makes humans unique in contrast to all other animals, but rather on the ethical and metaphysical interconnections between humans and various kinds of animals.

Comment (from this Blueprint): An overview of the role of non-human animals in Indian Thought pointing out that there is not much evidence of that presumption of a fundamental difference between human and nonhuman forms of life that allows us in English to use the word “animal” simply to mean “nonhuman animal.” The concept of the animal is thus not best suited to explore the nature of the human by contrast. Instead we more often find a background presumption of a common condition: whatever lives seeks to sustain its life, wants pleasure and not pain, wants its desires and aims satisfied rather than thwarted.

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Radhakrishnan, Sarvepalli. The Philosophy of the Upanishads
1924, Unwin Brothers Limited.

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Added by: Clotilde Torregrossa, Contributed by: Peter Jones
Publisher’s Note:
Overview: Not focused on any one Upanishad in particular, it conveys the spirit in which the Upanishads were written and provides a short overview of their Metaphysics, Ethics and Epistemology.

Comment:

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Matilal, Bimal Krishna. Perception: An Essay on Classic Indian theories of Knowledge
1986, Oxford: Oxford University Press.

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Added by: Giada Fratantonio

Abstract: This book is a defence of a form of realism which stands closest to that upheld by the Nyaya-Vaid'sesika school in classical India. The author presents the Nyaya view and critically examines it against that of its traditional opponent, the Buddhist version of phenomenalism and idealism. His reconstruction of Nyaya arguments meets not only traditional Buddhist objections but also those of modern sense-data representationalists

Comment: This can be used as a reading for a course on indian philosophy, focusing on epistemology, and philosophy of science

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Chakravartty, Anjan. Introduction: Ancient Skepticism, Voluntarism, and Science
2015, International Journal for the Study of Skepticism 5 (2):73-79

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Added by: Simon Fokt, Contributed by: Matthew Watts

Abstract: In this introduction, I motivate the project of examining certain resonances between ancient skeptical positions, especially Pyrrhonism, and positions in contemporary epistemology, with special attention to recent work in the epistemology of science. One such resonance concerns the idea of suspension of judgment or belief in certain contexts or domains of inquiry, and the reasons for (or processes eventuating in) suspension. Another concerns the question of whether suspension of belief in such circumstances is voluntary, in any of the senses discussed in current work on voluntarism in epistemology, which informs recent discussions of how voluntarism regarding epistemic stances may shed light on positions like scientific realism and antirealism. The aim of this special issue is thus to explore certain analogies and disanalogies between ancient and contemporary debates about skepticism, and to consider whether and to what extent the former can provide insight into the latter.

Comment: This text offers motivation for examining ancient skeptical positions in relation to contemporary epistemology, especially epistemology of science.

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Mukherji, Parul Dave. Who is afraid of Mimesis? Contesting the Common Sense of Indian Aesthetics through the Theory of ‘Mimesis’ or Anukaraṇa Vâda
2016, In Arindam Chakrabarti (ed.). The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art. New York: Bloomsbury Academic, 71-92.

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Added by: Meilin Chinn

Summary: A rejoinder to the claim that mimesis is unimportant in Indian art and aesthetics. Dave-Mukherji seeks to decolonize Indian aesthetics from its internalized Western ethnocentrism, according to which mimesis belongs to the domain of Western art and aesthetics, and open new, non-binary terrain for comparative aesthetics. She seeks to revive the complex theory of visual representation theorized in ancient Indian art treatises, particularly the concept of anukrti, a term she considers cognate to mimesis.

Comment: This text is appropriate for a course in aesthetics and/or comparative aesthetics. It provides an excellent background for a cross-cultural discussion of mimesis.

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Abhinavagupta. Abhinavabhāratī
2006, In M.M. Ghosh (ed.) Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation.Delhi: New Bharatiya Book Corporation.

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Added by: Meilin Chinn

Summary: Abhinavagupta’s famed commentary on Bharatamuni’s treatise on drama, the Nāṭyaśāstra, in which he details aesthetic expression and experience according to a theory of rasa, or aesthetic relish. Abhinavagupta’s theory is the most influential account of how the rasas or aesthetic emotions transcend the bounds of the spectator and artwork in a three-part process including depersonalization, universalization, and identification.

Comment: This text is appropriate for an in-depth study of Indian aesthetics. It requires an at least an introductory background in Indian philosophy to be accessible.

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Chakrabarti, Arindam. Ownerless Emotions in Rasa-Aesthetics
2011, In Ken-ichi Sasaki (ed.). Asian Aesthetics. National Univeristy of Singapore Press.

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Added by: Meilin Chinn

Summary: Chakrabarti explores the possibilities of rasa theory via the question of whose emotion is experienced when an audience relishes a work of art. Chakrabarti argues for the existence of a “centerless non-singular subjectivity” according to which the special emotions savored in aesthetic experience do not have specific owners. These personless sentiments indicate an ethical relationship between aesthetic imagination and moral unselfishness.

Comment: This text could serve as both an overview of rasa theory in Indian aesthetics, as a basis for comparative work in cross-cultural aesthetics, as well as comparative philosophy.

Related reading:

  • Abhinavabhāratī. Abhinavagupta. In Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. M.M. Ghosh (ed.). Delhi: New Bharatiya Book Corporation, 2006.
This text could serve as both an overview of rasa theory in Indian aesthetics, as a basis for comparative work in cross-cultural aesthetics, as well as comparative philosophy.

Related reading:

  • Abhinavabhāratī. Abhinavagupta. In Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. M.M. Ghosh (ed.). Delhi: New Bharatiya Book Corporation, 2006.


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Chari, V.K.. Validity in Interpretation: Some Indian Views
1978, Journal of Aesthetics and Art Criticism 36(3): 329-340.

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Added by: Meilin Chinn

Summary: An outline of the theory of interpretation within the language philosophies of ancient India. Chari organizes this extensive history according to topics such as verbal autonomy, intention, unity of meaning, polysemy, contextualism, and interpretation.

Comment: This text is appropriate for discussions of language and meaning in aesthetics, as well as philosophy of language.

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