Dehejia, Harsha V., Makarand Paranjape (eds.). Saundarya: The Perception and Practice of Beauty in India.
2003, Samvad India Foundation.
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Added by: Meilin Chinn
Publisher's Note: A peculiar feature of the classical aesthetic thought in India has been the emphasis on the art experience as a special state of being, defined not so much by saundarya or beauty as by ananda or beatitude. Yet, saundarya has been a crucial ingredient in the aesthetic experience, prevalent not only in traditional art objects but also in articles of daily life. The discourse of saundarya, as distinct from its experience, was however conducted by or on behalf of the cultivated aesthete and was carried out within the ambit of classical thought. In contrast, modernity, understood not merely as modernisation but as a departure from traditional modes of thinking and behavior, has opened new vistas of human experience and creativity, some of them in total opposition to traditional aesthetic norms. But even as modernity opens new discourses and initiates fresh debates on saundarya, we are reminded that the experience of beauty is a primal need, not easily overcome or substituted by another Can a renewed quest for an understanding the perception and practice of saundarya in India ensure that it is not relegated to the status of an archaic relic or curio, but restored as one of the bindus or foci of our lives?This volume, perhaps the first of its kind, is a unique contribution to the history of Indian aesthetic analysis. Its eminent contributors, ranging from aestheticians, linguistics, philosophers, historians, literary critics, art collectors, curators, performing artists, painters, and musicians of the highest calibre, are drawn from across three continents and diverse countries. Profusely illustrated, this visual and textual treat on the craft and culture of beauty in India, promises to be a collector's item.Sarukkai, Sundar. Indian Philosophy and Philosophy of Science2005, Motilal Banarsidass Publishers.-
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Added by: Laura Jimenez
Summary: Sundar Sarukkai's Indian Philosophy and Philosophy of Science shows how the two very different approaches from East and West can illuminate each other. It is not an introduction to the philosophy of science, but rather an invitation to look at philosophy of science in a new way, using the approaches of classical Indian logic, in particular Navya Nyāya . Sarukkai's major thesis is that in the West philosophy of science tries to put logic into science, and that in the East Indian logic seeks to put science into logic. The naïve Western approach takes an abstract view of logic and formulates science using abstract logical and mathematical theories. Indian logic looks at the world and remains involved with the world throughout. Because of this, logical arguments have to involve contingent matters of fact or observation .Western readers may find the lack of distinction between induction and deduction disturbing, but the Eastern involvement with the world, not merely abstraction, reflects a different way of looking at what logic is and where its origins lie.Comment: An essential bok for those interested in Indian philosophy of science. The topic is very specialized, but the book is really clear and could be read by both undergraduates and postgraduates. Chapter 3 is really recommendable for undergraduates, since it offers a great introduction to classical indian logic.
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Comment: Wide-ranging volume on the concept of beauty (saundarya) in both traditional and modern Indian aesthetics. Includes essays on the ontology, expression, politics, and embodiment of beauty. This text is appropriate for a focused course or module on Indian or Asian aesthetics in which the students have some introduction to Indian philosophy and art.
Related reading:
- K. Krishnamoorthy, Indian Theories of Beauty. Bangalore: Indian Institute of World Culture, 1981 (Transaction No. 53).
Wide-ranging volume on the concept of beauty (saundarya) in both traditional and modern Indian aesthetics. Includes essays on the ontology, expression, politics, and embodiment of beauty. This text is appropriate for a focused course or module on Indian or Asian aesthetics in which the students have some introduction to Indian philosophy and art.Related reading: