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Added by: Clotilde Torregrossa
Publisher's Note: Two centuries after they were published, Kant's ethical writings are as much admired and imitated as they have ever been, yet serious and long-standing accusations of internal incoherence remain unresolved. Onora O'Neill traces the alleged incoherences to attempts to assimilate Kant's ethical writings to modern conceptions of rationality, action and rights. When the temptation to assimilate is resisted, a strikingly different and more cohesive account of reason and morality emerges. Kant offers a "constructivist" vindication of reason and a moral vision in which obligations are prior to rights and in which justice and virtue are linked. O'Neill begins by reconsidering Kant's conceptions of philosophical method, reason, freedom, autonomy and action. She then moves on to the more familiar terrain of interpretation of the Categorical Imperative, while in the last section she emphasizes differences between Kant's ethics and recent "Kantian" ethics, including the work of John Rawls and other contemporary liberal political philosophersShapshay, Sandra. Schopenhauer’s Aesthetics and Philosophy of Art2012, Philosophy Compass 7 (1):11-22.-
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: This essay focuses on Schopenhauer's aesthetics and philosophy of art, areas of his philosophy which have attracted the most philosophical attention in recent years. After discussing the subjective and objective aspects of aesthetic experience on his account, I shall offer interpretations of Schopenhauer's theory of the sublime and solution to the problem of tragedy. In addition, I shall touch upon the liveliest interpretive debates concerning his aesthetic theory: the intelligibility of the 'Platonic Ideas' as the objects of aesthetic experience and the very possibility of aesthetic experience within Schopenhauer's system. Another aim of this essay is to suggest how some of Schopenhauer's aesthetic doctrines may be interpreted in a less metaphysically extravagant way. When understood in this manner, contemporary aestheticians might be inclined to take a closer look at Schopenhauer's aesthetic theory and philosophy of art, for it is distinctive in the tradition of Western philosophical aesthetics in its attempt to highlight and balance the hedonic and cognitive importance of aesthetic experiences; in its sensitivity both to the aesthetic experience of nature as well as of art; in the high value placed on the experience of music ; and in the innovative solution to the problem of tragedy it offersComment:
Vasterling, Veronica. Heidegger’s hermeneutic account of cognition2015, Phenomenology and the Cognitive Sciences 14(4): 1145-1163.-
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Added by: Andrea Blomqvist
Abstract: Hermeneutic phenomenology is absent in 4 EAC literature (embedded, embodied, enactive, extended and affective cognition). The aim of this article is to show that hermeneutic phenomenology as elaborated in the work of Heidegger is relevant to 4 EAC research. In the first part of the article I describe the hermeneutic turn Heidegger performs in tandem with his ontological turn of transcendental phenomenology, and the hermeneutic account of cognition resulting from it. I explicate the main thesis of the hermeneutic account, namely that cognition is interaction with the world, followed by a discussion of the modes of cognition distinguished in the hermeneutic account. In the second part of the article I discuss the implications of this account with respect to the status and meaning of first, second and third person perspective of cognition. The article concludes with the draft and discussion of an exploratory model of hermeneutic cognition.Comment: The text gives a very concise overview and interpretation of Heidegger's account of hermeneutics, relating it to 4E debates in the philosophy of mind and cognition. It could be interesting as advanced reading in courses in the philosophy of mind, or more introductory reading in hermeneutic phenomenology and the work of Heidegger.
Veltman, Andrea. Simone de Beauvoir and Hannah Arendt on Labor2010, Hypatia 25 (1):55 - 78-
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Added by: Deryn Mair ThomasAbstract:
Comparing the typologies of human activities developed by Beauvoir and Arendt, I argue that these philosophers share the same concept of labor as well as a similar insight that labor cannot provide a justification or evaluative measure for human life. But Beauvoir and Arendt think differently about work (as contrasted with labor), and Arendt alone illuminates the inability of constructive work to provide non-utilitarian value for human existence. Beauvoir, on the other hand, exceeds Arendt in examining the ethical implications of our existential need for a plurality of free peers in a public realm.
Comment: This essay presents a side-by side analysis of both de Beauvoir's and Arendt's philosophical accounts of labour and work. It also touches on some of the ethical implications of those accounts, and their meaning for a philosphical understanding of the concepts of work and labor as they relate to human life. The author highlights a previously unnoticed similarity between how both thinkers approaches the concept of labor, as the category of human activity relegated to the inherently ephemeral: 'labor itself produces no great works or deed worthy of remembrance, nor does it directly contribute to constructing the artifice of the human world that distinguishes human existence from unchanging animal life.' She also discusses the author approaches as they relate to their major predecessor on the topic: Marx. As such, the essay may be used in a variety of intermediate undergraduate as well as master's level courses covering work and labor, feminist perspectives on work and labor, the philosophy of Simone de Beauvoir and Hannah Arendt, respectively, or even philosophical critiques of Marx. The text, while offering a close textual read of both others, also has value for it's broader take on the concepts of work and labor - concepts which have not been readily discussed in contemporary analytic philosophy outside of the Marxist literature.
Zuckert, Rachel. Kant on Beauty and Biology: An Interpretation of the ‘Critique of Judgment’2007, Cambridge University Press.-
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Added by: Clotilde Torregrossa, Contributed by: Jonas Jervell Indregard
Publisher's Note: Kant's Critique of Judgment has often been interpreted by scholars as comprising separate treatments of three uneasily connected topics: beauty, biology, and empirical knowledge. Rachel Zuckert's book interprets the Critique as a unified argument concerning all three domains. She argues that on Kant's view, human beings demonstrate a distinctive cognitive ability in appreciating beauty and understanding organic life: an ability to anticipate a whole that we do not completely understand according to preconceived categories. This ability is necessary, moreover, for human beings to gain knowledge of nature in its empirical character as it is, not as we might assume it to be. Her wide-ranging and original study will be valuable for readers in all areas of Kant's philosophy.Comment: Perfect for a course on Kant's Third Critique. Covers both of the main parts of that work, namely the critique of aesthetic judgment and the critique of teleological judgment.
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O'Neill, Onora. Constructions of Reason: Explorations of Kant’s Practical Philosophy
1989, Cambridge University Press.
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