-
Expand entry
-
Added by: Nick Novelli
Abstract: Deep theorizing about possibility requires theorizing about possible objects. One popular approach regards the notion of a possible object as intertwined with the notion of a possible world. There are two widely discussed types of theory concerning the nature of possible worlds: actualist representationism and possibilist realism. They support two opposing views about possible objects. Examination of the ways in which they do so reveals difficulties on both sides. There is another popular approach, which has been influenced by the philosophy of Alexius Meinong. The Meinongian approach is relevant to theorizing about possible objects because it attempts to construct a general theory of objects other than ordinary concrete existing objects. Independently of the debate about the nature of possible worlds or about Meinongianism, it is not always as straightforward as it may at first appear to determine whether putative possible objects are indeed possible. Another category of object similar to that of a possible object is the category of a fictional object. Although initially attractive, the idea that fictional objects are possible objects should not be accepted blindly. An important instance of theoretical usefulness of possible objects is their central role in the validation of two controversial theorems of a simple quantified modal logic.Yagisawa, Takashi. Against Creationism in Fiction2001, Noûs 35(s15): 153-172.-
Expand entry
-
Added by: Nick Novelli
Abstract: Sherlock Holmes is a fictional individual. So is his favorite pipe. Our pre-theoretical intuition says that neither of them is real. It says that neither of them really, or actually, exists. It also says that there is a sense in which they do exist, namely, a sense in which they exist "in the world of" the Sherlock Holmes stories. Our pre-theoretical intuition says in general of any fictional individual that it does not actually exist but exists "in the world of" the relevant fiction. I wish to defend this pre-theoretical intuition. To do so, I need to defend two claims: that fictional individuals do not actually exist, and that they exist "in the world of" the relevant fiction. The aim of this paper is to defend the first claim.Comment: A good argument against the existence of fictional characters. Clear presentation of the logic involved in various claims. In addition to ontology of art, the case of fictional characters can be an interesting way to present the arguments about ontology and linguistic commitment more generally, and this paper would be useful in that role as well.
Yagisawa, Takashi. A New Argument Against the Existence Requirement2005, Analysis 65 (285): 39-42.-
Expand entry
-
Added by: Nick Novelli
Abstract: It may appear that in order to be any way at all, a thing must exist. A possible - worlds version of this claim goes as follows: (E) For every x, for every possible world w, Fx at w only if x exists at w. Here and later in (R), the letter 'F' is used as a schematic letter to be replaced with a one - place predicate. There are two arguments against (E). The first is by analogy. Socrates is widely admired now but he does not exist now. So, it is not the case that for every x, for every time t, Fx at t only if x exists at t. Possible worlds are analogous to times. Therefore, (E) is false (cf., Kaplan 1973: 503 - 05 and Salmon 1981: 36 - 40). For the second argument, replace 'F' with 'does not exist'. (E) then says that for every x, for every possible world w, x does not exist at w only if x exists at w. This is obviously false. Therefore (E) is false (cf., Kaplan 1977: 498). Despite their considerable appeal, these arguments are not unassailable. The first argument suffers from the weakness inherent in any argument from analogy; the analogy it rests on may not.Comment: A very concise argument against the claim that existence is a prerequisite for having properties. This is a familiar claim, and this paper would be useful when it comes up to show that there is controversy about it. It does presuppose a basic understanding of possible world semantics, so should be reserved for courses where students already have a grasp of such semantics or the instructor wants to teach it beforehand.
Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
-
-
Yagisawa, Takashi. Possible Objects
2005, in Stanford Encyclopedia of Philosophy, ed. E.N. Zalta. Online: Stanford University.
This site is registered on Toolset.com as a development site.
Comment: A good introduction to the different positions on possible objects, including their impact on modal logic. Would be a good starting point for a discussion of these issues in a metaphysics course, or as an introduction to these positions for an ontology of art/fiction course.