Higgins, Kathleen Marie. The Music of Our Lives
1991, Temple University Press.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Publisher's Note: Kathleen Higgins argues that the arguments that Plato used to defend the ethical value of music are still applicable today. Music encourages ethically valuable attitudes and behavior, provides practice in skills that are valuable in ethical life, and symbolizes ethical idealsExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
Hungerland, Isabel C.. The Logic of Aesthetic Concepts
1962, Proceedings and Addresses of the American Philosophical Association 36: 43 - 66.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Introduction: There are two sorts of descriptions, or accounts, that we can give of works of art or of anything else that makes up our world of relatively stable objects. I can describe a painting, a chair, a mountain, or a man in terms of colors, shapes, spatial relation of parts, and so on. I can also describe the same four objects by talking about the dynamic ten sions of the first, or its lack of visual balance; the grace and elegance of the second; the gloominess or majesty of the third; and the trimness or gawkiness of the fourth. The first sort of description, or account, may answer a wide variety of general purposes, central among them that of identifying particular objects. A museum curator might so describe a painting for future reference in identifying the particular work of one painter; an auctioneer identifies pieces of furniture by such descriptions; a map-maker, a mountain; and a police department, a Man Wanted. The second sort of account of the same objects could not usefully serve such purposes. The second sort, usually if not always, is found in the context of the evaluating of objects. "This is a fine Sheraton chair-it is graceful, but sturdy." Here, relevant reasons are furnished for an aesthe tic rating of an object, and the first sort of description does not, and could not, serve this functionComment:
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Ichikawa-Jenkins, Jonathan, Matthias Steup. The Analysis of Knowledge
2012, The Stanford Encyclopedia of Philosophy (Spring 2014 Edition), Edward N. Zalta (ed.)
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Added by: Jamie Collin
Summary: This entry provides an overview of attempts to analyse knowledge, including the topics: knowledge as justified true belief; lightweight knowledge; the Gettier problem; no false lemmas; modal conditions; doing without justification?; is knowledge analyzable?; epistemic luck; virtue-theoretic approaches; knowledge first; pragmatic encroachment; contextualism; and an introduction that briefly discusses what it is to analyse knowledge.Comment: This would be useful in a course on epistemology. It provides an overview - though quite a detailed one - of all the main strands in the analysis of knowledge: justified, true belief; Gettier cases; modal conditions; reliabilism; epistemic luck; virtue-theoretic approaches; contextualism and more. This covers ground that may take a few weeks - even an entire course - to teach, and so is particularly useful as an intial survey of the topic.
Difficulty: Intermediate
Recommended use: Introductory reading with a useful overviewComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
Inness, Julie C.. Privacy, Intimacy, and Isolation
1996, OUP USA.
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Publisher's Note: This book undermines privacy scepticism, proving a strong theoretical foundation for many of our everyday and legal privacy claims. Inness argues that intimacy is the core of privacy, including privacy appeals in tort and constitutional law. She explores the myriad of debates and puts forth an intimacy and control-based account of privacy which escapes these criticisms.Comment:
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Irvin, Sherri. Scratching an itch
2008, Journal of Aesthetics and Art Criticism 66 (1):25-35.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Introduction: In recent years, momentum has been gathering in defense of the appropriateness of aesthetic discourse in relation to a number of domains other than art and nature. Philosophers have argued that food, sports, and sex can be viewed aesthetically. It has been claimed that the "lower senses" of smell, taste, and touch may play legitimate or even exclusive roles in some aesthetic judgments. And there has been sustained criticism of the view that aesthetic judgments must be disinterested or must transport us out of the concerns of everyday life. Can this extension of the realm of the aesthetic be taken even further, so as to accommodate the idea that even the most mundane incidents of everyday life have an aesthetic character, or that there can be aesthetic experiences of such incidents? With attention to two especially hard cases, itches and scratches, I will argue that it is appropriate and worthwhile to think of even the simplest moments of everyday life in aesthetic terms. It is appropriate, because on the most plausible accounts of aesthetic experience there can be legitimate aesthetic experiences of itching and scratching; and it is worthwhile, because aesthetic attention to this domain offers the prospect of unique and significant satisfaction.Comment:
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Irvin, Sherri. The artist’s sanction in contemporary art
2005, Journal of Aesthetics and Art Criticism 63 (4):315-326.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Introduction: Contemporary artworks raise a variety of ontological, epistemological, and interpretative questions that have not yet been adequately dealt with in aesthetics. Whereas traditional visual artworks have typically had a set of privi leged and (ideally) unchanging properties fixed at a particular moment early in their histories, a contemporary installation artwork may be installed differently each time it is taken out of storage, or even constituted out of different objects at each exhibition site. The resulting variation in its configuration and visual properties may simply be a function of the changing features of galleries or available materials, or it may be essential to the work's meaning. Or both: many contemporary works are site specific, essentially responsive to their environments in such a way that context is incorporated into the work's meaningComment:
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Irvine, Elizabeth. Explaining What?
2014, Topoi 36 (1):95-106.
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: The Hard Problem is surrounded by a vast literature, to which it is increasingly hard to contribute to in any meaningful way. Accordingly, the strategy here is not to offer any new metaphysical or 'in principle' arguments in favour of the success of materialism, but to assume a Type Q approach and look to contemporary consciousness science to see how the concept of consciousness fares there, and what kind of explanations we can hope to offer of it. It is suggested that while they will be materialist explanations, they will not be of the form that many scientists and philosophers would have us believe, but instead prompt a very different set of expectations and research projects.Comment:
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Jackson Balcerak, Magdalena. Justification by Imagination
2018, In Fiona Macpherson & Fabian Dorsch (eds.), Perceptual Imagination and Perceptual Memory. Oxford University Press. pp. 209-226
Topics: Mental States and Processes; Theoretical Epistemology
Keywords: epistemology; epistemology of imagination
Keywords: epistemology; epistemology of imagination
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Added by: Giada Fratantonio
Summary: The author argues that experience constraints the nature of imagination in such a way that this results having a justificatory role.Comment: Good to use as further reading in a course on the topic of the epistemology of imagination.
Difficulty: Intermediate
Recommended use: Further readingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
Jacobson, Anne J.. Norms and Neuroscience: The Case of Borderline Personality Disorder
2022, In McWeeny, J. and Maitra, K. (eds) Feminist Philosophy of Mind, New York: Oxford University Press, pp.207-220
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Abstract:
Cognitive neuroscience can offer us new explanations of episodes human behavior that, unlike many explanations traditionally available, do not draw on questionable past theories arising from cultures and traditions that are in fact patriarchal. At the same time, feminists have had a number of reasons for regarding it suspiciously as, among other things, reductive and dehumanizing. In this paper, new work on borderline personality disorder provides an illustrative example of the first. It is also used in an extended argument against the second. Cognitive neuroscience is interested principally in explaining how creatures function well in their niches. It is replete with covert references to values and interests. The paper draws an important distinction between cases in which culture creates new conditions for old functions to be realized and those where it creates new functions.Comment (from this Blueprint): Jacobson's chapter is an insightful exemplar of feminist philosophy of neuroscience that charts a course between hard-naturalism of mind in science and the pure social-constructivist theories of mental disorder. Jacobson's case study of Boderline Personality Disorder (BPD) demonstrates the ways in which values may be embedded in psychiatric categories, but the phenomena can nevertheless be accounted for using normatively-informed neuroscience. Feminist philosophy of science at large is an influence here, and thus this chapter is an important bridge between this topic and our own, feminist philosophy of mind.
Difficulty: Easy
Recommended use: Introductory readingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
Jacskon Balcerak, Magdalena. On the Epistemic Value of Imagining, Supposing and Conceiving
2016, In Amy Kind & Peter Kun (eds.), Knowledge Through Imagination. Oxford: Oxford University Press (2016)
Topics: Mental States and Processes; Theoretical Epistemology
Keywords: conceivability; epistemology of imagination
Keywords: conceivability; epistemology of imagination
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Added by: Giada FratantonioAbstract:
Abstract. Philosophers frequently invoke our ability to imagine, conceive or suppose various thing in order to explain how we achieve our cognitive goals when we make decisions about future actions, when we perform thought experiments, and when we engage in games of pretense. But what is the relationship between imaginings, conceivings, and supposings? And what exactly are the epistemic roles they play in the cognitive projects in which they are involved? This chapter provides answers to these questions by first bringing out a contrast between what we do when we imagine and what we do when we suppose, and then by showing how to fit conceivings into the emerging systematic picture of the ways we use different forms of hypothetical thinking to acquire knowledge.Comment: Good resource as further reading in an undergraduate course on epistemology of imagination, or as core reading in a graduate class on a similar topic.
Difficulty: Intermediate
Recommended use: Further readingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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