Dissanayake, Ellen. Doing Without the Ideology of Art
2011, New Literary History 42: 71–79.
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Abstract: My invited comment on Steven Connor’s essay, “Doing Without Art,” proposes that a fuller understanding of the implications of my notion of “making special”—referred to by Connor in his essay as somewhat relevant to his own position—would expand his view of the human art impulse and allay some of his disaffections. Rather than contributing to aesthetic theory, the ideology of art, my work proposes an ethology of art: it suggests why members of the human species, in all times and places, made and otherwise engaged with the arts (plural). An ethology of art requires a new way of regarding its subject, not philosophically as an entity or essential quality but as a behavior, something that people everywhere “do.” What characterizes all instances of “doing with art,” from prehistory to the present, is making something (a rock surface, face or body, implement, sound, space, place, movement, utterance) special. A summary of the development and ramifications of the concept of “making special”—called “artifying” in my most recent work—answers Connor’s three questions and suggests that placing our modern ideology or ideologies of art in the wider and deeper context of artification enables an understanding of the arts as intrinsic and even necessary to human lives everywhere.Comment: Dissenayake makes her points clear and brief, and uses the opportunity to present the main elements of her evolutionary theory. This makes this paper not only an interesting voice in the scepticism about the definition of art debate, but also an excellent introduction to her wider work. The main question worth discussing in class is: should we replace definitions of art with an ethology of art? It might also be worth asking whether Dissenayake is right to claim that even the assumption that a theory of art is needed at all is elitist.
Dotson, Kristie. Tracking Epistemic Violence, Tracking Practices of Silencing
2011, Hypatia 26 (2):236-257.
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Added by: Simon Fokt, Contributed by: Naomi Beecroft, Emily DysonAbstract: Too often, identifying practices of silencing is a seemingly impossible exercise. Here I claim that attempting to give a conceptual reading of the epistemic violence present when silencing occurs can help distinguish the different ways members of oppressed groups are silenced with respect to testimony. I offer an account of epistemic violence as the failure, owing to pernicious ignorance, of hearers to meet the vulnerabilities of speakers in linguistic exchanges. Ultimately, I illustrate that by focusing on the ways in which hearers fail to meet speaker dependency in a linguistic exchange, efforts can be made to demarcate the different types of silencing people face when attempting to testify from oppressed positions in society.Comment: This text provides an alternative framework to epistemic injustice and focuses on the positionality of black women. It encourages thought about (certain kinds of) ignorance as specific harms to others. This would suit an undergraduate class who were looking at race, gender, and/or applied epistemologies.
Dotson, Kristie. A Cautionary Tale: On Limiting Epistemic Oppression
2012, Frontiers: A Journal of Women Studies 33 (1):24-47.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: In this paper, first and foremost, I aim to issue a caution. Specifically, I caution that when addressing and identifying forms of epistemic oppression one needs to endeavor not to perpetuate epistemic oppression. Epistemic oppression, here, refers to epistemic exclusions afforded positions and communities that produce de? ciencies in social knowledge. An epistemic exclusion, in this analysis, is an infringement on the epistemic agency of knowers that reduces her or his ability to participate in a given epistemic community. Epistemic agency will concern the ability to utilize persuasively shared epistemic resources within a given epistemic community in order to participate in knowledge production and, if required, the revision of those same resources. A compromise to epistemic agency, when unwarranted, damages not only individual knowers but also the state of social knowledge and shared epistemic resources.Comment: This text would be a great addition to seminars discussing Fricker's work on epistemic injustice. It presupposes a familiarity with Fricker's concepts of testimonial and hermeneutical injustice, both of which Dotson criticizes and builds upon with her concept of contributory injustice. It is a rather difficult text and would be appropriate to present to students who, apart from Fricker, already had their first accounters with standpoint epistemologies.
Dotson, Kristie. Accumulating Epistemic Power
2018, Philosophical Topics 46 (1):129-154.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: On December 3, 2014, in a piece entitled 'White America's Scary Delusion: Why Its Sense of Black Humanity Is So Skewed,' Brittney Cooper criticizes attempts to deem Black rage at state-sanctioned violence against Black people 'unreasonable.' In this paper, I outline a problem with epistemology that Cooper highlights in order to explore whether beliefs can wrong. My overall claim is there are difficult-to-defeat arguments concerning the 'legitimacy' of police slayings against Black people that are indicative of problems with epistemology because of the epistemic power they accumulate toward resilient oblivion, which can have the effect of normalizing oppressive conditions. That is to say, if one takes the value of lessening oppression as a key feature of normative, epistemological conduct, then it can generate demands on epistemological orientations that, in turn, generate wrongs for beliefs and, more specifically, beliefs as wrongs.
Dotson, Kristie. Conceptualizing Epistemic Oppression
2014, Social Epistemology 28 (2):115-138.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: Epistemic oppression refers to persistent epistemic exclusion that hinders one's contribution to knowledge production. The tendency to shy away from using the term 'epistemic oppression' may follow from an assumption that epistemic forms of oppression are generally reducible to social and political forms of oppression. While I agree that many exclusions that compromise one's ability to contribute to the production of knowledge can be reducible to social and political forms of oppression, there still exists distinctly irreducible forms of epistemic oppression. In this paper, I claim that a major point of distinction between reducible and irreducible epistemic oppression is the major source of difficulty one faces in addressing each kind of oppression, i.e. epistemic power or features of epistemological systems. Distinguishing between reducible and irreducible forms of epistemic oppression can offer a better understanding of what is at stake in deploying the term and when such deployment is apt.
Driver, Julia. Ethics: The Fundamentals
2006, Wiley-Blackwell.
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Added by: Nick NovelliEditor's Note: Ethics: The Fundamentals explores core ideas and arguments in moral theory by introducing students to different philosophical approaches to ethics, including virtue ethics, Kantian ethics, divine command theory, and feminist ethics. The first volume in the new Fundamentals of Philosophy series. Presents lively, real-world examples and thoughtful discussion of key moral philosophers and their ideas. Constitutes an excellent resource for readers coming to the subject of ethics for the first time.Comment: This book offers good preliminary introductions to a number of topics in ethics. Each section could be assigned individually as a starting point for the given topic. The sections on utilitarianism and consequentialism are particularly good introductions. Primarily of use to early undergraduates or students who have not studied ethics before.
Du Bois, W.E.B.. Criteria of Negro Art
1926, The Crisis, 32: 290-297
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Added by: Quentin Pharr and Clotilde TorregrossaAbstract:
Published in The Crisis of October 1926, DuBois initially spoke these words at a celebration for the recipient of the Twelfth Spingarn Medal, Carter Godwin Woodson. The celebration was part of the NAACP's annual conference and was held in June 1926.Comment (from this Blueprint): In this selection, Du Bois discusses the nature of aesthetic value, how black artists have been historically excluded from creating it for false and racist reasons, and what role black artists actually have to play in creating beauty. Firstly, he establishes an expansive conception of aesthetic value. Secondly, he sets out various examples of how black artists have been historically excluded from producing art in general and art which portrays "blackness" more specifically. And lastly, he sets out a vision for the arts which not only includes black artists, but also recognizes the aesthetic and political value of their work for creating fair and equal societies where beauty is ever present and sought. It will help readers to understand the costs and wrongs that come with exclusionary practices in the production of aesthetic objects.
du Toit, Louise, Coetzee, Azille. Gendering African Philosophy, or: African Feminism as Decolonizing Force
2017, in Afolayan, A. and Falola, T. (eds.), The Palgrave Handbook of African Philosophy. New York: Palgrave Macmillan
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Added by: Björn Freter & Marc GwodogAbstract:
Although feminist authors and publications abound in other disciplines on the continent, professional African philosophy is overwhelmingly male dominated, with a conspicuous absence of feminist and gender themes. To redress the situation, du Toit and Coetzee consider the choice between applying globally dominant feminist frameworks to issues and debates in the African context or outright immersion in the masculine field of African philosophy in order to open up spaces for feminist questions in dialogue with indigenous worldviews and philosophical positions. In this chapter the authors focus on the second option, in line with recent calls to more authentically contextualize philosophical practice on the continent. The chapter examines the themes of sexual agency and motherhood. Grounded in this way, African feminist philosophy emerges as a potentially powerful source of critique and partner in dialogue with the more established strands of feminist thought.Comment (from this Blueprint): The interest of this article lies in the way it addresses the question of decolonization. It offers an analysis of the mechanisms that have allowed the memory of colonized peoples to remain under the influence of the colonial narrative and shows how feminist studies can contribute to a real emancipation of African memories and identities.
du Toit, Louise. Old Wives’ Tales and Philosophical Delusions: On ‘the Problem of Women and African Philosophy’
2008, in South African Journal of Philosophy, 27(4), Taylor & Francis
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Added by: Björn Freter & Marc GwodogAbstract:
This article represents a response to ‘the problem of women and African philosophy’, which refers mainly to the absence of strong women’s and feminist voices within the discipline of African philosophy. I investigate the possibility that African women are not so much excluded from the institutionalized discipline of philosophy, as preferring fiction as a genre for intellectual expression. This hypothesis can be supported by some feminists who read the absolute prioritisation of abstraction and generalization over the concrete and the particular as a masculine and western oppressive strategy. Attention to the concrete and the unique which is made possible by literature more readily than by philosophy, could thus operate as a form of political resistance in certain contexts. If fiction is currently the preferred form of intellectual expression of African women, it is crucial that the community of professional philosophers in a context like South Africa should come to terms with the relevance of such a preference for philosophy’s self-conception, and it should work to make these intellectual contributions philosophically fruitful. In the process, we may entertain the hope that philosophy itself will move closer to its root or source as ‘love of wisdom’.Comment (from this Blueprint): This paper is interesting because it addresses the question of the representation of women in philosophy. It contrasts the underrepresentation of women in philosophy with their representation in literature and explains this difference by a deliberate choice consistent with the struggles of African women.
Eaton, A. W.. ‘A Lady on the Street but a Freak in the Bed’: On the Distinction Between Erotic Art and Pornography
2018, British Journal of Aesthetics 58 (4): 469-488
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Added by: Simon Fokt
Abstract: How, if at all, are we to distinguish between the works that we call ‘art’ and those that we call ‘pornography’? This question gets a grip because from classical Greek vases and the frescoes of Pompeii to Renaissance mythological painting and sculpture to Modernist prints, the European artistic tradition is chock-full of art that looks a lot like pornography. In this paper I propose a way of thinking about the distinction that is grounded in art historical considerations regarding the function of erotic images in 16 th -century Italy. This exploration suggests that the root of the erotic art/pornography distinction was—at least in this context—class: in particular, the need for a special category of unsanctioned illicit images arose at the very time when print culture was beginning to threaten elite privilege. What made an erotic representation exceed the boundaries of acceptability, I suggest, was not its extreme libidinosity but, rather, its widespread availability and, thereby, its threat to one of the mechanisms of sustaining class privilege.
Comment: The paper has implications reaching far beyond the pornography debate. Could similar power relations not impact art classification elsewhere? It might be useful to discuss this in the context of Larry Shiner's 'The Invention of Art,' where the historical processes leading to the establishment of the modern Western system of the arts are analysed, including examples such as the exclusion of weaving as it became a female-dominated profession. Reaching even further, this can be applied to attitudes to art of other cultures, with (post)colonial power relations impacting on the way works are classified. Finally, Eaton’s text can serve as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge? The paper has implications reaching far beyond the pornography debate. Could similar power relations not impact art classification elsewhere? It might be useful to discuss this in the context of Larry Shiner's 'The Invention of Art,' where the historical processes leading to the establishment of the modern Western system of the arts are analysed, including examples such as the exclusion of weaving as it became a female-dominated profession. Reaching even further, this can be applied to attitudes to art of other cultures, with (post)colonial power relations impacting on the way works are classified. Finally, Eaton’s text can serve as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge?
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