Diversity Reading List

Publisher’s Note:
The word Wasáse is the Kanienkeha (Mohawk) word for the ancient war dance ceremony of unity, strength, and commitment to action. The author notes, "This book traces the journey of those Indigenous people who have found a way to transcend the colonial identities which are the legacy of our history and live as Onkwehonwe, original people. It is dialogue and reflection on the process of transcending colonialism in a personal and collective sense: making meaningful change in our lives and transforming society by recreating our personalities, regenerating our cultures, and surging against forces that keep us bound to our colonial past."

Abstract:
Antony challenges Naomi Scheman's claim that "psychological individualism", sustains the ideology of patriarchy. According to Scheman, psychological individualism fails to consider the social and relational context that influences psychological phenomena. Antony challenges Scheman's view that psychological individualism has no place within a feminist approach. According to Antony, Scheman's criticism about psychological individualism is misplaced and psychological states can be individuated while at the same time maintaining their part in a more complex system (i.e. social context).

Abstract: This essay explores the theories of the person within Western and Akan traditions. It identifies six obstacles to theory comparison. It argues that there may be no non-question begging way of comparing theories since these theories themselves play key roles in understanding how each is to be used.

Abstract: Liberal multiculturalism was introduced to support integration and anti-racism, but everyday racism continues to be a fact of life. This paper analyzes first some frameworks and problems that race and racism raise, and discusses two common liberal approaches for solving the problem of racism: the individualized conception of dignity and the social conception of multiculturalism. I argue that the ontological and epistemological assumptions involved in both of these approaches, coupled with the absence of the political-progressive notion of «race» in Germany, in fact obscure important paths against racism. Lastly I introduce a politico-existential position from Cornel West and conclude that racism should be seen as a failure of a democratic process rather than a problem of race.

Abstract:
This article introduces the central thinkers of contemporary American Indian philosophy by discussing concerns including the nature of experience, meaning, truth, the status of the individual and community, and finally issues concerning sovereignty. The impossibility of carving up the intellectual traditions of contemporary Native scholars in North America into neat and tidy disciplines must be kept in mind. The first hallmark of American Indian philosophy is the commitment to the belief that all things are related—and this belief is not simply an ontological claim, but rather an intellectual and ethical maxim.

Abstract:
The necessity of writing African philosophy in African languages has been proposed more than once. But, expressing African philosophy in indigenous languages of Africa does not make it more authentic. Authentic African philosophy is the philosophy that takes into account African culture and life. Moreover, the problem of using indigenous languages deals with the fact that the above-mentioned languages are scarcely taught in schools and have almost no place in education. Regarding this, the Nigeria case is paradigmatic.

Abstract:
An overview of historical and contemporary Native American concepts of gender, sexuality and sexual orientation. This documentary explores the berdache tradition in Native American culture, in which individuals who embody feminine and masculine qualities act as a conduit between the physical and spiritual world, and because of this are placed in positions of power within the community.

Summary: Bishop offers a critique of "relational aesthetics" - an approach to installation art that originated in the 1990's and whose main proponent and interpreter was Nicolas Bourriaud. Bourriaud's chief claim is that the art movement in question promotes intersubjective relationships (between artist and audience members and among audience members alike) and privileges social and political cohesion over other possible aspects of the aesthetic experience. While Bishop finds this ethos applicable to the work of the artists Bourriaud chooses to discuss (Rikrit Tiravanija, Liam Gillick etc.), she finds it difficult to reconcile relational aesthetics with the realities and concerns of the larger artworld. Antagonism is for Bishop just as viable a driving force in the making and appreciation of art as are social cohesion and intersubjective togetherness. Furthermore, as the history of early performance art and its reception shows, what makes art difficult, and thus politically important, is precisely the tensions that the makers and theorists of relational aesthetics attempt to quell.

Abstract: What is it like to be a bat? This is one of the most famous questions ever asked in the history of consciousness studies. First posed in 1950 it was made famous in a 1974 paper of that name by American philosopher Thomas Nagel. Nagel argued that understanding how mental states can be neurons firing inside the brain is a problem quite unlike understanding how water canbe H2O, or how genes can be DNA. 'Consciousness is what makes the mind-body problem really intractable,' he said (Nagel, 1974: 435; 1979:165), and by consciousness he meant subjectivity. To make this clear he asked 'What is it like to be a bat?'. Do you think that your cat is conscious? Or the birds outside in the street? Perhaps you believe that horses are conscious but not worms, or living creatures but not stones. We shall return to these questions (Chapter 12) but here let's consider what it means to say that another creature is conscious. If you say that the stone is not conscious you probably mean that it has no inner life and no point of view; that there is nothing it is like to be the stone. If you believe that the neighbour's vicious bloodhound, or the beggar you passed inthe subway, is conscious, then you probably mean that they do have a point of view; there is something it is like to be them. As Nagel put it, when we say that another organism is conscious we mean that 'there is something it is like to be that organism . . . something it is like for the organism' (1974: 436); 'the essence of the belief that bats have experience is that there is something that it is like to be a bat' (ibid.: 438). This is probably the closest we can come to a definition of consciousness - that consciousness is subjectivity, or 'what it is like to be . . .'. Here we must be careful with the phrase 'what it is like . . .'. Unfortunately there are at least two meanings in English. We might say 'this ice cream tastes like rubber' or 'lying on a beach in the sun is like heaven'. In this case we are comparing things, making analogies, or saying what they resemble. This is not what Nagel meant. The other meaning is found in such questions as: What is it like to work at McDonald's? What is it like to be able to improvise fugues at the keyboard?...to be someone inconceivably more intelligent than yourself?...to be a molecule, a microbe, a mosquito, an ant, or an ant colony? (Hofstadter and Dennett, (1981: 404-5), pose many more such provocative questions.) In other words, what is it like from the inside? Now, imagine being a bat. A bat's experience must be very different from that of a human. For a start the bat's sensory systems are quite different, which is why Nagel chose the bat for his famous question. Bats' brains, lives and sensesare well understood (Akins, 1993; Dawkins, 1986). Most use either sound or ultrasound for echolocation. That is, they detect objects by emitting rapid high-pitched clicks that bounce off any objects in the vicinity and then measuring the time taken for the echo to return. Natural selection has found ingenious solutions to the many interesting problems posed by echolocation. Some bats cruise around emitting clicks quite slowly so as not to waste energy, but then when they are homing in on prey or approaching a potential danger, they speed up. Many have mechanisms that protect their ears from the loud blastof each click and then open them to receive the faint echo. Some use the Doppler shift to work out their speed relative to prey or other objects. Others sort out the mixed-up echoes from different objects by emitting downward-swooping sounds. The echoes from distant objects take longer to come back and therefore sound higher than the echoes from nearer objects. In this way we can imagine that a whole bat world is built up in which higher sounds mean distant objects and lower sounds mean nearer objects. What would this be like? According to Oxford biologist Richard Dawkins (1986; see Profile, Chapter 10), it might be like seeing is for us. We humans do not know, or care, that colour is related to wavelength or that motion detection is carried out in the visual cortex. We just see the objects out there in depth and colour. Similarly the bat would just perceive the objects out there in depth, and perhaps even in some batty, sonar, version of colour. Living in this constructed world would be what it is like to be the bat. But can we ever know what it would really be like for the bat? As Nagel pointed out, the question is not answered by trying to imagine that you are a bat. This will not do. It is no good hanging upside down in a darkened room, making little clicks with your tongue and flapping your arms like wings. Perhaps if you could magically be transformed into a bat you would know. But even this won't do. For if you were a bat, the bat in question would notbe an ordinary bat - what with having your memories and your interest inconsciousness. But if you became an ordinary bat then this bat would have no understanding of English, no ability to ask questions about consciousness, and could not tell us what it was like. So we cannot know what it is like to be a bat even if we believe that there is something it is like to be a bat. Nagel's question clarifies the central meaning of the term 'consciousness'. It is what the American philosopher Ned Block (1995) calls 'phenomenal consciousness' or phenomenality. He explains that 'Phenomenal consciousness isexperience; what makes a state phenomenally conscious is that there is something 'it is like' to be in that state.' He distinguishes this from 'access consciousness', which is 'availability for use in reasoning and rationally guiding speech and action' (Block, 1995: 227). We will return to this distinction (Chapter 18), and consider issues to do with availability, but 'phenomenal consciousness' is what this book is all about. So what is it like to be you now? Everything I have said so far implies that there is, uncontroversially, something it is like to be you now - that the problems only begin when you start asking about what it is like to be someone orsomething else. But is this right? A thoroughly sceptical approach would meanquestioning even this. I urge you to do this chapter's 'Practice' and become a little more familiar with what it is like to be you.

Abstract:
Philosophy in Africa has for more than a decade now been dominated by the discussion of one compound question, namely, is there an African philosophy, and if there is, what is it? The first part of the question has generally been unhesitatingly answered in the affirmative. Dispute has been primarily over the second part of the question as various specimens of African philosophy presented do not seem to pass muster. Those of us who refuse to accept certain specimens as philosophy have generally been rather illogically said also to deny an affirmative answer to the first part of the question. In a paper presented at the International Symposium in Memory of Dr William Amo, the Ghanaian philosopher who taught in German universities in the early part of the eighteenth century, Professor Odera Oruka identified four trends, perhaps more appropriately approaches, in current African philosophy